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On parole, Allison is trying to survive her freedom, yet she comes to the aid of a silent immigrant boy looking for his activist mother who left him to fight the myopia of a small town.Now she's missing in the wetlands.All ALLISON wants is to restart her music career. But she violates her parole by hacking into the activist's website only to realize that she can never reveal the shocking unpublished blog she discovers. Then she sees a body in the fishkill. Her parole officer can never know these things-nor can the boy. Or anyone.Desperate, Allison urges her troubled ex-boyfriend to help the boy. Because both he and the boy might have lost their parents to warlords, Allison believes they can help each other heal-provided the boy never reads the blog. Though Allison's freedom is at stake she uncovers a nefarious plot to poison the bay, and is the prime suspect of an avaricious detective who badly wants the activist, and her, out of his way.
Offers a glimpse of the future of vanishing shorelines in America in the age of climate change, where the wealthy will be able to remain the longest while the poor will be forced to leave. Journalist Andrew Lewis chronicles the struggle of his New Jersey hometown to rebuild their ravaged homes in the face of the same environmental stresses and governmental neglect that are endangering coastal areas throughout the United States. Lewis grew up on the Bayshore, a 40-mile stretch of Delaware Bay beaches, marshland, and fishing hamlets at the southern end of New Jersey, whose working-class community is fighting to retain their place in a country that has left them behind. The Bayshore, like so many rural places in the US, is under immense pressure from a combination of severe economic decline, industry loss, and regulation. But it is also contending with one of the fastest rates of sea level rise on the planet and the aftereffects of one of the most destructive hurricanes in American history, Superstorm Sandy. If in the years prior to Sandy the Bayshore had already been slowly disappearing, its beaches eroding and lowland cedar woods hollowing out into saltwater-bleached ghost forests, after the hurricane, the community was decimated. Today, homes and roads and memories are crumbling into the rising bay. Cumberland, the poor, rural county where the Bayshore is located, had been left out of the bulk of the initial federal disaster relief package post-Sandy. Instead of money to rebuild, the Bayshore got the New Jersey Department of Environmental Protection’s Superstorm Sandy Blue Acres Program, which identified and purchased flood-prone neighborhoods where working-class citizens lived, then demolished them to be converted to open space. The Drowning of Money Island is an intimate yet unbiased, lyrical yet investigative portrait of a rural community ravaged by sea level rise and economic hardship, as well as the increasingly divisive politics those factors have helped spawn. It invites us to confront how climate change is already intensifying preexisting inequality.
Anyone who has ever stood on the shores of Monterey Bay, watching the rolling ocean waves and frolicking otters, knows it is a unique place. But even residents on this idyllic California coast may not realize its full history. Monterey began as a natural paradise, but became the poster child for industrial devastation in John Steinbeck’s Cannery Row,and is now one of the most celebrated shorelines in the world. It is a remarkable story of life, death, and revival—told here for the first time in all its stunning color and bleak grays. The Death and Life of Monterey Bay begins in the eighteenth century when Spanish and French explorers encountered a rocky shoreline brimming with life—raucous sea birds, abundant sea otters, barking sea lions, halibut the size of wagon wheels,waters thick with whales. A century and a half later, many of the sea creatures had disappeared, replaced by sardine canneries that sickened residents with their stench but kept the money flowing. When the fish ran out and the climate turned,the factories emptied and the community crumbled. But today,both Monterey’s economy and wildlife are resplendent. How did it happen? The answer is deceptively simple: through the extraordinary acts of ordinary people. The Death and Life of Monterey Bay is the biography of a place, but also of the residents who reclaimed it. Monterey is thriving because of an eccentric mayor who wasn’t afraid to use pistols, axes, or the force of law to protect her coasts. It is because of fishermen who love their livelihood, scientists who are fascinated by the sea’s mysteries, and philanthropists and community leaders willing to invest in a world-class aquarium. The shores of Monterey Bay revived because of human passion—passion that enlivens every page of this hopeful book.
All at Sea is a remarkable story of love and loss, of how one couple changed each other’s life, and of what a sudden death can do to the people who survive. On a hot, still morning on a beautiful beach in Jamaica, Decca Aitkenhead’s life changed forever. Her four-year-old son was paddling peacefully at the water’s edge when a wave pulled him out to sea. Her partner, Tony, swam out and saved their son’s life—then drowned before her eyes. When Decca and Tony first met, a decade earlier, she was a renowned Guardian journalist profiling leading politicians of the day; he was a dreadlocked criminal with a history of drug dealing and violence. No one thought the romance would last, but it did—until the tide swept Tony away, plunging Decca into the dark chasm of random tragedy. Exploring race and redemption, privilege and prejudice, All at Sea is a breathtakingly honest, profound, and utterly unforgettable memoir.
A gripping suspense story about a woman who returns to Galveston, Texas after a personal tragedy and is irresistibly drawn into the insular world she’s struggled to leave. Photographer Clare Porterfield's once-happy marriage is coming apart, unraveling under the strain of a family tragedy. When she receives an invitation to direct an exhibition in her hometown of Galveston, Texas, she jumps at the chance to escape her grief and reconnect with the island she hasn't seen for ten years. There Clare will have the time and space to search for answers about her troubled past and her family's complicated relationship with the wealthy and influential Carraday family. Soon she finds herself drawn into a century-old mystery involving Stella Carraday. Local legend has it that Stella drowned in her family's house during the Great Hurricane of 1900, hanged by her long hair from the drawing room chandelier. Could Stella have been saved? What is the true nature of Clare's family's involvement? The questions grow like the wildflower vines that climb up the walls and fences of the island. And the closer Clare gets to the answers, the darker and more disturbing the truth becomes. Steeped in the rich local history of Galveston, The Drowning House portrays two families, inextricably linked by tragedy and time. "The Drowning House marks the emergence of an impressive new literary voice. Elizabeth Black's suspenseful inquiry into dark family secrets is enriched by a remarkable succession of images, often minutely observed, that bring characters, setting, and story sharply into focus." —John Berendt, author of Midnight in the Garden of Good and Evil
"The bucolic setting, emphasis on family and leisurely pace make for a nice end run around traditional police procedurals." —The New York Times Book Review In The Drowning Sea, Sarah Stewart Taylor returns to the critically acclaimed world of Maggie D’arcy with another atmospheric mystery so vivid readers will smell the salt in the air and hear the wind on the cliffs. For the first time in her adult life, former Long Island homicide detective Maggie D’arcy is unemployed. No cases to focus on, no leads to investigate, just a whole summer on a remote West Cork peninsula with her teenage daughter Lilly and her boyfriend, Conor and his son. The plan is to prepare Lilly for a move to Ireland. But their calm vacation takes a dangerous turn when human remains wash up below the steep cliffs of Ross Head. When construction worker Lukas Adamik disappeared months ago, everyone assumed he had gone home to Poland. Now that his body has been found, the guards, including Maggie's friends Roly Byrne and Katya Grzeskiewicz, seem to think he threw himself from the cliffs. But as Maggie gets to know the residents of the nearby village and learns about the history of the peninsula and its abandoned Anglo Irish manor house, once home to a famous Irish painter who died under mysterious circumstances, she starts to think there's something else going on. Something deadly. And when Lilly starts dating one of the dead man's friends, Maggie grows worried about her daughter being so close to another investigation and about what the investigation will uncover. Old secrets, hidden relationships, crime, and village politics are woven throughout this small seaside community, and as the summer progresses, Maggie is pulled deeper into the web of lies, further from those she loves, and closer to the truth.
Indexes kept up to date with supplements.
2023 Midwest Book Awards Finalist 2021 Feathered Quill Book Awards Bronze Medal Winner 2021 Goodreads Choice Awards - Nominee Language so often fails us. In his highly anticipated follow up to Helium, Francisco has created his own words for the things we cannot give name to. English is the shiniest hammer I own, but it's also the only thing in my toolbox. Nolexi noun no·lex·i | \ nō-lek-si \ Definition of nolexi: 1 : a word or phrase that does not exist or has no direct translation in a particular language I'll Fly Away uses Francisco's invented lexicon as the palette to paint an intimate portrait of Black life in America — one that praises joy and grace without shying away from the hard truths confronting all of us today.
Between 2018 and 2019, Cornwall Archaeological Unit undertook two projects at Mount’s Bay, Penwith. The first involved the excavation of a Bronze Age barrow and the second, environmental augur core sampling in Marazion Marsh. Both sites lie within an area of coastal hinterland, which has been subject to incursions by rising sea levels. Since the Mesolithic, an area of approximately 1 kilometer in extent between the current shoreline and St Michael’s Mount has been lost to gradually rising sea levels. With current climate change, this process is likely to occur at an increasing rate. Given their proximity, the opportunity was taken to draw the results from the two projects together along with all available existing environmental data from the area. For the first time, the results from all previous palaeoenvironmental projects in the Mount’s Bay area have been brought together. Evidence for coastal change and sea level rise is discussed and a model for the drowning landscape presented. In addition to modeling the loss of land and describing the environment over time, social responses including the wider context of the Bronze Age barrow and later Bronze Age metalwork deposition in the Mount’s Bay environs are considered. The effects of the gradual loss of land are discussed in terms of how change is perceived, its effects on community resilience, and the construction of social memory and narratives of place. The volume presents the potential for nationally significant environmental data to survive, which demonstrates the long-term effects of climate change and rising sea levels, and peoples’ responses to these over time.