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An invaluable introductory guide for students, this Companion features thirteen new essays from leading international experts on William Carlos Williams, covering his major poetry and prose works. It addresses central issues of recent Williams scholarship and considers his relationships with contemporaries as well as the importance of his legacy.
"This book addresses how discourses of cultural nationalism and avant-gardism have structured the formation of American poetry canons. Examining William Carlos Williams's importance for postmodern poetry, it underscores how his literary reputation has figured prominently in recent reconsiderations of twentieth-century American literary history. The postmodern poets responding to Williams emphasize not only the cultural politics of constructing literary reputations, but also a more fundamental assumption that governs canon formation, the assumption that "poetic language" excludes speech types marking social difference." "Williams's commitment to experimentation and the destruction of traditional forms allies his poetics with the critical stance of the international avant-garde. His writing is especially sensitive, however, to linguistic registers of social difference in the United States. Focusing especially on Williams's early experimentation with poetic form, through Spring and All, but also on his critical and imaginative prose, such as In the American Grain, this book argues that two contingent rhetorical motives structure his response to cultural change: what Lowney calls the "poetics of descent" and the "poetics of dissent.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The poet as an inheritor of an Emersonian tradition, and Paterson as an ethical autobiography in progress.
Fine selection of early verse by influential ("no ideas but in things") American poet includes "Peace on Earth," "Willow Poem," "Queen-Anne's-Lace," "Tract," "El Hombre," "Danse Russe," "Keller Gegen Dom," "Portrait of a Lady," "The Widow's Lament in Springtime," many more.
A “superb study” that “reminds us that Williams remains our contemporary not only for the lively cadences and fresh imagery that animate his poems, but for the ethical imperative of his example” (The Sewanee Review). Acclaimed essayist and poet Wendell Berry was born and has always lived in a provincial part of the country without an established literary culture. In an effort to adapt his poetry to his place of Henry County, Kentucky, Berry discovered an enduringly useful example in the work of William Carlos Williams. In Williams’ commitment to his place of Rutherford, New Jersey, Berry found an inspiration that inevitably influenced the direction of his own writing. Both men would go on to establish themselves as respected American poets, and here Berry sets forth his understanding of that evolution for Williams, who in the course of his local membership and service, became a poet indispensable to us all. “Generously quoting many of Williams’ best lines . . . Berry produces a work of aesthetics more than evaluation, of love more than critique.” —Booklist
Brian Bremen's innovative re-examination of William Carlos Williams's life and work traces the development of Williams's poetics, focusing in particular on his ongoing fascination with the effects of poetry and prose. In an analysis informed by the insight of contemporary cultural critics, Bremen traces Williams's thought from the confused romanticism of Spring and All to the methodological empiricism of Paterson, examining in the process Williams's correspondence with life-long friend Kenneth Burke and their shared theoretical interests. Through this fresh conceptual frame-work, Bremen shows how Williams's role as poet becomes more congruous with his role as doctor. In addition, Bremen looks closely at Williams's economic and social theories in light of those of Ezra Pound and T.S. Eliot, making a case for the consistency of Williams's thought on medicine, gender, economics, poetry and prose, and history. William Carlos Williams and the Diagnostics of Culture is essential reading for scholars not only of Williams, but also of Modernism, twentieth-century literature, and cultural criticism and history.
A study guide for William Carlos Williams' "The Red Wheelbarrow", excerpted from Gale's acclaimed Poetry for Students series. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
In the twentieth century more people spoke English and more people wrote poetry than in the whole of previous history, and this Companion strives to make sense of this crowded poetical era. The original contributions by leading international scholars and practising poets were written as the contributors adjusted to the idea that the possibilities of twentieth-century poetry were exhausted and finite. However, the volume also looks forward to the poetry and readings that the new century will bring. The Companion embraces the extraordinary development of poetry over the century in twenty English-speaking countries; a century which began with a bipolar transatlantic connection in modernism and ended with the decentred heterogeneity of post-colonialism. Representation of the 'canonical' and the 'marginal' is therefore balanced, including the full integration of women poets and feminist approaches and the in-depth treatment of post-colonial poets from various national traditions. Discussion of context, intertextualities and formal approaches illustrates the increasing self-consciousness and self-reflexivity of the period, whilst a 'Readings' section offers new readings of key selected texts. The volume as a whole offers critical and contextual coverage of the full range of English-language poetry in the last century.