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The Drummer's Manifesto is an outstretched hand for anyone in need of an uplifting way to deal with the overwhelming stressors of life. Infused with sexuality and thought-provoking theoretical concepts designed to stimulate interest in the topic and practice, Pamela Lynn-Seraphine's debut book offers a new angle to a complex problem, taking a bold, compelling, and inspirational look at something not yet looked at by other scholars in the self-help genre. Acknowledging the fact that stress is the number one health complaint in North America, this book is the first of its kind to educate readers on how to harness the health benefits of rhythmic entrainment to reduce stress, maximize brainpower, and optimize health. Written with the layperson in mind, The Drummer's Manifesto bridges the gap between self-improvement and brain health in an accessible format that will reach millions of stressed-out consumers. It is a timeless book that offers a simple yet effective solution for the throngs of people who suffer from the stress. Presenting rhythmic entertainment as a radical new way of enhancing one's quality of life, Lynn-Seraphine thoughtfully and thoroughly showcases how the seductive effects of drumming produce unbelievable health benefits, with none of the boredom one might expect from a meditative practice. Drumming, she stresses, engages the body, mind, and soul, putting joy, passion, vitality, and enthusiasm for life well within the grasp of any reader.
Many of us want to advocate for causes we care about--but which ones? We want to work for change--but will the emotional toll lead to burn out? Karen Walrond shares strategies to help you define the actions that bring you joy, identify the values and causes about which you are passionate, and put them together to create change.
NEW YORK TIMES BESTSELLER • The two-time Pulitzer Prize winner and bestselling author of Harlem Shuffle continues his Harlem saga in a powerful and hugely-entertaining novel that summons 1970s New York in all its seedy glory. A Best Book of the Year: The New York Times, The Washington Post, TIME, NPR, BookPage “Dazzling” –Walter Mosley, The New York Times Book Review. It’s 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It’s strictly the straight-and-narrow for him — until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire. But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated – and deadly. 1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney’s endearingly violent partner in crime. It’s getting harder to put together a reliable crew for hijackings, heists, and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem. He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters, and hit men. These adversaries underestimate the seasoned crook – to their regret. 1976. Harlem is burning, block by block, while the whole country is gearing up for Bicentennial celebrations. Carney is trying to come up with a July 4th ad he can live with. ("Two Hundred Years of Getting Away with It!"), while his wife Elizabeth is campaigning for her childhood friend, the former assistant D.A and rising politician Alexander Oakes. When a fire severely injures one of Carney’s tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent, and the utterly corrupted. CROOK MANIFESTO is a darkly funny tale of a city under siege, but also a sneakily searching portrait of the meaning of family. Colson Whitehead’s kaleidoscopic portrait of Harlem is sure to stand as one of the all-time great evocations of a place and a time.
Fourteen-year-old George Harrison emigrated from England to Utah in 1856. He was part of a Mormon family relocating to "Zion" for both religious and economic reasons. The young man, suffering from malaria and extreme food shortages in the Martin Handcart Company, abandoned his family and spent a winter with a compassionate Indian family that saved him from starvation. Soon after, at Fort Laramie, Harrison served as a civilian cook for an army surgeon. He accompanied troops during the march into Salt Lake City in 1858 and cooked at Camp Floyd. Upon the camp's closure in 1861, he cooked at an Overland Stage and Pony Express station. George Harrison subsequently worked as a freighter and served in the Black Hawk War. In mid-life he built a small restaurant and hotel in Springville, Utah. Harrison's cooking, singing, and story telling attracted "drummers" (traveling salesmen) who gave the restaurateur the name of "Beefsteak" because of the quality of his steaks.
DigiCat Publishing presents to you this special edition of "Comrade Kropotkin" by Victor Robinson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This exhaustive study focuses on the New York filmmakers that coalesced around the radical manifesto espoused by downtown filmmaker Nick Zedd: “none shall emerge unscathed.” Placing their work within the wider alternative film and downtown post-punk scenes, Deathtripping offers detailed analyses of the movement’s films alongside interviews with the filmmakers and their collaborators, including Richard Kern, Nick Zedd, Tommy Turner, Beth B, Joe Coleman, and Lydia Lunch. Also discussed are seminal influences such as the Kuchar brothers, Jack Smith, and Andy Warhol as well as the history of underground and trash cinema.
What do expert drummers do? Why do they do it? Is there anything creative about it? If so, how might that creativity inform their practice and that of others in related artistic spheres? Applying ideas from cultural psychology to findings from research into the creative behaviors of a specific subset of popular music instrumentalists, Bill Bruford demonstrates the ways in which expert drummers experience creativity in performance and offers fresh insights into in-the-moment interactional processes in music. An expert practitioner himself, Dr. Bruford draws on a cohort of internationally renowned, peak-career professionals and his own experience to guide the reader through the many dimensions of creativity in drummer performance.
Pat Metheny: The ECM Years, 1977-1984 offers a vivid account of jazz guitarist Pat Metheny's first creative period, during which he recorded eleven albums for the European label ECM. This unique music reflects his passionate belief in the need to refashion jazz in ways which allow it to speak powerfully to a new generation, and the book provides a portrait of a fascinating but often overlooked period in jazz history.
Focus: Music of Northeast Brazil examines the historical and contemporary manifestations of the music of Brazil, a country with a musical landscape that is layered with complexity and diversity. Based on the author’s field research during the past twenty years, the book describes and analyzes the social/historical contexts and contemporary musical practices of Afro-Brazilian religion, selected Carnival traditions, Bahia’s black cultural renaissance, the traditions of rural migrants, and currents in new popular music. Part One, Understanding Music in Brazil, presents important issues and topics that encompass all of Brazil, and provides a general survey of Brazil’s diverse musical landscape. Part Two, Creating Music in Brazil, presents historical trajectories and contemporary examples of Afro-Brazilian traditions, Carnival music, and northeastern popular music. Part Three, Focusing In, presents two case studies that explore the ground-level activities of contemporary musicians in Northeast Brazil and the ways in which they move between local, national, and international realms. The accompanying downloadable resources offer vivid musical examples that are discussed in the text