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The sexually abused body of a young talented actress is discovered at Lake Mohegan, in wealthy Fairfield, Connecticut. Detective Frank Gianni’s sixth sense screams serial killer the minute he lays eyes on her. This erotically charged thriller calls upon the synergism of Detective Gianni and rookie Detective Brenda Corrino to find the killer before he strikes again. With the help of the new Medical Examiner Dr. Darren Crowe, Detective Corrino infiltrates the prime suspect’s erotic world in an attempt to confirm her suspicions. However, the investigation is developing much too slowly for Detective Corrino and she decides to take matters into her own hands. Unfortunately, the killer is one step ahead of her.
Someone is killing the A-List actors of Hollywood, shooting them dead, and leaving a defaced DVD of one of their films at the crime scene. Enter Detective Second Class Frank Callahan, a big, tough, rough and tumble sort of guy who happens to be gay. Follow him and his fellow Irish Catholic sidekick, Barry, as they pursue the elusive DVD killer over the streets of Hollywood, through gay bars, bath houses and cruising grounds, on a chase around Magic Mountain Amusement Park, Forest Lawn, Sunset Strip and other L.A. landmarks. Witness Callahan's evolution from a seeker of personal glory to team player, his monumental showdown with a gay-bashing rival detective, the brutish Moose Koehler, and his reunion with his estranged lover, a fascinating character named Car. In the end, it's good, old-fashioned police work with an assist from Barry's Aunt Bee, a walking encyclopedia of film lore that leads to the killer's downfall in an exciting climax reminiscent of Hollywood's legendary gangster films.
In 1929, while serving a 25-year sentence for burglary, Carl Panzram bludgeoned a fellow inmate with an iron bar and was sentenced to death. On death row at Leavenworth Prison Panzram wrote his life story, or autobiography, through a series of letters to Henry Lesser, a guard he befriended. Here he sets down a detailed description of his criminal exploits, including 21 murders, his upbringing in correctional facilities for juvenile delinquents (where he was severely beat and tortured for petty infractions) and time as an adult incarcerated in places as varied as Leavenworth to county jails.
A murder mystery in the finest tradition of English detective novels, John le Carré's A Murder of Quality is an ingenious puzzle featuring his best-loved character George Smiley. Stella Rode has twice disturbed the ancient cloisters of Carne School: firstly by being the wrong sort, with her doilies and china ducks, and secondly by being murdered. George Smiley, who has his own connection with the school, is asked by an old Service friend to investigate. Smiley knows that Stella feared her husband would murder her, but as he probes further beneath Carne's respectable veneer, he uncovers far more than a simple crime of passion. In his second George Smiley novel, le Carré moves outside the world of espionage to reveal the secrets at the heart of another particularly English institution. The result is a pitch-perfect murder mystery, with Smiley as master detective. If you enjoyed A Murder of Quality, you might like le Carré's Call for the Dead, also available in Penguin Modern Classics. 'Beautifully intelligent, satiric and witty' Daily Telegraph
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.
Los Angeles is no stranger to glamour, celebrity . . . and murder. When Susan Kaplan moves to L.A. to become a TV writer, she's thrilled to be hired as a writers' assistant on the well-regarded but low-rated TV series Babbitt & Brooks. The last thing she expects, however, is that she'd find herself working for the beautiful yet seriously neurotic Rebecca Saunders, the show's less-than-competent associate producer who may or may not have gotten the job by sleeping with Babbitt & Brooks' demanding creator and executive producer, Ray Goldfarb. And Susan definitely doesn't expect to find murdered Rebecca's body in her office at the studio early one morning. When the police learn that Rebecca torpedoed Susan's writing career shortly before her death, Susan becomes their number one suspect. Determined to prove her innocence and find the murderer, Susan discovers that all her colleagues have secrets they would kill to protect. From producers to writers to stars, it seems that the hopes and dreams of nearly everyone associated with the show were being threatened by Rebecca. Despite the danger to her own life, Susan remains determined to find Rebecca's killer and in the process unmasks the dirty little secrets behind the making of a primetime television series. She learns that real life behind the camera is far more dramatic than the fictional one in front of it. Lisa Seidman draws on her thirty years of experience as a successful television writer to take the reader behind the scenes and show how the struggle to achieve high ratings truly can lead to murder.
"Anderson, a TV producer, depicts Molly, Manhattan and terminally cool suspects with a refreshing hilarity. . . ."--Publishers Weekly "Fashion commentary, urbane asides, and witty characters keep the pages turning."--Library Journal They say love is easier the second time around: You'd think solving a mystery would be, too. But Molly Forrester finds both to be less than true in this sassy sequel to her first adventure, Killer Heels. Molly's journalism career is stalled. Solving the murder of a colleague in Killer Heels hasn't led to bigger and better opportunities as quickly as she'd hoped. Instead, she's still writing her popular advice column for Zeitgeist magazine, now under a new editor. Stalled too is Molly's relationship with Detective Kyle Edwards. Perhaps meeting over a dead body isn't the best way to build a romance after all. When her best friends, Tricia Vincent and Cassady Lynch, suggest a trip to the Hamptons, Molly seizes the chance to get away from her worries for a while. But what starts as an entertaining, champagne-filled weekend of "sipping and sniping" at the ultra-rich explodes into disaster with a dead guest of honor, a blue-blooded family feud, a jealous lover or three, and a murder investigation that stretches back to Manhattan and strains Molly and Kyle almost to the breaking point. And through it all, Molly must contend with an icy female homicide investigator who may be competing with Molly on more than a professional level. With a penchant for saying the right thing--even if at the wrong time--and the enthusiastic help of her two devoted friends, Molly Forrester tackles another murder with zest and style. But will her sharp wit and droll insight be enough to protect those she cares about most? Sheryl J. Anderson whips up another sexy cocktail that's equal parts comedy, mystery, and romance. This heady brew takes the sting out of the greatest mystery of all--how to keep love alive in the big city. "Her delightful series . . . reverberates with wit, style, and superb characterization."--Mystery Scene
The third title in our Conversations with a Killer series focuses on one of the most notorious serial killers of the 1970s, Ed Kemper, a key character in the hit Netflix series Mindhunter. If there ever was a human monster that walked this earth, it was the highly intelligent, psychotic, 6’9” killer Edward “Big Ed” Kemper. As a troubled 15-year-old, Kemper shot and killed his grandparents. Eight years later, he went on an 11-month reign of terror slaughtering and dismembering six college co-eds in California, brutally killing his mother with a hammer, and breaking her best friend’s neck. Kemper, 71, remains alive at the California Medical Facility in Vacaville, more intimidating now than ever. Masterful crime writer Dary Matera tells Kemper’s full, shocking story, interweaving insights from the killer himself.
From the bestselling author of The Ascent of Money and The Square and the Tower “A dazzling history of Western ideas.” —The Economist “Mr. Ferguson tells his story with characteristic verve and an eye for the felicitous phrase.” —Wall Street Journal “[W]ritten with vitality and verve . . . a tour de force.” —Boston Globe Western civilization’s rise to global dominance is the single most important historical phenomenon of the past five centuries. How did the West overtake its Eastern rivals? And has the zenith of Western power now passed? Acclaimed historian Niall Ferguson argues that beginning in the fifteenth century, the West developed six powerful new concepts, or “killer applications”—competition, science, the rule of law, modern medicine, consumerism, and the work ethic—that the Rest lacked, allowing it to surge past all other competitors. Yet now, Ferguson shows how the Rest have downloaded the killer apps the West once monopolized, while the West has literally lost faith in itself. Chronicling the rise and fall of empires alongside clashes (and fusions) of civilizations, Civilization: The West and the Rest recasts world history with force and wit. Boldly argued and teeming with memorable characters, this is Ferguson at his very best.