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Back by popular demand at a new, lower price Complete materials lists and scaled drawings for 14 heirloom pieces Fascinating background on the Dunlap family and its furniture The Dunlaps of New Hampshire began making fine furniture in the mid-1700s. Their distinctive tables, chests, chairs, and clockcases have their origins in the traditions that the Scots-Irish brought to the New World. Most Dunlap works are now in museums where they are studied by scholars, but thanks to the book's detailed scaled drawings and Donald Dunlap's construction notes, woodworkers can undertake the challenging proportions and ornament practiced by the Dunlaps. The 14 projects range from a simple knife box to an intricate tall clock and include a one-drawer stand, tea table, and desk. knife box one-drawer stand card table candle stand folding stand side chair chest-on-frame chest of drawers dressing table tea table flat-top high chest of drawers high chest of drawers with gallery desk tall clock
Drawing on the latest scholarship, this comprehensive, lavishly illustrated survey tells the story of the evolution of American furniture from the 17th century to the present. Not viewed in isolation, furniture is placed in its broader cultural, historic, and aesthetic context. The focus is not only on the urban masterpieces of 18th century William and Mary, Queen Anne, Chippendale, and Federal styles but also on the work of numerous rural cabinetmakers. Special chapters explore Windsor chairs, Shaker, and Pennsylvania German furniture which do not follow the mainstream style progression. Picturesque and anti-classical explain Victorian furniture including Rococo, Renaissance, and Eastlake. Mission and Arts and Crafts furniture introduce the 20th century. Another chapter identifies the eclectic revivals such as Early American that dominated the mass market throughout much of the 20th century. After World War II American designers created many of the Mid-Century Modern icons that are much sought after by collectors today. The rise of studio furniture and furniture as art which include some of the most creative and imaginative furniture produced in the 20th and 21st centuries caps the review of four centuries of American furniture. A final chapter advises on how to evaluate the authenticity of both traditional and modern furniture and how to preserve it for posterity. With over 800 photos including 24 pages of color, this fully illustrated text is the authoritative reference work.
The apprentice system in colonial America began as a way for young men to learn valuable trade skills from experienced artisans and mechanics and soon flourished into a fascinating and essential social institution. Benjamin Franklin got his start in life as an apprentice, as did Mark Twain, Horace Greeley, William Dean Howells, William Lloyd Garrison, and many other famous Americans. But the Industrial Revolution brought with it radical changes in the lives of craft apprentices. In this book, W. J. Rorabaugh has woven an intriguing collection of case histories, gleaned from numerous letters, diaries, and memoirs, into a narrative that examines the varied experiences of individual apprentices and documents the massive changes wrought by the Industrial Revolution.
The definitive work on the production of Windsor furniture, from one of America's premier authorities.
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
This bibliography of the study of household furnishings used in the United States from the seventeenth century to the early twentieth century contains twenty-one sections. Each section begins with an essay that outlines the development of scholarship in the files and points toward new directions for research with annotated entries on the most significant works. Three chapters present the basic reference tools and surveys of art and architecture. These are followed by chapters devoted to such topics as furniture; metals, including silver and gold, pewter, and Britannia metal; ceramics and glass; textiles; timepieces; household activities and systems; and craftsmen and the Arts and Crafts Movement in America. Includes an author/title index.
A full-color catalog and in-depth examination of the distinctive furniture made by pro-British carpenter and joiner John Shearer, one of the most accomplished furniture makers of the post-Revolutionary period. This publication is co-sponsored by the Museum of Early Southern Decorative Arts at Old Salem, the Daughters of the American Revolution Museum, and the Museum of the Shenandoah Valley.