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"This title was first published in 2000: John Ruskin's three-volume "The Stones of Venice" (1851-3) remains massively influential in art and architecture. To mark the centenary of Ruskin's death, this illustrated guide links Ruskin's descriptions of individual buildings with a photograph of the architecture and sculpture as it is today. Much of Ruskin's prose is reproduced, together with many of his drawings and watercolours and a number of 19th-century engravings. Sarah Quill's photographs identify the details described by Ruskin and show the extent to which the city's architecture has survived, or changed, since first publication of "The Stones of Venice". The opening chapter provides an introduction to Ruskin's involvment with Venice and to the periods and styles of Venetian architecture."--Provided by publisher.
Venice and Its Neighbors from the 8th to 11th Century offers an account of the formation and character of early Venice, drawing on archaeological evidence from Venice and related sites, and written sources. The volume covers topics including: Venice’s role within the Byzantine exarchate of Ravenna during the 7th century; its independence in the mid-8th century; and its position as a dominant European and Mediterranean power. The work also discusses the birth of neighbouring communities of the northern Adriatic zone relevant to the rise of Venice. Contributors are Francesco Borri, Silvia Cadamuro, Alessandra Cianciosi, Elisa Corrò, Stefano Gasparri, Sauro Gelichi, Cecilia Moine, Annamaria Pazienza, Sandra Primon, and Chiara Provesi.
Für Andrea Emo brings together around twenty paintings and three vitrines alongside recent diaries of Anselm Kiefer (born 1945). Dedicated to nihilist philosopher Andrea Emo, Kiefer's use of molten lead on painted canvases reflects his interest in the concept of destruction and regeneration.
A glamorous and unprecedented exploration of Palladio's work in one of the most beautiful of all cities
This sixth volume in the European Festival Studies series stems from a joint conference (Venice, 2013) between the Society for European Festivals Research and the European Science Foundation’s PALATIUM project. Drawing on up-to-date scholarship, a Europe-wide group of early-career and experienced academics provides a unique account of spectacular occasions of state which influenced the political, social and cultural lives of contemporary societies. International pan-European turbulence associated with post-Reformation religious conflict supplies the context within which the book explores how the period’s rulers and élite families competed for power – in a forecast of today’s divided world.
From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a preconceived ideal but the pragmatic outcome of social and economic networks of communication. Its urban creativity, though, came to represent the quintessential combination of place and institutions of its time. Through a discussion of Venice and two other works owing their inspiration to this city – Italo Calvino’s Invisible Cities and Le Corbusier’s Venice Hospital – Sophia Psarra describes Venice as a system that starts to resemble a highly probabilistic ‘algorithm’, that is, a structure with a small number of rules capable of producing a large number of variations. The rapidly escalating processes of urban development around our big cities share many of the motivations for survival, shelter and trade that brought Venice into existence. Rather than seeing these places as problems to be solved, we need to understand how urban complexity can evolve, as happened from its unprepossessing origins in the marshes of the Venetian lagoon to the ‘model city’ that endured a thousand years. This book frees Venice from stereotypical representations, revealing its generative capacity to inform potential other ‘Venices’ for the future.
The dazzling palatial mansion of circus tycoon John Ringling in Sarasota, Florida, is a tribute to the American Dream and reflects the splendour and romance of Italy. Described as 'the last of the Gilded Age mansions' to be built in America, Cà d'Zan has 56 incredible rooms filled with art and original furnishings. With its Venetian Gothic architecture, the mansion is a combination of the grandeur of Venice's Doge's Palace combined with the Gothic grace of Cà d'Oro, with Sarasota Bay serving as its Grand Canal. Today, this amazing house is open to the public as part of the John and Mable Ringling Museum of Art in Sarasota. This book is the first of a series of five Art Spaces books coming from the Ringling Museum, which will also include books on the Circus Museum, The Circus Rail Car, The Museum of Art and the Museum's extensive gardens. 73 colour illustrations