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Pontano was the most innovative, versatile Latin poet of Quattrocento Italy. His Two Books of Hendecasyllables, subtitled Baiae, are the elegant offspring of Pontano's leisure, written to celebrate love, good wine, friendship, nature, and all the pleasures of life to be found at the seaside resort of Baiae on the Bay of Naples.
Giovanni Pontano (1426–1503), whose academic name was Gioviano, was the most important Latin poet of the fifteenth century as well as a leading statesman who served as prime minister to the Aragonese kings of Naples. His Dialogues are our best source for the humanist academy of Naples which Pontano led for several decades. They provide a vivid picture of literary life in the capital of the Aragonese seaborne empire, based in southern Italy and the Western Mediterranean. This first volume contains the two earliest of Pontano’s five dialogues. Charon, set in the underworld of classical mythology, illustrates humanist attitudes to a wide range of topics, satirizing the follies and superstitions of humanity. Antonius, a Menippean satire named for the founder of the Neapolitan Academy, Antonio Beccadelli, is set in the Portico Antoniano in downtown Naples, where the academicians commemorate and emulate their recently-deceased leader, conversing on favorite topics and stopping from time to time to interrogate passersby. This volume contains a freshly-edited Latin text of these dialogues and the first translation of them into English.
Giovanni Pontano, the dominant literary figure of quattrocento Naples, wrote two brilliantly original poetical cycles. On Married Love is the first sustained exploration of married love in first-person poetry. Eridanus combines familiar motifs of courtly love with an allusive matrix of classical elegy and Pontano's distinctive vision.
Pastoral poetry highlights the didactic relationship of older and younger shepherds--as rivals or patron and successor. Departing from conventional views of the pastoral genre as an Arcadian escape from urban sophistication, THE PIPES OF PAN follows the connecting thread in the cultures of Alexandria and Rome, revealing that Theocritus and Vergil applied pastoral metaphor to represent the poetic community.
Sannazaro (1456-1530) is most famous for having written the first pastoral romance in European literature, the Arcadia (1504). But after this work, he devoted himself entirely to Latin poetry modeled on his beloved Virgil. In addition to his epic The Virgin Birth (1526), he also composed Piscatory Eclogues, an adaption of the eclogue form.
A Companion to Vergil’s Aeneid and its Tradition presents a collection of original interpretive essays that represent an innovative addition to the body of Vergil scholarship. Provides fresh approaches to traditional Vergil scholarship and new insights into unfamiliar aspects of Vergil's textual history Features contributions by an international team of the most distinguished scholars Represents a distinctively original approach to Vergil scholarship
This volume is an essential supplement to Pastoral poetry of the English Renaissance: An anthology (2016). The full-length Introduction examines English Renaissance pastoral against the history of the mode from antiquity to the present, with its multifarious themes and social affinities. The study covers many genres – eclogue, lyric, georgic, country-house poem, ballad, romantic epic, prose romance – and major practitioners – Theocritus, Virgil, Sidney, Spenser, Drayton and Milton. It also charts the circulation of pastoral texts, with implications for all early modern poetry. All poems in the Anthology were edited from the original texts; the Companion documents the sources and variant readings in unprecedented detail for a cross-section of early modern poetry. Includes notes on the poets and analytical indices. The Companion is indispensable not only to users of the Anthology but to all students and advanced scholars of Renaissance poetry.
With an “inimitable voice combined with flawless erudition,” this new analysis of the Aeneid “illuminates its subject with a modern light” (Le Monde). From the bestselling author of The Ingenious Language comes a meditation on rebuilding, recovery, and renewal that is also a fascinating portrait of antiquity’s most complex and surprisingly modern hero. In times of peace and prosperity, one can turn to Homer to learn valuable life lessons, to experience the thrills and terrors of war, and to read about hair-raising adventures in distant lands. But when things do not go as planned, when we unexpectedly find ourselves at the center of an epoch-defining upheaval, then, writes Andrea Marcolongo, we must look to Virgil’s Aeneas for an example of adaptability and resilience. In Marcolongo’s fresh, nuanced portrayal, Virgil’s Aeneas emerges as a multiform, deeply human hero, striking in his vulnerability and capacity for empathy. His journey of rebirth and rebuilding, from the ruins of Troy to the shores of Italy, teaches us that when all seems lost, with hope, perseverance, and a little bit of luck, we can seek and find new beginnings. “Marcolongo is today’s Montaigne . . . There is wisdom and grace here to last the ages.” —André Aciman, New York Times–bestselling author of Call Me by Your Name, now a major motion picture “A deep look at our all-too-human fragility . . . An impassioned and enthralling book.” —Bon Culture (Italy) “Through her personal reacquaintance with [the Aeneid] at a time of great distress, Andrea Marcolongo has brought it, as it were, back into the conversation and outside the confines of academia . . . An excellent translation by Will Schutt brilliantly serves Andrea Marcolongo’s passionate endorsement of a work of literature written two millennia ago.” —Reading in Translation “Andrea Marcolongo has brought us a book from the future.” —La Stampa (Italy)