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Like so many big cities in the United States, Philadelphia has suffered from a strikingly high murder rate over the past fifty years. Such tragic loss of life, as Eric C. Schneider demonstrates, does not occur randomly throughout the city; rather, murders have been racialized and spatialized, concentrated in the low-income African American populations living within particular neighborhoods. In The Ecology of Homicide, Schneider tracks the history of murder in Philadelphia during a critical period from World War II until the early 1980s, focusing on the years leading up to and immediately following the 1966 Miranda Supreme Court decision and the shift to easier gun access and the resulting spike in violence that followed. Examining the transcripts of nearly two hundred murder trials, The Ecology of Homicide presents the voices of victims and perpetrators of crime, as well as the enforcers of the law—using, to an unprecedented degree, the words of the people who were actually involved. In Schneider's hands, their perspectives produce an intimate record of what was happening on the streets of Philadelphia in the decades from 1940 until 1980, describing how race factored into everyday life, how corrosive crime was to the larger community, how the law intersected with every action of everyone involved, and, most critically, how individuals saw themselves and others. Schneider traces the ways in which low-income African American neighborhoods became ever more dangerous for those who lived there as the combined effects of concentrated poverty, economic disinvestment, and misguided policy accumulated to sustain and deepen what he calls an "ecology of violence," bound in place over time. Covering topics including gender, urban redevelopment, community involvement, children, and gangs, as well as the impact of violence perpetrated by and against police, The Ecology of Homicide is a powerful link between urban history and the contemporary city.
Like so many big cities in the United States, Philadelphia has suffered from a strikingly high murder rate over the past fifty years. Such tragic loss of life, as Eric C. Schneider demonstrates, does not occur randomly throughout the city; rather, murders have been racialized and spatialized, concentrated in the low-income African American populations living within particular neighborhoods. In The Ecology of Homicide, Schneider tracks the history of murder in Philadelphia during a critical period from World War II until the early 1980s, focusing on the years leading up to and immediately following the 1966 Miranda Supreme Court decision and the shift to easier gun access and the resulting spike in violence that followed. Examining the transcripts of nearly two hundred murder trials, The Ecology of Homicide presents the voices of victims and perpetrators of crime, as well as the enforcers of the law—using, to an unprecedented degree, the words of the people who were actually involved. In Schneider's hands, their perspectives produce an intimate record of what was happening on the streets of Philadelphia in the decades from 1940 until 1980, describing how race factored into everyday life, how corrosive crime was to the larger community, how the law intersected with every action of everyone involved, and, most critically, how individuals saw themselves and others. Schneider traces the ways in which low-income African American neighborhoods became ever more dangerous for those who lived there as the combined effects of concentrated poverty, economic disinvestment, and misguided policy accumulated to sustain and deepen what he calls an "ecology of violence," bound in place over time. Covering topics including gender, urban redevelopment, community involvement, children, and gangs, as well as the impact of violence perpetrated by and against police, The Ecology of Homicide is a powerful link between urban history and the contemporary city.
The papers in this volume examine the underlying social causes of criminal behaviour. The authors are concerned with both social-structural (e.g., age, sex, race, and family composition) and ecological (e.g., crowding, etc.) characteristics as important units of analysis of neighborhoods, cities and crime.
Murdering Animals confronts the speciesism underlying the disparate social censures of homicide and “theriocide” (the killing of animals by humans), and as such, is a plea to take animal rights seriously. Its substantive topics include the criminal prosecution and execution of justiciable animals in early modern Europe; images of hunters put on trial by their prey in the upside-down world of the Dutch Golden Age; the artist William Hogarth’s patriotic depictions of animals in 18th Century London; and the playwright J.M. Synge’s representation of parricide in fin de siècle Ireland. Combining insights from intellectual history, the history of the fine and performing arts, and what is known about today’s invisibilised sites of animal killing, Murdering Animals inevitably asks: should theriocide be considered murder? With its strong multi- and interdisciplinary approach, this work of collaboration will appeal to scholars of social and species justice in animal studies, criminology, sociology and law.
?Lively and readable.... Waters brings together a wealth of fascinating material on violence and, by putting criminal homicide in its larger context, fills a hole in the literature. The book will be valuable to scholars and students alike.? ?Mark Cooney, University of Georgia?Waters deftly explores the social construction of killing across time and place, offering vivid examples to illustrate the importance of this neglected topic. Entertaining enough to hold the attention of undergraduates, yet analytical enough to be used by graduate students and scholars, When Killing Is a Crime should appeal to anyone who studies crime.? ?Matthew T. Lee, University of AkronTaking another person?s life is the crime for which every society reserves the strongest of punishments. But why (and when) is the act of killing sometimes defined as murder?as inexcusable?and sometimes considered a justifiable, or even righteous, act? Grappling with this ambiguity, Tony Waters sheds light on the sociology of murder.This innovative text draws on wide-ranging case studies of killing?from urban gangs in Washington D.C. to the Salem witchcraft trials, from the ?Wild West? to blood feuds in modern Albania, from dueling gentlemen to government-orchestrated mass executions?to illustrate the process of criminalization. Along the way, it looks at both the micro-sociological level of the violent act itself and the macro-level of society?s reaction. When Killing Is a Crime will leave students with a clear understanding of how differences in culture, status, power, technology, and legal systems pattern violence and murder.Tony Waters is associate professor of sociology at California State University, Chico. He is author of Crime and Immigrant Youth and Bureaucratizing the Good Samaritan.Contents: The Criminalization of Killing. The Invention of Murder: Killing and the Law. The Ecology of Violence: From Hurt Feelings to Fatal Blows. Societies Respond to Killers: The Need for Catharsis and Outrage. When the State Kills: Execution, War, and Genocide. Understanding the Sociology of Killing.