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The classic, magnificent bestselling novel about Richard III, now in a special thirtieth anniversary edition with a new preface by the author In this triumphant combination of scholarship and storytelling, Sharon Kay Penman redeems Richard III—vilified as the bitter, twisted, scheming hunchback who murdered his nephews, the princes in the Tower—from his maligned place in history. Born into the treacherous courts of fifteenth-century England, in the midst of what history has called The War of the Roses, Richard was raised in the shadow of his charismatic brother, King Edward IV. Loyal to his friends and passionately in love with the one woman who was denied him, Richard emerges as a gifted man far more sinned against than sinning. With revisions throughout and a new author's preface discussing the astonishing discovery of Richard's remains five centuries after his death, Sharon Kay Penman's brilliant classic is more powerful and glorious than ever.
#1 New York Times bestselling author Philippa Gregory joins two eminent historians to explore the extraordinary true stories of three women largely forgotten by history: Jacquetta, Duchess of Bedford; Elizabeth Woodville, queen of England; and Margaret Beaufort, the founder of the Tudor dynasty. In her essay on Jacquetta, Philippa Gregory uses original documents, archaeology, and histories of myth and witchcraft to create the first-ever biography of the young duchess who survived two reigns and two wars to become the first lady at two rival courts. David Baldwin, established authority on the Wars of the Roses, tells the story of Elizabeth Woodville, the first commoner to marry a king of England for love. And Michael Jones, fellow of the Royal Historical Society, writes of Margaret Beaufort, the almost-unknown matriarch of the House of Tudor. Beautifully illustrated throughout with rare portraits and source materials, The Women of the Cousins’ War offers fascinating insights into the inspirations behind Philippa Gregory’s fiction and will appeal to all with an interest in this epic period.
“The definitive biography of Warwick. Its surface color and excitement will carry the reader happily to the end.”—Saturday Review. During the Wars of the Roses, Richard Neville, Earl of Warwick, exercised more than regal power. His death, in battle with a king he put in power and then tried to overthrow, ended an important era in English history. “Kendall, who wrote an excellent biography of Richard III, now gives us an even more convincing portrait of Warwick.” —New York Times.
A year after Richard III's death, a boy claiming to be a Yorkist prince appeared as if from nowhere, claiming to be Richard III's heir and the rightful King of England. In 1487, in a unique ceremony, this boy was crowned in Dublin Cathedral, despite the Tudor government insisting that his real name was Lambert Simnel and that he was a mere pretender to the throne. Now, in The Dublin King, author and historian John Ashdown-Hill questions that official view. Using new discoveries, little-known evidence and insight, he seeks the truth behind the 500-year-old story of the boy-king crowned in Dublin. He also presents a link between Lambert Simnel's story and that of George, Duke of Clarence, the brother of Richard III. On the way, the book sheds new light on the fate of the 'Princes in the Tower', before raising the possibility of using DNA to clarify the identity of key characters in the story and their relationships.
In this New York Times bestseller that inspired the critically acclaimed Starz miniseries The White Queen, Philippa Gregory tells the tale of Anne Neville, a beautiful young woman who must navigate the treachery of the English court as her father, known as the Kingmaker, uses her and her sister as pawns in his political game. The Kingmaker’s Daughter—Philippa Gregory’s first sister story since The Other Boleyn Girl—is the gripping tale of the daughters of the man known as the Kingmaker, Richard Neville, Earl of Warwick: the most powerful magnate in fifteenth-century England. Without a son and heir, he uses his daughters, Anne and Isabel, as pawns in his political games, and they grow up to be influential players in their own right. At the court of Edward IV and his beautiful queen, Elizabeth Woodville, Anne grows from a delightful child to become ever more fearful and desperate when her father makes war on his former friends. Married at age fourteen, she is soon left widowed and fatherless, her mother in sanctuary and her sister married to the enemy. Anne manages her own escape by marrying Richard, Duke of Gloucester, but her choice will set her on a collision course with the overwhelming power of the royal family.
Shakespeare and the Nobility examines, for the first time, how Shakespeare was influenced by the descendants of the aristocratic characters in his early history plays. The Henry VI trilogy and Richard III are among the first plays in the English dramaturgy that reflect the lives and activities of the ancestors of sixteenth-century aristocrats. In a time when the upper classes of England were obsessed with family lineage and reputation, the salient question is how William Shakespeare, a socially inferior playwright and actor, handled the delicate matter of portraying the complex and often unattractive ancestors of the most powerful people of his day. In answer to this question, this study examines the lives of the historical figures and their descendants, presenting fresh readings of the early histories, and argues that Shakespeare consistently modified his portrayal of the ancestors with their descendants in mind.
This fresh study of Warwick the Kingmaker a fifteenth-century celebrity and military hero who held enormous sway over English politics in his day aims to reveal a more accurate account of this fascinating and multi-faceted character.
One of the most dramatic periods of British history, the Wars of the Roses didn't end at the Battle of Bosworth in 1485. Despite the death of Richard III and Henry VII's victory, it continued underground into the following century with plots, pretenders and subterfuge by the ousted white rose faction. In a brand new interpretation of this turning point in history, well known historian Desmond Seward reviews the story of the Tudors' seizure of the throne and shows that for many years they were far from secure. He challenges the way we look at the reigns of Henry VII and Henry VIII, explaining why there were so many Yorkist pretenders and conspiracies, and why the new dynasty had such difficulty establishing itself. King Richard's nephews, the Earl of Warwick and the little known de la Pole brothers, all had support of enemies overseas, while England was split when the lowly Perkin Warbeck skilfully impersonated one of the princes in the tower in order to claim the right to the throne. Warwick's surviving sister Margaret also became the focus of hopes that the White Rose would be reborn. The book also offers a new perspective on why Henry VIII, constantly threatened by treachery, real or imagined, and desperate to secure his power with a male heir, became a tyrant.