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Andy Boychuk is a successful Saskatchewan politician – until one sweltering August afternoon when the party faithful gather at a picnic. All of the key people in Boychuk’s life – family, friends, enemies – are there. Boychuk steps up to the podium to make a speech, takes a sip of water, and drops dead. Joanne Kilbourn, in her début as Canada’s leading amateur sleuth, is soon on the case, delving into Boychuk’s history. What she finds are a Bible college that’s too good to be true, a woman with a horrifying and secret past, and a murderer who’s about to strike again.
When a prisoner is shot to death in a Saskatchewan penitentiary, Joanne Kilbourn finds herself haunted by a part of her past she wished had never happened. The dead prisoner is Kevin Tarpley, the man who six years earlier had brutally killed her politician husband, Ian, in a seemingly senseless act. The haunting takes on a more menacing cast several days later when Tarpley’s wife, Maureen, is discovered dead with a brightly coloured scarf wound tightly around her neck, a scarf that belongs to none other than Joanne Kilbourn. Soon this single mother, author, university professor, and TV-show panelist is deemed the “number one” suspect in Maureen Tarpley’s demise. Joanne knows there has to be a connection between these two murders. But what is it? A cryptic letter sent to Joanne by Kevin Tarpley just days before his death intimates that Ian Kilbourn’s killing may not have been as senseless as first assumed. In fact, there are hints that some of Ian’s political colleagues may have been involved. But how deeply and in what way? Then there’s the faded photograph of a pretty young woman and her baby that Joanne finds tucked in the wallet of her dead husband. Does it offer any clue to Ian’s murder, or to the deaths of the Tarpleys? Warily, Joanne Kilbourn is forced to follow a tangled trail deep into a heartbreaking past she never knew existed. A Colder Kind of Death is the fourth novel featuring Gail Bowen’s “reluctant sleuth,” Joanne Kilbourn. With its deft mix of wry humour and mayhem, closely observed family scenes and gripping suspense, warm characterization and betrayal, it confirms Gail Bowen’s stature as one of the greats of mystery fiction.
Award-winning mystery writer Gail Bowen’s first three masterful mysteries featuring amateur sleuth Joanne Kilbourn are now collected in a single volume. In Deadly Appearances, a successful politician sips his water before a speech at a picnic on a sweltering August afternoon and, within seconds, he is dead; in Murder at the Mendel, Joanne’s childhood friend may have a far more complicated, far more sordid, and far more deadly past than Joanne knows about; and in The Wandering Soul Murders, a centre for street kids holds a dark and disturbing secret, forcing Joanne to act when her own children are drawn into a web of intrigue that will leave you breathless.
Gail Bowen continues to enthrall with her masterfully compelling storytelling in Book 17 of her nationally bestselling Joanne Kilbourn series, combining a modern urban family with a gripping, satisfying mystery. As Joanne Kilbourn-Shreve, her husband, Zack, and their soon-to-be seventeen-year-old daughter, Taylor, rush through the rain from their cottage to their car, the Thanksgiving weekend they just spent at the lake with Zack's law partners is already slipping away, burnished into memory as pleasantly as the hundreds of other weekends the Falconer-Shreve families have shared at Lawyers' Bay. Thoughts of the weekend past will now focus on the future and be prefaced by the words "next time." Within weeks, a triple homicide will rip apart the lives of those related to the lawyers who, at the end of their first year in law school, only half-jokingly styled themselves "The Winners' Circle." Dazed by grief, Joanne will seek answers to an impossible question: "Why did they die?" The facts behind the suicide of Christopher Altieri, known by his law partners as "the conscience of The Winners' Circle," appear to provide insights, but for Joanne those insights raise new, unsettling questions. Knitting this powerful narrative together is Joanne's unshakeable belief that the only thing worse than knowing is not knowing.
Arthur Ellis Award-winning author and the “queen of Canadian crime fiction” (Winnipeg Free Press) returns with a new installment in the Joanne Kilbourn series On a Saturday bright with harbingers of spring, Joanne Kilbourn-Shreve, her husband, Zack, and their family prepare to celebrate the season. Joanne’s life is full, and at 60, she has been given the chance to understand a part of her history that for years was shrouded in secrecy. Living Skies is producing Sisters and Strangers, a six-part TV series about the tangled relationships between the families of Douglas Ellard, the father who raised Joanne, and Desmond Love, her biological father. Joanne is working on the script with Roy Brodnitz, a brilliant writer and friend. The project’s future seems assured, but before the script is completed, Brodnitz disappears while scouting locations in northern Saskatchewan. Hours later, he’s found — sweat-drenched, clawing at the ground, and muttering gibberish. He dies in a state of mortal terror. Heartsick and perplexed, Joanne resolves to learn what happened in the last hours of Roy’s life. What Joanne discovers threatens Brodnitz’s legacy, and the decision about whether or not to reveal the truth is hers to make. The Unlocking Season is another deeply satisfying and thought-provoking novel from one of Canada’s finest crime writers.
The tenth novel in the highly acclaimed Joanne Kilbourn series features the murderous fallout of a tell-all book on the troubled adult children of Canadian celebrities. When journalist Kathryn Morrissey’s sensational book on the lives of thirteen adult children of prominent Canadians is published, one of the parents, Sam Parker, is furious enough to take a pot shot at the author, grazing her shoulder. Charges are laid, and Joanne’s new beau, Zack Shreve, is hired by Parker as his defence counsel. At the trial, which Joanne is covering for NationTV, Shreve focuses the jury’s attention not on who shot whom, but on why — on the ethics governing the relationship between a journalist and her subject. Morrissey’s betrayal of her subjects opens up questions about an even more serious betrayal — the betrayal of children by their parents. While everyone condemns Parker for taking a gun to Morrissey, no one can fault his defence of his only child, Glen, a transsexual. The mutual love and commitment between this father and child stands in stark contrast to the alienation between Howard Dowhaniuk, Saskatchewan’s former premier, and his son, Charlie. On the day of the verdict, Morrissey is brutally murdered, and Joanne’s investigation quickly has her trying to unravel the endless knot of the relationship between parent and child. A deeply affecting novel of trust and betrayal, The Endless Knot is a superb mystery by a virtuoso of the genre.
In this chilling tale of the terrible power of the ties that both bind us and blind us, Gail Bowen has given us her best novel yet. Brimming with the author’s characteristic empathy for the troubled, The Glass Coffin explores the depth of tragedy that a camera’s neutral eye can capture – and cause. Canada’s favourite sleuth, Joanne Kilbourn, is dismayed to learn who it is that her best friend, Jill Osiowy, is about to marry. Evan MacLeish may be a celebrated documentary filmmaker, but he’s a cold fish who not only has already lost two wives to suicide, but has exploited their lives – and deaths – by making acclaimed films about them. Not even Jill appears to be particularly fond of him, and Jo is appalled to learn that her friend is marrying Evan primarily to become stepmother to his teenaged daughter, Bryn. Even Bryn hates her father for having filmed her all of her short life. It’s obvious to Joanne that this is stony ground on which to found a marriage. What is not obvious is that it is about to get bloodsoaked. Intelligent, sympathetic, and harder-edged than earlier novels in the Joanne Kilbourn series, The Glass Coffin is the work of a writer at the top of her form.
The indomitable Joanne Kilbourn is back! From beloved author Gail Bowen comes the 15th installment in the nationally bestselling series. For readers of Louise Penny, Ruth Rendell, and Peter Robinson. Joanne's husband Zack is the leading progressive candidate in a neck-and-neck race, with the existing mayor, for Regina's top job. The tough campaigning is well underway when a disturbing threat disrupts the celebration for the opening of the Racette-Hunter Centre -- a project Zack has been spearheading, intended to benefit the impoverished community of North Central Regina. Joanne soon realizes that sinister interests are working behind the scenes of the election, and another savage act makes clear that someone will stop at nothing to maintain the status quo. The Shreve campaign perseveres, but when Zack's opponents share some shocking information about the past, the revelation sends Joanne reeling. As tensions around the election build, Joanne tries to hold herself together, keep her family intact, and get to the bottom of why a series of violent incidents, seemingly related to the mayoral race, all lead back to a mysterious property in North Central, 12 Rose Street. A gripping novel about family and friendship, competition and betrayal, 12 Rose Street confirms why Gail Bowen is indeed the "queen of Canadian crime fiction" (Winnipeg Free Press).
Murder is the last thing on Joanne Kilbourn’s mind on a perfect morning in May. Then the phone rings, and she learns that her daughter Mieka has found the corpse of a young woman in an alley near her store. So begins Joanne’s chilling collision with evil in Gail Bowen’s riveting third mystery, The Wandering Soul Murders. Joanne is stunned and saddened by the news that the dead woman, at seventeen, was already a veteran of the streets. When, just twenty-four hours later, her son’s girlfriend is found dead, drowned in a lake in Saskatchewan’s Qu’Appelle Valley, Joanne’s sunny world is shattered. Her excitement about Mieka’s upcoming marriage, her involvement in the biography she is writing, even her pleasure at her return to Regina all fade as she finds herself drawn into a twilight world where money can buy anything and there are always people willing to pay.
The suicide of a lawyer who lives in her neighbourhood puzzles Joanna as she watches its effect on the other local lawyers and learns that another of their number disappeared recently.