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This book is a stylistic study of D. H. Lawrence's presentation of narrative viewpoint. The focus is mainly on Lawrence's third novel, Sons and Lovers, occupying a crucial position in his oeuvre and judged by critics to be his first mature piece. While sharing many features typical of nineteenth-century novels, it marks the emergence of a new technique of writing consciousness that functioned as a precursor to the modernist practice of dialogic shifts across viewpoints. Through a detailed linguistic analysis, Sotirova shows that different characters' viewpoints are not simply juxtaposed in the narrative, but linked in a way that creates dialogic resonances between them. The dialogic linking is achieved through the use of devices that have parallel functions in conversational discourse - referring expressions, sentence-initial correctives and repetition. The book uses stylistics to resolve current controversies in narratology and Lawrence criticism. In approaching the study of narrative viewpoint from the angle of discourse, Sotirova arrives at cutting-edge insights into Lawrence's work. This book will be required reading for stylisticians, narratologists, literary linguists and literary studies scholars.
“A beautifully touching story of true love and triumph over heartbreaking situations.”​ — People.com From New York Times bestselling author Mia Sheridan comes an emotional, slow burn romance about a woman desperate to hide and the man who sees through her walls, perfect for fans of Colleen Hoover and Lucy Score. I wanted to lose myself in the small town of Pelion, Maine. To forget everything I had left behind. The sound of rain. The blood. The coldness of a gun against my skin. For six months, each breath has been a reminder that I survived--and my dad didn't. I'm almost safe again. But the moment I meet Archer Hale, my entire world tilts on its axis . . . and never rights itself again. Until I trespass into his strange, silent, and isolated world, Archer communicates with no one. Yet in his whiskey-colored eyes, something intangible happens between us. There's so much more to him than just his beauty, his presence, or the ways his hands communicate with me. On me. But this town is mired in secrets and betrayals, and Archer is the explosive center of it all. So much passion. And so much hurt. But it's only in Archer's silence that we might just find what we need to heal . . . and live. Includes an exclusive extended epilogue from Archer's POV! A Goodread's "Top Romance Novel of All Time" A New York Times, USA Today, and Wall Street Journal bestseller
Directions in Empirical Literary Studies is on the cutting edge of empirical studies and is a much needed volume. It both widens the scope of empirical studies and looks at them from an intercultural perspective by bringing together renowned scholars from the fields of philosophy, sociology, psychology, linguistics and literature, all focusing on how empirical studies have impacted these different areas. Theoretical issues are discussed and solid methods are presented. Some chapters also show the relation between empirical studies and new technology, examining developments in computer science and corpus linguistics. This book takes a global perspective, with contributors from many different countries, both senior and junior researchers. Broad in scope and interdisciplinary in nature, it contributes with the state-of-the-art developments in the field.
Joseph Conrad is a key figure in modernist fiction, whose innovative work engages with many of the crucial philosophical, moral and political concerns of the twentieth century. This collection of major critical readings of his work is arranged according to the issues which each critic addresses, issues which are of crucial importance, and in many cases remain controversial, within contemporary literary theory and criticism. Following an opening section on the critical tradition, indicating how the study of Conrad's work has been politicised since the 1970s, there are sections on 'Narrative, Textuality and Interpretation', 'Imperialism', 'Gender and Sexuality', 'Class and Ideology', and 'Modernity'. Within each section two or three critical excerpts offer contrasting and complementary accounts of the fiction, while the headnotes to each piece and the introduction place these excerpts within the wider critical debate, clarifying for the reader both the theoretical issues and the interpretation of Conrad's fiction. A glossary of terms and a bibliography categorised by critical approach complete a volume which will provide an invaluable resource for students of Conrad and twentieth-century literature as well as other readers of Conrad's work.
Thinking about a knockout audio system for your car? Not sure what you need, want, or can afford? Car Audio For Dummies is a great place to find some answers! But wait — what if speakers that vibrate your floorboards don’t turn you on? What if you’re thinking more about hands-free phone access and a DVD player to entertain the kids? Surprise! Car Audio For Dummies can give you a hand there, too. Whether you want to feel as if your favorite band is performing right on top of your dashboard or you want to keep the soccer team entertained on the way to the tournament, this friendly guide can help. From planning your system and buying components to getting them installed and protecting your investment, you’ll find plenty of wise advice. Get the scoop on: Figuring out what kind of equipment you need to do what you want Identifying good sound quality when you hear it Adding components to a factory system Choosing a video player, hands-free phone system, amplifiers, speakers, and more Finding a reliable installer (today’s automotive electronics systems are so complex that you probably won’t want to go it alone) Understanding warranties and returns Protecting and insuring your system Car Audio For Dummies is sort of like that knowledgeable friend you want to take along when you tackle a project like this. Sounds like a good idea, doesn’t it?
From its beginnings narratology has incorporated a communicative model of literary narratives, considering these as simulations of natural, oral acts of communication. This approach, however, has had some problems with accounting for the strangeness and anomalies of modern and postmodern narratives. As many skeptics have shown, not even classical realism conforms to the standard set by oral or ‘natural’ storytelling. Thus, an urge to confront narratology with the difficult task of reconsidering a most basic premise in its theoretical and analytical endeavors has, for some time, been undeniable. During the 2000s, Nordic narratologists have been among the most active and insistent critics of the communicative model. They share a marked skepticism towards the idea of using ‘natural’ narratives as a model for understanding and interpreting all kinds of narratives, and for all of them, the distinction of fiction is of vital importance. This anthology presents a collection of new articles that deal with strange narratives, narratives of the strange, or, more generally, with the strangeness of fiction, and even with some strange aspects of narratology.
In recent years, the study of unnatural narratives has become an exciting new but still disparate research program in narrative theory. For the first time, this collection of essays presents and discusses the new analytical tools that have so far been developed on the basis of unnatural novels, short stories, and plays and extends these findings through analyses of testimonies, comics, graphic novels, films, and oral narratives. Many narratives do not only mimetically reproduce the world as we know it but confront us with strange narrative worlds which rely on principles that have very little to do with the actual world around us. The essays in this collection develop new narratological tools and modeling systems which are designed to capture the strangeness and extravagance of such anti-realist narratives. Taken together, the essays offer a systematic investigation of anti-mimetic techniques and strategies that relate to different narrative parameters, different media, and different periods within literary history.
First published in 1982, this title grew from a series of essays on various aspects of narrative style; the result is a finished product that melds literary theory with linguistic methodology. It is argued that, where linguistic theory intersects with literary theory, it is narrative that provides the crucial ‘experiment’ for deciding between a communication and a non-communication theory of language and, by extension, of literature. Chapters discuss such areas as subjectivity in direct and indirect speech, the absence of the narrator, and the development of narrative style. With a detailed introduction to the subject, this reissue will be of value to students of linguistics and literature with a particular interest in narrative style and linguistic theory.
This book presents innovative ideas, cutting-edge findings, and novel techniques, methods, and applications in a broad range of cybersecurity and cyberthreat intelligence areas. As our society becomes smarter, there is a corresponding need to secure our cyberfuture. The book describes approaches and findings that are of interest to business professionals and governments seeking to secure our data and underpin infrastructures, as well as to individual users.