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Contents: State codes; Municipal & County Codes; Rules of Court; Reports of Cases; Official Court Records in Print; Accounts of Trials; Indexes, Digests, & Encyclopedias; Form Books; Law Treatises Printed Before 1950; Criminal Law Books; 19th-Century Law Journals; 20th-Century Legal Periodicals; Legal Education; Academic Law Libraries; William & Mary Law Library; Public Law Librarians; The Norfolk Law Library; Private Law Libraries Before 1776; Private Law Libraries After 1776; Public Printers; J.W. Randolph; The Michie Company; General Virginia Bibliography; Index of Authors & Editors; & Subject Index.
The conclusion of America's Civil War set off an ongoing struggle as a fractured society suffered the psychological consequences of four years of destruction, deprivation and distrust. Veterans experienced climbing rates of depression, suicide, mental illness, crime, and alcohol and drug abuse. Survivors, leery of conventional medicine and traditional religion, sought out quacks and spiritualists as cult memberships grew. This book provides a comprehensive account of the war-weary fighting their mental demons.
Centered on a series of dramatic murders in nineteenth- and early twentieth-century Richmond, Virginia, The Body in the Reservoir uses these gripping stories of crime to explore the evolution of sensationalism in southern culture. In Richmond, as across the nation, the embrace of modernity was accompanied by the prodigious growth of mass culture and its accelerating interest in lurid stories of crime and bloodshed. But while others have emphasized the importance of the penny press and yellow journalism on the shifting nature of the media and cultural responses to violence, Michael Trotti reveals a more gradual and nuanced story of change. In addition, Richmond's racial makeup (one-third to one-half of the population was African American) allows Trotti to challenge assumptions about how black and white media reported the sensational; the surprising discrepancies offer insight into just how differently these two communities experienced American justice. An engaging look at the connections between culture and violence, this book gets to the heart--or perhaps the shadowy underbelly--of the sensational as the South became modern.
Virginia's capital city knew poverty, injustice, slavery, vagrancy, substandard working conditions, street crimes, brutality, unsanitary conditions, and pandemics. One of the biggest stains in the city's past was the spectacle of public executions, attended by throngs. Thousands, including the old and the very young, reveled in a carnival-like atmosphere. This book narrates the history of the executions--hangings, and during the Civil War also firing squads--that formed a large part of Richmond's entertainment picture. Revulsion slowly mounted until the introduction of the electric chair. The history has a cast of unusual characters--the condemned, the crime victims, family members, the executioners, and not least an 182 pound "gallows" dog.