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This title was first published in 1999 & examines the range of detective literature produced between 1901 and 1915 in Britain, during the reign of Edward VII and the early reign of George V. The book assesses the literature as cultural history, with a focus on issues such as legal reform, marital reform, surveillance, Germanophobia, masculinity/femininity, the "best-seller", the arms race, international diplomacy and the concept of "popular" literature. The work also addresses specific issues related to the relationship of law to literature, such as: the law in literature; the law as literature, the role of literature in surveillance and policing; the interpretation of legal issues by literature; the degree to which literature describes and interprets law; the description of legal processes in detective literature; and the connections between detective literature and cultural practices and transitions.
The exploits of the great Victorian Detectives, Poe's C. Auguste Dupin, Gaboriau's Lecoq, and most famously, Arthur Conan Doyle's Sherlock Holmes, are well known. But what of those fictional detectives that came after, those of the Edwardian Age? The period between the death of Queen Victoria and the First World War had been called the Golden Age of the detective short story, but how familiar is the modern reader with the sleuths of this era? And such an extraordinary group they were, including in their numbers an unassuming English priest, a blind man, a master of disguises, a lecturer in medical jurisprudence, a noble woman working for Scotland Yard, and a savant so brilliant he was known as "The Thinking Machine." To introduce readers to these detectives, Resurrected Press has assembled a collection of stories featuring these and other remarkable sleuths in The Edwardian Detectives. The Case of Laker, Absconded by Arthur Morrison The Fenchurch Street Mystery by Baroness Orczy The Crime of the French Cafe by Nick Carter The Man with Nailed Shoes by R Austin Freeman The Blue Cross by G. K. Chesterton The Case of the Pocket Diary Found in the Snow by Augusta Groner The Ninescore Mystery by Baroness Orczy The Riddle of the Ninth Finger by Thomas W. Hanshew The Knight's Cross Signal Problem by Ernest Bramah The Problem of Cell 13 by Jacques Futrelle The Conundrum of the Golf Links by Percy James Brebner The Silkworms of Florence by Clifford Ashdown The Gateway of the Monster by William Hope Hodgson The Affair at the Semiramis Hotel by A. E. W. Mason The Affair of the Avalanche Bicycle & Tyre Co., LTD by Arthur Morrison
Edgar Award winner Otto Penzler—“detective fiction’s best editor and champion” (The Washington Post)—returns with a new anthology of exhilarating mysteries, assembling Victorian society's lords and ladies and most miserable miscreants Behind the velvet curtains of horsedrawn carriages and amid the soft glow of the gaslights are the detectives and bobbies sniffing out the safecrackers and petty purloiners who plague everything from the soot-covered side streets of London to the opulent manors of the countryside. With his latest title in the Big Book series, Otto Penzler is cracking cases and serving up the most thrilling, suspenseful Victorian mysteries. This collection brings together incredible stories from Arthur Conan Doyle, Thomas Hardy, Oscar Wilde, Charles Dickens, Wilkie Collins, and Guy de Maupassant among other legendary writers of the grand era of the British Empire. So brush off your dinner jackets and straighten out your ball gowns for these exciting, glitzy mysteries. A VINTAGE CRIME/BLACK LIZARD ORIGINAL
The second in Chesney's Edwardian mystery series features Captain Cathcart, Lady Summer, and Superintendent Kerridge of Scotland Yard as they investigate the crimes of Edwardian aristocrats.
Fourteen extraordinary Victorian and Edwardian crime stories by Rudyard Kipling, Arthur Conan Doyle, Jacques Futrelle, G. K. Chesterton, and others — many never before published in book form.
Eager to join the working classes, Lady Rose Summer has abandoned the comforts of her parents' home to become self-supporting. But life as a working woman isn't quite what Rose had imagined---long hours as a typist and nights spent in a dreary women's hostel are not very empowering when you're poor, cold, and tired. Luckily for Rose, her drudgery comes to a merciful end when she learns of the untimely death of an acquaintance. Freddy Pomfret, a silly and vacuous young man, was almost certainly up to no good before he was shot dead in his London flat. When Rose discovers incriminating evidence pointing to several members of her class, she returns to London high society in order to investigate properly. With the help of Captain Harry Cathcart and Superintendent Kerridge of Scotland Yard, Rose prepares to do the social rounds—uncovering a devious blackmail plot and an unexpected killer. Set in Britain during the Edwardian world of parties, servants, and scandal, M. C. Beaton's Hasty Death is a delightful combination of murderous intrigue and high society.
Lady Rose Summer may be a beauty, but she's still a disappointment to her parents. So when she becomes engaged to Captain Harry Cathcard, it's a relief of sorts. Rose befriends Dolly Tremaine, an exquisite country girl, but when Dolly is found floating in the river, Harry must step up and solve the mystery of her death.
In the second novel in Elena Forbes’ bestselling mystery series, DI Mark Tartaglia’s investigation into a murder becomes a hunt for a possible serial killer. Hurting is her special skill. On a snowy February morning, London art dealer Rachel Tenison goes for a jog through Holland Park. Still giddy from the previous evening, her legs wobbly from too much drink and too little sleep, she falls at the bottom of an icy hill. Lying on her back, she savours the sensation of snowflakes melting on her skin and the unexpected stillness of the moment. But then there’s the sharp crack of a tree branch behind her, and a voice softly calling her name. Two days later, detectives Mark Tartaglia and Sam Donovan are assigned to the case when Rachel’s naked, frozen body is discovered in the park, bound and arranged in a strangely symbolic manner. Still haunted by “The Bridegroom,” a chillingly seductive serial killer with a penchant for lonely girls and deadly heights, they’re forced to put the past behind them as they try to catch Rachel’s murderer. But when a tip from a journalist draws their attention to grisly similarities between this and another unsolved crime, the web becomes more tangled than ever.
The figure of the detective has long excited the imagination of the wider public, and the English police detective has been a special focus of attention in both print and visual media. Yet, while much has been written in the last three decades about the history of uniformed policemen in England, no similar work has focused on police detectives. The Ascent of the Detective redresses this by exploring the diverse and often arcane world of English police detectives during the formative period of their profession, from 1842 until the First World War, with special emphasis on the famed detective branch established at Scotland Yard. The book starts by illuminating the detectives' socioeconomic background, how and why they became detectives, their working conditions, the differences between them and uniformed policemen, and their relations with the wider community. It then goes on to trace the factors that shaped their changing public image, from the embodiment of 'un-English' values to plebeian knights in armour, investigating the complex and symbiotic exchange between detectives and journalists, and analysing their image as it unfolded in the press, in literature, and in their own memoirs.
The essays in this revised and expanded volume explore a variety of structuring taxonomies, the relationships between the aesthetic forms, styles and methodologies of detective and crime fiction in the late-Victorian and Edwardian period. The influences on the artists in the genre are as varied as the interests of the period in scientific method, forensics, archaeology, aesthetics, medicine, and the paranormal. But the formalizing tendencies of investigative process remain, and it is this adherence, in artist and detective alike, to seeing crime and its resolution as a stylistic imposition of structure on disorder that is under examination.