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HMS Dreadnought (1906) is closely associated with the age of empire, the Anglo-German antagonism and the naval arms race before the First World War. Yet it was also linked with a range of other contexts - political and cultural, national and international - that were central to the Edwardian period. The chapters in this volume investigate these contexts and their intersection in this symbolically charged icon of the Edwardian age. In reassessing the most famous warship of the period, this collection not only considers the strategic and operational impact of this 'all big gun' battleship, but also explores the many meanings Dreadnought had in politics and culture, including national and imperial sentiment, gender relations and concepts of masculinity, public spectacle and images of technology, and ideas about modernity and decline. The volume brings together historians from different backgrounds, working on naval and technological history, politics and international relations, as well as culture and gender. This diverse approach to the subject ensures that the book offers a timely revision of the Dreadnought and the Edwardian Age.'
'Must be regarded as an important step in rescuing Edwardian history from what he rightly calls "an academic limbo" ... combines the qualities of readability, breadth of focus, willingness to explain.' - TES
A richly detailed history of Britain at its imperial zenith, revealing the simmering tensions and explosive rivalries beneath the opulent surface of the late Victorian and Edwardian eras. The popular memory of Britain in the years before the Great War is of a powerful, contented, orderly, and thriving country. Britain commanded a vast empire: she bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamed of and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence can be seen in Edward Elgar’s Pomp and Circumstance marches, newsreels of George V’s coronation, and London’s great Edwardian palaces. Yet beneath the surface things were very different In The Age of Decadence, Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation’s massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century’s gravest constitutional crisis—and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists’ public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press, and the science fiction of H. G. Wells, but also the nostalgia of A. E. Housman.
Second edition of The Pocket Guide to Edwardian England, newly revised and expanded. The Edwardian Era simplified, organized, and easy to reference. Aimed towards writers of historical fiction, though genealogists, Downton Abbey fans, and the curious alike will find this an excellent starting point for their own research. Compiled from lectures and blog posts on Edwardian Promenade, as well as 70% more original content, Edwardian England: A Guide to Everyday Life, 1900-1914 poses to give a entry level, but thorough look at the time period made popular by Downton Abbey and Mr. Selfridge.
The author provides a stimulating interpretation of the Edwardian period, offering valuable insights into the difficulties of governing a society in a time of rapid modernisation and suggesting a new perspective on the question of whether Britain was on the verge of revolution in the summer of 1914.
Exposition. London. Barbican Art Gallery. 1987-1988.
A study of one of the most intense and formative periods of modern political history. The years 1899-1914 witnessed a fundamental challenge to many Victorian values and institutions: Free Trade, the new Poor Law, the House of Lords, the Irish Union - all were under attack, while organized labour and the feminist movement displayed an unprecedented assertiveness and aggression. Drawing on a variety of sources, this work examines what made these years the most politically turbulent between the Chartist era and today. It emphasizes the long shadow cast by the South African War, and the challenges to national identity posed by imperialism and by the Irish nationalist movement. Consideration is also given to the 1906 Liberal landslide victory and the way in which this aroused expectations that could not always be fulfilled. The author offers his own perspectives on the leading figures of the day - Chamberlain, Balfour, Lloyd George, Asquith and Churchill. While the emphasis of the book is on political thought, the author also sets his discussion within the broader context of social and economic change. This study is designed for A' level and undergraduate students of Edwardian history.
From the acclaimed author of Corelli’s Mandolin, here is a sumptuous, sweeping, powerfully moving new novel about a British family whose lives and loves are indelibly shaped by the horrors of World War I and the hopes for its aftermath. In the brief golden years of the Edwardian era the McCosh sisters—Christabel, Ottilie, Rosie and Sophie—grow up in an idyllic household in the countryside south of London. On one side, their neighbors are the proper Pendennis family, recently arrived from Baltimore, whose close-in-age boys—Sidney, Albert and Ashbridge—shake their father’s hand at breakfast and address him as “sir.” On the other side is the Pitt family: a “resolutely French” mother, a former navy captain father, and two brothers, Archie and Daniel, who are clearly “going to grow up into a pair of daredevils and adventurers.” In childhood this band is inseparable, but the days of careless camaraderie are brought to an abrupt halt by the outbreak of The Great War, in which everyone will play a part. All three Pendennis brothers fight in the hellish trenches at the front; Daniel Pitt becomes an ace fighter pilot with his daredevil tendencies intact; Rosie and Ottilie McCosh volunteer in the hospitals, where women serve with as much passion and nearly as much hardship as the men at the front; Christabel McCosh becomes one of the squad of photographers sending “snaps” of their loved ones at home to the soldiers; and Sophie McCosh drives for the RAF in France. In the aftermath of the war, as “the universal joy and relief were beginning to be tempered by . . . an atmosphere of uncertainty,” everyone must contend with the modern world that is slowly emerging from the ashes of the old. A wholly immersive novel about a particular time and place, The Dust That Falls from Dreams also illuminates the timeless ways in which men and women carry profound loss alongside indelible hope.
Records a wealthy society's desire to immortalise itself in fabulous self-portraits. It found artists who succeeded brilliantly and this book, the only one devoted to the subject, records both the sitters and the work of the artists.