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The story of the 'Dunera Boys' is an intrinsic part of the history of Australia in the Second World War and in its aftermath. The injustice these 2000 men suffered through British internment in camps at Hay, Tatura and Orange is well known. Less familiar is the tale of what happened to them afterwards. This book tells that story, in two volumes, one in images, and one in life stories. The images constitute a narrative all of their own. The beauty and power of these traces of the lives of these internees speak for themselves. Once familiar with the images in the first volume, the reader will be able to embrace more fully the profiles in volume two. These are stories of struggle, sadness, transcendence, and creativity that describe the lives of these men and of the society in which they lived, first as prisoners and then as free men. A contribution to the history of Australia, to the history of migrants and migration, and to the history of human rights, these two volumes put in the public domain a story whose full dimensions and complexity have never been described.
History of Jewish refugees who were deported from Great Britain to Australia on the ship Dunera. They were held in camps in Hay, New South Wales and Tatura, Victoria.
Captured Lives peers behind the barbed wire drawn around people deemed threats to Australia's security during the two world wars. Civilians from enemy nations, even if born in Australia, were subjects of suspicion and locked away in internment camps. Prisoners-of-war were shipped from the other side of the world and shut away in camps in country Australia. No matter how unjust their internment or how severe the privations, most internees and POWs worked out ways to relieve their discomfort, physical and mental, and their boredom. Internees devoted their time to creative pursuits like theatre, musical ensembles, art and photography, while others involved themselves in sporting activities, gardening or studying. Captured Lives mentions over 30 of the main camps that were spread across Australia during the two world wars. Included are sketches, watercolours and photographs made by internees serve as references of the conditions and life in the camps from an insider's perspective.
First published in 1983. An account of the deportation from England and internment in Australia of refugees from Nazi Germany during WWII. Written by former editor of the TSunday Telegraph' and author of TWild Men of Sydney' and TMorrison of Peking'.
The internment of 'enemy aliens' by the British government in two world wars remains largely hidden from history. British historians have treated the subject - if at all - as a mere footnote to the main narrative of Britain at war. In the 'Great War', Britain interned some 30,000 German nationals, most of whom had been long-term residents. In fact, internment brought little discernible benefit, but cruelly damaged lives and livelihoods, breaking up families and disrupting social networks. In May 1940, under the threat of imminent invasion, the British government interned some 28,000 Germans and Austrians, mainly Jewish refugees from the Third Reich. It was a measure which provoked lively criticism, not least in Parliament, where one MP called the internment of refugees 'totally un-English'. The present volume seeks to shed more light on this still submerged historical episode, adopting an inter-disciplinary approach to explore hitherto under-researched aspects, including the historiography of internment, the internment of women, deportation to Canada, and culture in internment camps, including such notable events as the internment revue What is Life!
A BEST BOOK OF 2021 FOR THE GUARDIAN * FINANCIAL TIMES * TIMES LITERARY SUPPLEMENT * MINNEAPOLIS STAR TRIBUNE * THE TIMES Hailed as a remarkable literary discovery, a lost novel of heart-stopping intensity and harrowing absurdity about flight and persecution in 1930s Germany Berlin, November 1938. Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train. And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly. Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real. Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.
In 1939, 14-year-old Tom lives in Hay where his family runs the local bakery. Max Gruber is nearly fourteen-years-old. He is sent to his Uncle Ferdy in London, but is then interred and shipped to Australia aboard the Dunera. He arrives in Hay and meets Tom. The two boys become friends and find their lives and their friendship influenced by a far-away conflict in Europe.
"Collar the lot!"--Churchill's abrupt order, made after Italy declared war, was applied to all 'enemy aliens' in Britain. Most of them were refugees. by July 1940, 27000 had been arrested and thousand deported. When the liner Arandora Star was torpedoed, 800 were drowned
The “riveting…truly shocking” (The New York Times Book Review) story of a Jewish orphan who fled Nazi Germany for London, only to be arrested and sent to a British internment camp for suspected foreign agents on the Isle of Man, alongside a renowned group of refugee musicians, intellectuals, artists, and—possibly—genuine spies. Following the events of Kristallnacht in 1938, Peter Fleischmann evaded the Gestapo’s roundups in Berlin by way of a perilous journey to England on a Kindertransport rescue, an effort sanctioned by the UK government to evacuate minors from Nazi-controlled areas.train. But he could not escape the British police, who came for him in the early hours and shipped him off to Hutchinson Camp on the Isle of Man, under suspicion of being a spy for the very regime he had fled. During Hitler’s rise to power in the 1930s, tens of thousands of German and Austrian Jews like Peter escaped and found refuge in Britain. After war broke out and paranoia gripped the nation, Prime Minister Winston Churchill ordered that these innocent asylum seekers—so-called “enemy aliens”—be interned. When Peter arrived at Hutchinson Camp, he found one of history’s most astounding prison populations: renowned professors, composers, journalists, and artists. Together, they created a thriving cultural community, complete with art exhibitions, lectures, musical performances, and poetry readings. The artists welcomed Peter as their pupil and forever changed the course of his life. Meanwhile, suspicions grew that a real spy was hiding among them—one connected to a vivacious heiress from Peter’s past. Drawing from unpublished first-person accounts and newly declassified government documents, award-winning journalist Simon Parkin reveals an “extraordinary yet previously untold true story” (Daily Express) that serves as a “testimony to human fortitude despite callous, hypocritical injustice” (The New Yorker) and “an example of how individuals can find joy and meaning in the absurd and mundane” (The Spectator).