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Princess Zelda of Brienz in Switzerland is being harassed by her father to marry a King or Prince of one of the small countries of Europe. Zelda is very beautiful and determined that when she does marry it will be for love and only love and she cannot possibly fall in love with any of her father's suitors. She runs away from her home to her cousin, Prince Johann II of Liechtenstein, who has always been very fond of her. She tells him that she is determined to find out the truth about a scandal that has been repeated ever since she was born. This was that her real father was the fourth Duke of Milverden from one of the foremost aristocratic families of England. She is also hoping to find the love of her life. To please her, the Prince sends her to stay in London with an old friend of his, Lady Craven, so that she can discover for herself if she is really one of the Milvers. Prince Johann also gives her an introduction to Queen Victoria who, he is well aware, knows more about Royalty in Europe than anyone else. How Zelda is advised to behave in a very strange way both by Queen Victoria and by her Prime Minister, Mr. Disraeli. How she manages to meet the present Duke, who succeeded her supposed father and finds that owing to a humiliating experience when he was a young man he has become a recluse and hides away in his magnificent house filed with treasures and will see no one. How in an assumed personality, but being intelligent and astute, she attracts and puzzles him. And how finally they both find happiness is all told in this unusual romance by BARBARA CARTLAND.
"Based on Tales from Shakespeare by Charles and Mary Lamb, this book provides a narrative guide to the plots of Shakespeare's greatest plays. Language has been updated to be more accessible to today's modern reader, while retaining all of the wit, wonder, comedy, and tragedy that can only be Shakespeare's."--Editor's preface.
This topical and relevant play is a new addition to the Oxford School Shakespeare. The text follows the redesign of the series, photographs of recent stage productions have been included, and the attractive cover design follows the revised series style.
Reading Illegitimacy in Early Iberian Literature presents illegitimacy as a fluid, creative, and negotiable concept in early literature which challenges society’s definition of what is acceptable. Through the medieval epic poems Cantar de Mio Cid and Mocedades de Rodrigo, the ballad tradition, Cervantes’s Novelas ejemplares, and Lope de Vega’s theatre, Geraldine Hazbun demonstrates that illegitimacy and legitimacy are interconnected and flexible categories defined in relation to marriage, sex, bodies, ethnicity, religion, lineage, and legacy. Both categories are subject to the uncertainties and freedoms of language and fiction and frequently constructed around axes of quantity and completeness. These literary texts, covering a range of illegitimate figures, some with an historical basis, demonstrate that truth, propriety, and standards of behaviour are not forged in the law code or the pulpit but in literature’s fluid system of producing meaning.