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Stella's sophomore year of college plays over and over in her head, like a movie. She can't forget what happened that fall, but she has to at least try to face it. And the only way to do that is to screen it, for all of you. Welcome, to the premiere. When Stella returns to her prestigious university in the fall of 1992, she and her friends are unprepared for the plot that is about to unfold. They're merely focused on excelling academically and enjoying the privilege that comes with leaving freshman year behind. Enter Alice. She's new - a transfer student with a guarded backstory. Curious by nature, she seems to fit right in with the central cast. But when an old campus myth involving the death of a female student resurfaces, the leading ladies find themselves questioning each other, their environment, and whether or not history really can repeat itself. A mythology course, a dead body, and several years later, Stella is no longer able to convince herself that she is safe behind the camera. Because whoever said life isn't like the movies clearly never watched any Hitchcock.
Breaking through the long-established image of Heian Japan (794–1185) as a culture dominated by ritualized aristocratic values, Yung-Hee Kim presents a picture of a country in transition, filled with a wide variety of common people responding to very ordinary situations. The court does not disappear, but rather becomes part of a larger society inhabited by Buddhist nuns and mountain ascetics, farmers and fishermen, beggars and gamblers. In popular songs called imayo, they express their concerns about religion, love, aging, and even current affairs. In 1179 Emperor Go-Shirakawa compiled a collection of this song genre, which had flourished for two centuries. His twenty-volume anthology, Ryojin hisho, circulated until the middle of the fourteenth century, when it disappeared completely. To the astonishment of the scholarly world, two volumes reappeared early in the twentieth century. It is these texts—a small remnant of a powerful popular literature—that Kim makes accessible to English-speaking readers. Ryojin hisho juxtaposes the sacred with the profane, the high with the low, the male with the female, the old with the new. The songs, in translations that faithfully reflect the sounds and images of the originals, make up the core of this book. They are surrounded by a wealth of material on the imayo genre, the women who sang the songs, the role of court patronage, and other aspects of Heian culture. Far from simply surviving as an aesthetic artifact, the anthology comes to life in its own literary and cultural context. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Dance in Palestine has a history as complex and contentious as the land itself. Whether dismissed as bacchantic madness by Bible tourists in the 19th Century, revived and glorified by Zionists, Pan-Arabists and Palestinian Nationalists in the 20th Century, or rejected by Islamic Reformists in the 21st Century, dance in Palestine has a rich and elusive story that remains to be told. 'Raising Dust' traces one dancer's journey into Palestine's past and present. Through historical archives, the memories of dancers of yesteryear and into today's vibrant performing arts scene, Nicholas Rowe shows how dance has acted as a barometer of social change, a forum for debate and a means of expressing forbidden ideas. Far from apolitical, this most physical of art forms has often defined the political mood of the day. Sumptuously illustrated, the author provides a unique, rare and compelling cultural history of dance in Palestine.
The New York Times Bestselling author of the On Dublin Street series and Play On returns to the world of the arts in this intense and emotional standalone romance about love, sacrifice, and surviving both. Once upon a time Skylar Finch was the lead singer of a hugely successful American pop-rock band. But fame made her miserable. When years of living a lie suddenly ended in tragedy, Skylar fell off the map. Eighteen months later she's sleeping in a tent in a cemetery in Glasgow, making just enough money to eat by busking on the streets. She manages to avoid recognition, but not the attention of one of Glasgow's ambitious A&R executives. Killian O'Dea works at Skyscraper Records, Scotland's most successful record label. Raised by his uncle and owner of the label, Killian's upbringing would have been devoid of affection entirely if it wasn't for his loving sister. Killian is unflinchingly determined to bring the label more success than ever, and the young homeless woman who busks on Buchanan Street is going to help him do that. Her music speaks to him in a way he refuses to over-analyze. All he knows is that if it can touch his dark soul, it'll set everyone else's alight. Skylar makes it clear that she doesn't want to sign with him. But when she experiences the dangerous reality of a woman sleeping rough, Skylar has no one else but Killian to turn to. An undeniable connection forms between them. But Skylar doesn't want the career Killian is trying to forge for her, and when her past comes back to haunt her Killian will be faced with a decision that could ruin him. He must either free Skylar from his selfish machinations and destroy everything he's ever worked for, or lose a woman who has come to mean more to him than he ever thought possible.
Teaches the national versions of the 22 most popular line dances.
Sissy Fletcher, the preacher's daughter, disappeared on the night of the Rodeo Dance ten years ago and has been missing ever since. Until now, that is—a team drilling an oil well has made a grisly discovery in an isolated pasture. Seeing as how it's an election year, finding her killer is a bigger priority than it might usually be in sleepy Washington County, Texas, where not much ever happens anyway. Though it's becoming clear that the town isn't quite as sleepy as it seems. Martin Fletcher, Sissy's brother, seems to believe he's on a mission from God to raise hell in Washington County. He and his partner, Dud Hughes, aim to start small, with armed robbery, and work their way up to bigger things, but an inquiry into his sister's death threatens to draw a little more attention his way than he wants just now. As the mood begins to the shift in the town, three men put their heads together to work the case: ex-Texas Ranger Jeremiah Spur, who is retired but can't get the thrill of the chase out of his blood; the current sheriff, Dewey Sharpe, who just may not be as dumb as he looks; and Deputy Clyde Thomas, an African-American ex-Dallas cop who is probably the savviest of the bunch. All in all, James Hime's TheNight of the Dance, is a terrifically original, jaunty, and action-packed debut from a writer to watch.
Ask the Dust is a virtuoso performance by an influential master of the twentieth-century American novel. It is the story of Arturo Bandini, a young writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer's life he fought so hard to attain.
AN INSTANT #1 NEW YORK TIMES BESTSELLER "A charming, wholehearted love story that's sure to make readers swoon."—Entertainment Weekly "Nicola Yoon writes from the heart in this beautiful love story."—Good Morning America “It’s like an emotional gut punch—so beautiful and also heart-wrenching."—US Weekly In this romantic page-turner from the author of Everything, Everything and The Sun is Also a Star, Evie has the power to see other people’s romantic fates—what will happen when she finally sees her own? Evie Thomas doesn't believe in love anymore. Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually. As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything--including entering a ballroom dance competition with a girl he's only just met. Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it's that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?