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A rich, unmined piece of Canadian history, an intense psychological drama, a mystery to be solved . . . and a hardwon escape from a family curse. Like his friends Banting and Best, Dr. John FitzGerald was a Canadian hero. He founded Connaught Labs, saved untold lives with his vaccines and transformed the idea of public health in Canada and the world. What so darkened his reputation that his memory has been all but erased? A sensitive, withdrawn boy is born into the gothic house of his long dead grandfather, a brilliant yet tormented pathologist of Irish blood and epic accomplishment whose memory has been mysteriously erased from public consciousness. As the boy watches his own father—also an eminent doctor—plunge into a suicidal psychosis, he intuits, as the psychiatrists do not, some unspeakable secret buried like a tumour deep in the multi-generational layers of the family unconscious. Growing into manhood, he knows in his bones that he must stalk an ancient curse before it stalks him. To set himself free, he must break the silence and put words to the page. His future lies in the past.
Oak Island poses two different challenges for these treasure seekers. First, there is a deep mine shaft — the Money Pit — at the bottom of which the treasure lies. This book offers evidence that this treasure came from the wreck of a seventeenth-century Spanish galleon. Then there is the elaborate flood tunnel which links the mine shaft to the ocean. Construction on this tunnel would have been complex and expensive, requiring a labour force of over 100 men, and it would have taken almost two years to complete. Discover the previously untold story of the British military who commanded this labour force in building the underground structure. The island's Money Pit and the tunnel, combined with adverse geological conditions, have ensured that all efforts to uncover the treasure have been unsuccessful to this day. Civil engineers Graham Harris and Les MacPhie spent over a decade investigating the enigma of Nova Scotia's Oak Island. In this book, they draw on the documentary record to present a compelling and historically accurate description of two centuries of treasure hunting on Oak Island.
The Prep School Hockey Guide is the ultimate resource for hockey players, parents, counselors, educational consultants, coaches and administrators as they investigate private boarding and junior boarding schools with competitive hockey programs in the United States and Canada. Use this valuable reference guide to discover when and where coaches regularly scout and recruit and what traits and qualities they seek in prospective student-athletes. Learn how independent boarding schools provide maximum academic and athletic development as well as exposure to college hockey programs. Includes a full-page of detailed information on each program. This 18th annual edition includes articles by coaches, college counselors and educational consultants which provide the "inside" information to assist in the entire process from investigation and application through graduation.
Directing unprecedented attention to how the idea of ?excess? has been used by both producers and consumers of visual and material culture, this collection examines the discursive construction of excess in relation to art, material goods and people in various global contexts. The contributors illuminate how excess has been perceived, quantified and constructed, revealing in the process how beliefs about excess have changed over time and how they have remained consistent. The collection as a whole underscores the fact that the concept of excess must always be considered critically, whether in scholarship or in lived experience. Although the idea of excess has often been used to shame and degrade, many of the essays in this collection demonstrate how it has also been used as a strategy for self-fashioning, transgression and empowerment, particularly by women and queer subjects. This volume examines a range of material, including diamonds, ceramics, paintings, dollhouses, caricatures, interior design and theatrical performances. Each case study sheds new light on how excess was used in a specific cultural context, including canonical sites of study such as the Netherlands in the eighteenth century, Victorian Britain and Paris in the 1920s, and under-studied contexts such as Canada and Sweden.
In the late-nineteenth century the circulation of pattern books featuring medieval church architecture in England facilitated an unprecedented spread of Gothic revival churches in Canada. Engaging several themes around the spread of print culture, religion, and settlement, A Commerce of Taste details the business of church building. Drawing upon formal architectural analysis and cultural theory, Barry Magrill shows how pattern books offer a unique way of studying the relationships between taste, ideology, privilege, social change, and economics. Taste was a concept used to legitimize British - and to an extent Anglican - privilege, while other denominations resisted their aesthetic edicts. Pattern books eventually lost control of the exclusivity associated with taste as advances in printing technology and transatlantic shipping brought more books into the marketplace and readerships expanded beyond the professional classes. By the early twentieth century taste had become diluted, the architect had lost his heroic status, and architectural distinctions among denominations were less apparent. Drawing together the history of church building and the broader patterns of Canadian social and historical development, A Commerce of Taste presents an alternative perspective on the spread of religious monuments in Canada by looking squarely at pattern books as sources of social conflict around the issue of taste.
Although the idea of excess has often been used to degrade, many of the essays in this collection demonstrate how it has also been used as a strategy for self-fashioning and empowerment, particularly by women and queer subjects. This volume examines a range of material - including ceramics, paintings, caricatures, interior design and theatrical performances - in various global contexts. Each case study sheds new light on how excess has been perceived and constructed, revealing how beliefs about excess have changed over time.