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The world has ended, and the few who are left struggle day by day to survive. They hoped that the worst thing they would have to deal with in this new world would be the walkers, come to rip and tear and kill. They were wrong. There are worse things than zombies. A refuge for the last remnants of the United States has gone silent and dark, while another has succumbed to the basest parts of human nature. Yet all is not lost, for in the farthest and coldest corner of the globe, marooned in an icy prison, a scientist has made a stunning breakthrough. A desparate rescue mission is launched to bring back the one person who can save them all, but the trip is long and dangerous, and its fate is uncertain.
The U.S. military has hidden the existence of a zombie threat for over 100 years, but now the secret is out. Lone survivor of Fall Creek, David Blake enlists in a secret military group to combat this threat. But is it too late?
Estimation of the Time Since Death remains the foremost authoritative book on scientifically calculating the estimated time of death postmortem. Building on the success of previous editions which covered the early postmortem period, this new edition also covers the later postmortem period including putrefactive changes, entomology, and postmortem r
This book probes the interconnections of time and ecology in order to spark our imagination and inspire us to re-think the planetary, ecology, and otherwise. It presents debates that interrogate and elucidate the anxieties of the known and the unknown of this world and the planetary beyond, sifting through temporal accounts of the Anthropocene, human beings, and climate change. The chapters in this edited volume spur conversations with different thought systems and their underlying assumptions about the composition of structures of time and contingent temporalities. The authors engage rising temperatures in the oceans and air, the consequences, intended and unintended, of investments in various forms of "development", and the potential catastrophe unfolding in real time. Recent temporal strategies such as mitigation and adaptation to the "climate crisis" are challenged as they further compound and commodify the inquiry, the understanding and responses to environmental degradations, extractions, and displacements. Anti-colonial and decolonial debates about the structures of time, the planetary, and ecology are crucial contributions of this volume. Further, privileging the vantage points of the colonized and enslaved, the authors of this volume challenge dominant universal, cyclical, and retrospective structures of time and the planetary. Through research, poetry, art, and popular cultural analyses, the authors attend to the ways that the struggles of the "submerged," indigenous and black communities for climate justice become coded as a global warming crisis. This volume grapples with how racial climate struggles and unrest become mobilized both as a source of paralysis and as an opportunity for further expropriation and expansion of data accumulation markets for settler planetary projects all in the name of global warming. Ultimately, the authors in this volume argue that conventional attempts at exploiting the planetary all depend upon ideas of conquest and the mastery and control of ecologies, global governance, and individual behaviors. In this sense, fears about the unknown future of our planet miss what is at stake in the structures of time, the question of creation and invention. The chapters in this book were originally published as a special issue of the journal, Globalizations.
Invoking key concepts from the philosophical writings of Gilles Deleuze and Giorgio Agamben, The Dark Interval examines a subtle but distinct iconography of passivity, stillness and profound self-affection that recurs across noir films of every era. In doing so, it identifies the emergence of a specific cinematic figure – the 'intervallic' noir protagonist exposed to the redemptive force of his or her own passion. Significantly, the book contextualises the iconography of film noir in relation to prior art-historical visual traditions, in particular earlier representations of melancholia and the saturnine, locating noir against a much broader canvas than has been the norm. Examining central noir films of the classic and modern era (The Killers, The Man Who Wasn't There) as well as films at the peripheries of noir (from Jacques Tourneur's Cat People to Wong Kar Wai's 2046), the book locates a series of iconographic gestures, performance traditions and affective tonalities at once specific to noir and yet resonant with a deeper cultural and philosophical heritage. It is a meditation that uniquely grapples with the look and the feel of noir, and which dares to detect a unique quality of 'beatitude' that runs through a certain strain of noir films. In doing so, it illuminates why film noir remains one of the most provocative and affecting visual milieus of our time.
[Back Cover] “The present work combines two different forms but of similar content: a poetic form and a dramatic form noted as “closet” drama because intended for reading rather than a staged production. In both cases erotic content is presented in allusion to a variety of metaphors overlapped in the erotic play of opposites. Any literal erotic content is thus ambivalent insofar as the sublime aspect of cuniunctio competes with its common and familiar demonstrations. Bernard X Bovasso July 4th 2010 Front cover illustration by the author.
DigiCat presents to you this unique Sci-Fi collection with carefully picked out stories from out of space, thrilling intergalactic adventures, dystopian novels and the greatest sci-fi classics: H. G. Wells: The Time Machine The War of the Worlds The Island of Doctor Moreau The Invisible Man... Edgar Wallace: Planetoid 127 The Green Rust... Otis Adelbert Kline: The Venus Trilogy The Mars Series Malcolm Jameson: Captain Bullard Series Garrett P. Serviss: Edison's Conquest of Mars A Columbus of Space The Sky Pirate... Arthur Conan Doyle: The Professor Challenger Series Jules Verne: 20.000 Leagues under the Sea The Mysterious Island... Mary Shelley: Frankenstein The Last Man Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague The Star Rover... Robert Louis Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The House on the Borderland The Night Land... Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta... H. P. Lovecraft: Beyond the Wall of Sleep The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality... Mark Twain: A Connecticut Yankee in King Arthur's Court Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Hugh Benson: Lord of the World Fred M. White: The Doom of London Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Cleveland Moffett: The Conquest of America Richard Jefferies: After London Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Edward Everett Hale: The Brick Moon Abraham Merritt: The Moon Pool The Metal Monster... Francis Bacon: New Atlantis C. J. Cutcliffe Hyne: The Lost Continent Lewis Grassic Gibbon: Three Go Back
The Greatest Classics of All Time is an unprecedented compilation that traverses boundaries, epochs, and geographies to present a tapestry of human thought and narrative brilliance. Encompassing a vast range of literary styles from the pre-eminent figures of Western and Eastern literature, this anthology affords readers an exceptional view into the diversity of human experience and expression. Among the collection are seminal works that have shaped the course of literary and philosophical thought, revealing the depth of human emotion, the complexities of societal structures, and the eternal questions that have engaged humanity. Every piece, carefully selected for its enduring impact and relevance, contributes to a dialogue spanning centuries, from ancient wisdom to modern existential reflections. The contributing authors and editors are giants in their own right, drawn from the pantheon of world literature across ages. From the critical realism of Dickens and Balzac to the existential musings of Dostoyevsky; from the transcendental optimism of Whitman to the sharp political insights of Machiavelli; and the mystical depths of Tagore, this collection represents a confluence of literary movements and cultural epochs. Each author's unique background, perspective, and historical context enriches the anthology, offering readers a panoramic view of humanity's intellectual heritage. This assembly elucidates the interconnectedness of literature with history, culture, and philosophy, embodying the diverse expressions of human civilization. The Greatest Classics of All Time is not merely a collection of texts; it is an invitation to embark on a journey through the epochs of human thought and feeling. It offers readers an unparalleled opportunity to engage with the masterworks of literature that have withstood the test of time, encouraging a deeper appreciation for the nuances of human experience. For scholars, students, and lovers of literature, this anthology promises a comprehensive educational experience, fostering a greater understanding of the world's literary and cultural traditions. It is a testament to the power of literature to cross boundaries, to challenge, and to enlighten, making it an essential addition to any collection.