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Beautiful, young and yet fiercely independent, Shikara Bartlett sorely misses her much-loved father, the renowned archaeologist Professor Richard Bartlett, who appears to have gone missing on his latest ‘dig’ near the Pyramids of Egypt. What makes it even worse for Shikara is that in his absence her strait-laced uncle and Guardian is determined to marry her off to the middle-aged Lord Stroud, who is pompous, boring and far too old at forty-four. She certainly does not love him ¬and she never will. So Shikara decides to escape from her uncle’s house using a rope from her bedroom window. But the rope is too short and she cannot reach the ground. Luckily for her the Marquis of Linwood has just made a similar escape from a married lady’s nearby boudoir and hears Shikara’s cries for help and gallantly saves her. Somehow she persuades him to take her to Southampton where she can embark on a Steamer to Cairo to search for her lost father, but instead she manages to stow away on the Marquis’s superb modern yacht. And, slowly but surely, the Marquis who famously hates all women falls under the spell of this lovely headstrong waif who professes to hate all men.
This New Mermaids Anthology brings together four plays which centre around female characters on stage: A Woman Killed With Kindness (Thomas Heywood); The Tamer Tamed (John Fletcher); The Duchess of Malfi (John Webster) and The Witch of Edmonton (William Rowley, Thomas Dekker and John Ford) with a new introduction by leading scholar Emma Smith. A Woman Killed with Kindness is a domestic tragedy of property and marriage, adultery and revenge, and strips bare two women's lives in one of the first tragedies ever to be written about ordinary people. The Tamer Tamed is a free-wheeling and witty comedy in which the place and status of women, and the nature of marriage, are subjected to sustained attention, demonstrating one way in which early modern writers were able to challenge and invert social convention, and to at least imagine alternative modes of behaviour. The Duchess of Malfi is a classic revenge tragedy and masterpiece of the Jacobean bizarre, featuring a severed hand, a wolf-man, and a poisoned Bible. The Witch of Edmonton is a domestic tragedy in which Elizabeth Sawyer sells her soul to the Devil to revenge her neighbours. These four early modern plays plays upset old certainties about gender ideology: less 'chaste, silent and obedient' and more diverse, eloquent, and complex.
This title looks at past post-structuralist theory to re-examine methods of textual interpretation developed in past millennia to understand sacred, philosophical, cultural, legal, literary and artistic texts.
As reluctant savior Arlen Bales denies he is the Deliverer, the one prophesied to unite the remnants of humanity against the army of demons that rises each night, Ahmann Jardir initiates a bitter rivalry with Arlen when he claims the title for himself.