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From the Foreword: Friends of Moon and Winds-so were the Japanese poets called who wrote the tiny poems that comprise the greater part of this book. Dewdrops of smallest compass are they, yet mirroring in vivid flashes the whole of Japanese life. In few words of primitive, childlike simplicity these old sages sang, for the little hokku poems are gems of only three lines comprising no more than seventeen syllables, the tiniest poems in the world. These minute gems, however, usher one into that atmosphere of tender sympathy with all that has life, that world of benign serenity where dwelt the ancient poets of Japan. Cricket, butterfly, bee, and frog, stars, flowers, winds-these were the things of which they sang. What could be more simple or within the understanding of the smallest child? Yet here is real poetry, and not mere doggerel, the finest poetry of Japan. -- Provided by publisher.
One of the most important and influential painters of the 19th century, Eckersberg (1783 - 1853) was a prominent figure in the so-called Golden Age of Danish Art. A painter of great diversity, his art spans many genres, from Romanticism and Neoclassicism to Naturalism and Realism. Eckersberg was also a pioneer of the art of plein air painting. This book offers an in-depth examination of Eckersberg's works, identifying their dualistic nature, as the painter strove for a true representation of reality while aiming to impose structure and order to the world around him. Generously illustrated, the book features works from every period of the painter's career while authoritative essays address Eckersberg's approach to nature and the human body, the storytelling aspect of his work and his paintings' reception by audiences throughout Europe and America.0Exhibition: Statens Museum for Kunst, Copenhagen, Denmark (8.10.2015-24.1.2016) / Hamburger Kunsthalle, Germany (11.2.-15.5.2016).
The story of an intrepid voyage of epic proportion with a hero unequaled in the annals of literature. Gorey is "a man of enormous erudition . . . an artist and writer of genius" ("The New Yorker").
"More than fifty of Gustave Caillebotte's (1848-1894) strongest paintings illustrate the fertile period from 1875 to 1885 when he was most closely allied with the impressionists. Accompanying the National Gallery of Art's major new exhibition, coorganized with the Kimbell Art Museum, this volume explores the inquisitive, experimental, almost fearless vision that inspired his masterworks"--
Sent on a mission to New York he gets involved in a wild journey that takes him in and out of stolen cars, freight trains, and buses. By the time he returns home to Texas, Norwood has met his true love, Rita Lee, on a bus; befriended the second shortest midget in show business and “the world's smallest perfect fat man†?; and helped Joann “the chicken with a college education,†? realize her true potential in life. As with all Portis’ fiction, the tone is cool, sympathetic, and funny.
"This beginner-friendly guide is modeled on a traditional Wiccan Book of Shadows but is flexible enough to be personalized. With sections on herbs, stones, spells, rituals, candle magic, divination, correspondences, magical recipes, and more, this book makes practicing Witchcraft easier, simpler, and more fun"--
In this memoir/design book, Emmerling takes her readers sleuthing and partying at Round Top antiques fair; reminisces on her days at Mademoiselle, House Beautiful and other top magazines; shares oodles of her favorite things; and shares personal, fresh country decorating in her own home and those of a few close friends. MARY EMMERLING is an iconic innovator of American Country style. She has authored 30 previous books, including Art of the Cross, Turquoise, Skull, Heart, and Buckle and most recently The American Flag: Art, Design, Fashion. She lives in Scottsdale, Arizona. REED DAVIS is an editorial and commercial photographer living in Los Angeles and New York.
From Sarajevo, with Sorrow restores all that is offensive, despairing and necessary to our understanding of war by capturing the poems’ original power and humanity. This collection contains both previously unpublished poems, written “under the candlelight” of the siege, and new poems returning to the sniper’s alleys and bunkers of Sarajevo. This is a disturbingly resonant, timely and important collection.