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Edgar Ashenbert claims to be descended from the human ruler of the fairy kingdom, and he urgently needs Lydia’s help to find and claim his birthright, the legendary sword of the Blue Knight Earl. Things will never be the same for Lydia as she is pulled into a dangerous quest against dark forces! -- VIZ Media
Lydia has been trapped in a warehouse by Rosalie, a dangerous young woman who commands a bogey-beast and wants Edgar all to herself. What’s more, Lydia has realized that she is in the storehouse where Edgar was first enslaved as a child. Can she discover the secret of his dark past, or will she fall prey to the bogey-beast’s true master? -- VIZ Media
Edgar and his small band must travel to the Isle of Manan, once home to the Blue Knight Earl. But the island is surrounded by merfolk, whose tragic songs cause rough seas and shipwrecks. And even if Edgar and his companions reach the island, they face death if it turns out he isn’t a true heir to the Earl... -- VIZ Media
Fairy doctor Lydia Carlton has been hired by Lord Edgar Ashenbert at his London residence, where she’s forever caught between his smooth talk and constant advances. But Lydia has bigger things to worry about when she’s attacked in the park one day by a culprit resembling the Fogman, a most ominous fairy. Just as she makes it back to Edgar’s, she is visited by a lone woman seeking help to find the baron’s daughter. Could the Fogman be related to the case? And what of the mysterious Fairy’s Egg that is said to have been lost to time?
First published in 1889, this novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland.
For use in schools and libraries only. When best friends Sophie and Agatha return to a fairy tale world, they find that old enemies are no longer fighting, but a war begins to brew as an enemy arises from within.
Lydia Carlton is a fairy doctor who can see and communicate with fairies. When she embarks on a journey to visit her father in London, she’s kidnapped by a young man named Edgar Ashenbert who introduces himself as an earl and requests Lydia’s aid in searching for a treasured sword that will prove his status. Although she finds his story dubious, Lydia agrees to work with him—if only because he’s her first real client. Meanwhile, rumors of a heinous burglary abound, and the culprit seems to bear an uncanny resemblance to Edgar...
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Finalist for the 2022 Mythopoeic Scholarship Award for Myth and Fantasy Studies From the time of Charles Dickens, the imaginative power of the city of London has frequently inspired writers to their most creative flights of fantasy. Charting a new history of London fantasy writing from the Victorian era to the 21st century, Fairy Tales of London explores a powerful tradition of urban fantasy distinct from the rural tales of writers such as J.R.R. Tolkien. Hadas Elber-Aviram traces this urban tradition from Dickens, through the scientific romances of H.G. Wells, the anti-fantasies of George Orwell and Mervyn Peake to contemporary science fiction and fantasy writers such as Michael Moorcock, Neil Gaiman and China Miéville.