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Reproduction of the original: The Dynasts by Thomas Hardy
Immerse yourself in the tumultuous world of the Napoleonic Wars with "The Dynasts: An Epic-Drama of the War with Napoleon" by Thomas Hardy. This monumental work presents a sweeping narrative that intertwines the personal struggles of individuals with the grand scale of historical events. Hardy’s ambitious epic-drama is divided into three parts, showcasing the fateful clash between nations and the myriad forces that shape human destiny. Through rich characterization and poetic dialogue, he brings to life the dilemmas faced by soldiers, statesmen, and common folk caught in the storm of war. With its profound exploration of fate, free will, and the impact of history on individual lives, "The Dynasts" transcends traditional historical narrative, inviting readers to reflect on the broader implications of conflict and ambition. Hardy’s masterful prose captures the essence of an era marked by struggle and resilience, offering a poignant commentary on the human condition. Join Hardy as he navigates the complexities of war, leadership, and morality in this timeless epic. Discover the intricate web of personal and political struggles that defined a generation and shaped the course of history. Don't miss your chance to experience this literary masterpiece. Grab your copy of "The Dynasts" today and embark on an unforgettable journey through the epic drama of the Napoleonic Wars!
The Dynasts is an English-language closet drama in verse and prose by Thomas Hardy. Hardy himself described this work as "an epic-drama of the war with Napoleon, in three parts, nineteen acts and one hundred and thirty scenes". Not counting the Forescene and the Afterscene, the exact total number of scenes is 131. The verse is primarily iambic pentameter, occasionally tetrameter, and often with rhymes. The three parts were published in 1904, 1906 and 1908. Because of the ambition and scale of the work, Hardy acknowledged that The Dynasts was not a work that could be conventionally staged in the theatre, and described the work as "the longest English drama in existence". Scholars have noted that Hardy remembered war stories of the veterans of the Napoleonic wars in his youth, and used them as partial inspiration for writing The Dynasts many years later in his own old age. In addition, Hardy was a distant relative of Captain Thomas Hardy, who had served with Admiral Horatio Nelson at Trafalgar. Hardy consulted a number of histories and also visited Waterloo, Belgium, as part of his research. George Orwell wrote that Hardy had "set free his genius" by writing this drama and thought its main appeal was "in the grandiose and rather evil vision of armies marching and counter-marching through the mists, and men dying by hundreds of thousands in the Russian snows, and all for absolutely nothing."
Susan Dean uses Hardy's own metaphor—the diorama of a dream—to interpret The Dynasts, his largest and last major composition. She shows that the poem presents a model of the human mind. In that mind is enacted an event (the war with Napoleon) and, simultaneously, the watching of that event. The author provides a reading of the poem in visual-dramatic terms, using the diorama stage as the vehicle for the poet's field of vision. She then defines various visual dimensions, the relationships between them, and the various ways in which they can be seen and understood. Her interpretation draws on Hardy's autobiography and critical essays. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.