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Recipient of the prestigious Commonwealth Writers Prize in 1989, Janet Frame has long been admired for her startlingly original prose and formidable imagination. A native of New Zealand, she is the author of eleven novels, four collections of stories, a volume of poetry, a children's book, and her heartfelt and courageous autobiography -- all published by George Braziller. This fall, we celebrate our thirty-ninth year of publishing Frame's extraordinary writing. Copyright © Libri GmbH. All rights reserved.
Through photographs, the alphabet is depicted with words, from a to z, etched in concrete, spray-painted on walls, or stuck into glass in an urban landscape.
READ THE SENSATIONAL BLOCKBUSTER THAT STARTED IT ALL! Take it from the top in #1 New York Times bestselling author Sue Grafton's knockout thriller that introduced detective Kinsey Millhone—and a hot new attitude—to crime fiction... A IS FOR AVENGER A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. A twice-divorced loner with few personal possessions and fewer personal attachments, she's got a soft spot for underdogs and lost causes. A IS FOR ACCUSED That's why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she's out on parole and needs Kinsey's help to find the real killer. But after all this time, clearing Nikki's bad name won't be easy. A IS FOR ALIBI If there's one thing that makes Kinsey Millhone feel alive, it's playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer—and sharper—than she imagined. "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw "P" Is for Peril "Q" Is for Quarry "R" Is for Ricochet "S" Is for Silence "T" Is for Trespass "U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"
Fantasy author Patricia A. McKillip, the 21st century's response to Hans Christian Andersen, has mastered the art of writing fairy tales -- as evidenced by previous works like The Tower at Stony Wood, Ombria in Shadow, and In the Forests of Serre. Alphabet of Thorn is yet another timeless fable suitable for children and adults alike. In the kingdom of Raine, a vast realm at the edge of the world, an orphaned baby girl is found by a palace librarian and raised to become a translator. Years later, the girl -- named Nepenthe -- comes in contact with a mysterious book written in a language of thorns that no one, not even the wizards at Raine's famous Floating School for mages, can decipher. The book calls out to Nepenthe's very soul, and she is soon privately translating its contents. As she works tirelessly transcribing the book -- which turns out to be about the historical figures of Axis, the Emperor of Night, and Kane, his masked sorcerer -- the kingdom of Raine is teetering on the brink of chaos. The newly crowned queen, a mousy 14-year old girl named Tessera who wants nothing to do with matters of state, hides in the woods as regents plot revolution. The queen's destiny, however, is intertwined with Nepenthe's ability to unravel the mystery of the thorns.
In her highly ambitious second collection of poems, Katrina Vandenberg takes her inspiration from the alphabet. A meditation on the hump of a camel, and what it hides. A reminder that tomatoes belong to the nightshade family, and a vision of the plant as Adam’s downfall. The Book of Kells, gold-leafed and extravagantly decorated by monks. Titled for letters of the Phoenician alphabet, and employing such innovative forms as the ancient ghazal, these poems are richly grounded in objects both humble and exotic. Vandenberg explores the intersection of power and forgiveness, and deciphers the seemingly indecipherable in emotionally poignant ways. “What will protect us?” one poem asks. “The words will be our weapons. In the end.” Moving between the physical and the abstract, the individual and the collective, The Alphabet Not Unlike the World unearths meaning—with astonishing beauty—from the pain of loss and separation.
O is for orca and P is for puffin! From AUKLET to ZIGZAG, this ABC book is filled with stunning nature photos and fun facts. What better way for a Northwest child to learn the alphabet than to associate the letters witht he animals, plants, and places of our home region? With beautiful photographs by acclaimed nature photographer Art Wolfe, this book brings the alphabet to life for toddlers through colorful animals and landscapes. Wildlife in the book includes auklets, bears, coyotes, deer, eagles, lynx, salmon, urchins, and more.
"In the final chapter of The Alphabet in My Hands, she addresses two important topics: her current residence in New England and the central role of writing and literature in her life."--BOOK JACKET.
This study of Janet Frame's fiction addresses with unusual directness the Utopian momentum that underpins her concern with fundamental social issues, traditionally highlighted in existing criticism of her work. The idea behind this book is that Frame's critique of society, while it is offered for its own sake on one level, should not lead us to neglect the author's more speculative interest in an alternative conception of the human person. Her engagement in a species of experimental portraiture proves elusive, though, owing to an indirectness of approach that usually takes the form of thematic circumscription, rather than explicit representation. For example, the figure of the mute child, recurrent in her work, may well testify to a concern with the plight of the mentally ill; but on another level it also points to an envelope of intractable experience which it is the artist’s task to penetrate and explain. Such aspiration is inseparable from the search for a new medium of expression, felt to be necessary if one is to meet the challenge of apprehending the scope of pioneering knowledge. This close reading of the novels reveals that the alternative dimension of experience to be found in Frame’s novels is characterized by an intact capacity for remembering, or for imaginatively re-creating, eclipsed aspects of the present. Frame's view of Utopia thus turns out to be manifold: it is existential and ontological, linguistic and epistemological, but also historical and political. An unravelling of these intertwined strains then serves to clarify the complex question of Frame's post-colonial sensibility, which cannot be said to rely on a sense of rigid identity, whether national or otherwise.
Mitra and her brother Babak are exiled royals living on the streets as orphaned beggars. Babak possesses a strange gift of being able to know someone's dreams, and soon they find themselves on the road to Bethlehem in this biblical epic.