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"This study takes the transformations of the monuments of Ravenna as a starting point to explore the city's attitude towards its religious cultural heritage throughout the centuries. Together with the local historiographical sources, dating from Medieval and Early Modern times, they provide a picture of the manner in which Ravenna experienced, appropriated and imagined its past....By considering Early Christian Ravenna from the context of cultural memory, involving both material and written sources, new insights are yielded on a frequently researched subject."--P. [4] of cover.
This translation makes this fascinating text accessible for the first time to an English-speaking audience. A substantial introduction to Agnellus and his composition of the text is included along with a full bibliography
A comprehensive survey of Ravenna's history and monuments in late antiquity, including discussions of scholarly controversies, archaeological discoveries, and interpretations of art works.
The mosaics of Ravenna are rated among the world's most important art works. Their quality and blaze of colour have intrigued believers and visitors since their making between the fifth and the seventh century. This book investigates the issue of the meaning of this imagery, its peculiarities, and the messages conveyed to the viewers through the centuries. It explores the function of the mosaics in the different buildings, and their interpretations in the relevant liturgical context by people living in late Antiquity. Several comparative examples integrate the mosaics in the frame of late Roman art. Written fluently on the basis of current state of research, the volume thus provides valuable new insight in one of the most fascinating sets of images of early Christian times. The mosaics were last subject to extensive investigation 40 years ago. Delve into the magnificence and variety of these mosaics, the colour photographs of which were made expressly for this book. They show the mosaics at close range and allow visual experiences that are impossible on site.
An authoritative account of early Christian and Byzantine art.
Robert Couzin’s Right and Left in Early Christian and Medieval Art provides the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century.
Understanding Early Christian Art is designed for students of both religion and of art history. It makes the critical tools of art historians accessible to students of religion, to help them understand better the visual representations of Christianity. It will also aid art historians in comprehending the complex theology, history and context of Christian art. This interdisciplinary and boundary-breaking approach will enable students in several fields to further their understanding and knowledge of the art of the early Christian era. Understanding Early Christian Art contains over fifty images with parallel text.
One of the most widely respected theological dictionaries put into one-volume, abridged form. Focusing on the theological meaning of each word, the abridgment contains English keywords for each entry, tables of English and Greek keywords, and a listing of the relevant volume and page numbers from the unabridged work at the end of each article or section.