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Clara Bowman is like most society women recently turned 18 in New York in the early days of the Gilded Age. Until the man everyone expects her to marry dies in a train accident in Queens n May 1872. Her ordered life turns to shambles until she discovers an artist painting roses in a corner of London's Regent's Park and who ignites in Clara a passion to recover through sketches and portraits and landscapes, freed of the expectations of others and freed to be herself.It will take time, work, and disappointments and obstacles for Miss Clara Bowman. This is the story about her breaking free from her family's and society's expectations. It is not an easy journey, though she eventually obtains her family's support, and she encounters real and emotional pain again and again, but this story, set in the early days of the Gilded Age, is about a woman's fulfillment.This novel is related to, but is not a sequel to, Róisín Campbell, published in 2020. Many characters in that book appear here and some of their stories after the end of that book are revealed here. This is, however, a separate story. That of Clara Bowman.
Tess, an aspiring seamstress, thinks she’s had an incredibly lucky break when she is hired by famous designer Lady Lucile Duff Gordon to be her personal maid on the Titanic. Once on board, Tess catches the eye of two men—a kind sailor and an enigmatic Chicago businessman—who offer differing views of what lies ahead for her in America. But on the fourth night, disaster strikes, and amidst the chaos, Tess is one of the last people allowed on a lifeboat. The survivors are rescued and taken to New York, but when rumors begin to circulate about the choices they made, Tess is forced to confront a serious question. Did Lady Duff Gordon save herself at the expense of others? Torn between loyalty to Lucile and her growing suspicion that the media’s charges might be true, Tess must decide whether to stay quiet and keep her fiery mentor’s good will or face what might be true and forever change her future.
With a foreword by Karl Lagerfeld, “this enchanting, tiny book”—a series of transcriptions from interviews with the fashion icon—is the closest anyone can get to a face-to-face with Coco [Chanel]” (The Spectator) Coco Chanel invited Paul Morand to visit her in St. Moritz at the end of the Second World War when he was given the opportunity to write her memoirs; his notes of their conversations were put away in a drawer and only came to light one year after Chanel’s death. Now, he presents them here in The Allure of Chanel. Through Morand’s transcription of their conversations, Chanel tells us about her friendship with Misia Sert, the men in her life—Boy Capel, the Duke of Westminster, artists such as Diaghilev, her philosophy of fashion and the story behind the legendary Number 5 perfume. The memories of Chanel told in her own words provide vivid sketches and portray the strength of Coco’s character, leaving us with an extraordinary insight into Chanel the woman and the woman who created Chanel.
Alain Robbe-Grillet has long been regarded as the chief spokesman for the controversial nouveau roman. This collection of brilliant short pieces introduces the reader to those techniques employed by Robbe-Grillet in his longer works. These intriguing, gemlike stories represent Robbe-Grillet's most accessible fiction.
Claude Reynaud is an old-fashioned tailor, designing his famous gowns by hand in a cluttered studio well outside Paris. But one spring afternoon a woman arrives in search of a wedding dress and shatters all his composure: Valentine de Verlay is charming, beautiful, sophisticated, and, of course, engaged. Though he has long since given up on romance in favor of his work, Claude is instantly smitten. As Valentine's wedding approaches, Claude finds it impossible to keep a safe distance, and everything he's come to rely on in his small, focused life looks ready to collapse. Worse still, it appears that Valentine may share his feelings. The Dressmaker is a perfect gem of a novel, an enchanting portrait of another world, and, above all, a sly and irresistible love story.
Presents in chronological order the themes and ideas of his twenty-three feature films, and the complexity of their cinematic style.
A powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps. At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers. This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust. Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.