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'The Early Life and Adventures of Sylvia Scarlett', often shortened to 'Sylvia Scarlett', is a novel by the British writer Compton Mackenzie. The story follows Sylvia Scarlett and her father on a thrilling adventure as they flee France and embark on a journey full of twists and turns. Compton Mackenzie's novel takes readers on a wild ride with the Scarletts, as they team up with a charming "gentleman adventurer" named Jimmy Monkley to pull off daring cons. Will they stay one step ahead of the police, or will their luck run out?
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This edition of The Lost Girl offers a text corresponding to Lawrence's expectations.
The First World War is a watershed in the intellectual and spiritual history of the modern world. On the one hand, it brought an end to a sense of optimism and decency bred by the prosperity of nineteenth-century Europe. On the other, it brought forth a sense of futility and alienation that has since pervaded European thought. That cataclysmic experience is richly reflected in the work of writers and artists from both sides of the conflict, and this study provides a detailed analysis of two basic themes -- death and degradation -- that mark the literature about the war. From their accounts most men entered the war lightheartedly, filled with ideals of patriotism and glory, but these generous feelings were soon quelled as the war settled into a stalemate, its operations reduced to simply grinding away the opposing forces. In these operations, Alfredo Bonadeo shows, men became mere aggregations thrown against one another, wasted with no appreciable effects or gains, save carnage itself. This cheapening and disregard for human life and being Bonadeo finds rooted not only in the conditions of war but, significantly, in a contempt for the common man prevailing in European political and intellectual circles. This attitude is revealed most plainly in his analysis of the Italian literature, which hitherto has received little note. Italian leaders saw the war as an opportunity to expiate a sense of national guilt, and here the inconclusive campaigns made their futility all the greater. Out of the torn fields of the First World War grew the seeds of a second, greater conflict, but, Professor Bonadeo concludes, the flowering of the seeds was aided by the degradation of man's spirit on those fields. The grim focus of this book, the dead voices it evokes, leads to a new appreciation of the meaning of the Great War.
With the spirited and unforgettable Sylvia Scarlett, a character acclaimed as being 'one of the few really great women in fiction', Compton Mackenzie brings us his very own Becky Sharp. Originally published in two volumes, this complete edition follows her fortunes from childhood and marriage, through her escape into prostitution and her later career as a singer and cabaret artiste, until at last she finds romance with Michael Fane. A tale weaved with Dickensian skill and humour in characterisation, THE ADVENTURES OF SYLVIA SCARLETT holds its place as one of the most vital and picaresque romances of the twentieth century.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1918 edition. Excerpt: ... thing, I'm not going to marry you merely to remove the world's censure of your conduct, and as long as you feel about marrying me as you might feel about letting me carry a heavy bag, I'll never marry you." "I don't feel a bit like that about it," he protested. "If I could leave you, I'd leave you now. But the very thought of losing you makes my heart stop beating. It's like suddenly coming to the edge of a precipice. I know perfectly well that you despise me at heart. You think I'm a wretched actor with no feelings off the stage. You think I don't know my own mind, if you even admit that I've got a mind at all. But I'm thirty-one. I'm not a boy. I've had a good many women in love with me. Now don't begin to laugh. I'm determined to say what I ought to have said long ago, and should have said if I hadn't been afraid the whole time of losing you. If I lose you now it can't be helped. I'd sooner lose you than go on being treated like a child. What I want to say is that, though I know you think it wasn't worth while being loved by the women who've loved me, I do think it was. I'm not in the least ashamed of them. Most of them, at any rate, were beautiful, though I admit that all of them put together wouldn't have made up for missing you. You're a thousand times cleverer than I. You've got much more personality. You've every right to consider you've thrown yourself away on me. But the fact remains that you've done it. We've been together now a year. That proves that there is something in me. I'm prouder of this year with you than of all the rest of my life. You've developed me in the most extraordinary way." "I have?" Sylvia burst in. "Of course you have. But I'm not going to be treated like a mantis." "Like a what?" "A mantis. You can read...
Fifty Hollywood Directors introduces the most important, iconic and influential filmmakers who worked in Hollywood between the end of the silent period and the birth of the blockbuster. By exploring the historical, cultural and technological contexts in which each director was working, this book traces the formative period in commercial cinema when directors went from pioneers to industry heavyweights. Each entry discusses a director’s practices and body of work and features a brief biography and suggestions for further reading. Entries include: Frank Capra Cecil B DeMille John Ford Alfred Hitchcock Fritz Lang Orson Welles DW Griffith King Vidor This is an indispensible guide for anyone interested in film history, Hollywood and the development of the role of the director.