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An Our Town for our times, The Mammoth Cheese is beautifully crafted and driven by warm, vibrant characters as it follows the residents of rural Three Chimneys, Virginia, on their journey to re-create the original Thomas Jefferson-era, 1,235-pound "Mammoth Cheese." As the book opens, the town is joyously celebrating the birth of the Frank Eleven: eleven babies simultaneously born to Manda and James Frank after fertility treatments. But as autumn progresses and the babies weaken, the community seeks to redeem itself through the making and transporting of a symbolic Mammoth Cheese to Washington, as a gift for the newly elected President Brooke. The cheese is the brainchild of August Vaughn, a farmhand by day and a President Jefferson impersonator by night, and the creation of Margaret Prickett, a single mother and cheese maker trying to save her century-old family farm. Sheri Holman seamlessly weaves together the lives of Three Chimneys, delving into her characters' inescapable family histories as they grapple with religion, divorce, politics, and unrequited love. The Mammoth Cheese is a triumphant exploration of the burdens and joys of rural America and the debts we owe to history, our parents, and ourselves.
“This richly layered novel” from the acclaimed author of The Dress Lodger explores Americana, witchcraft, love, and betrayal (People, starred review). As a child growing up in Depression-era rural Virginia, Eddie Alley’s quiet life is rooted in the rumors of his mother’s witchcraft. But when an outsider violently disrupts the spell of his mother’s unorthodox life, Eddie is inspired to pursue a future beyond the confines of his dead-end town. He leaves for New York and becomes a television horror-movie presenter beloved for his kitschy comedy. When he opens his family’s door to a homeless teenager working as an intern at the TV station, the boy’s presence not only awakens something in Eddie, but also in his twelve-year-old daughter, Wallis, who has begun to feel a strange kinship to her notorious grandmother. As the ghost stories of one generation infiltrate the next, Wallis and Eddie grapple with the sins of the past in this gripping novel that “explores the dark vein of magic that runs just beneath our real lives” (The New York Times Book Review). “Holman is a master of the miniature. She uses tiny, achingly accurate details to bring each moment to life on the page; her sentences sing . . . [her] most ambitious and successful yet.” —People, starred review “Holman has an imagination that is both capacious and meticulous, and by turns somber and antic . . . Witches on the Road Tonight is a path into her work that beckons, with strange lights and mysterious apparitions.” —Jane Smiley, Los Angeles Review of Books “Mysterious, beautiful, and immediately engrossing . . . A tour de force of meticulous research brought urgently to life by headlong, transporting prose.” —Jennifer Egan, author of Manhattan Beach and A Visit From the Goon Squad
A New York Times Notable Book from the author of A Stolen Tongue: A tale of crime and survival in nineteenth-century England “as unsettling as it is brilliant” (The Washington Post Book World). In Sunderland, England, a city quarantined by the cholera epidemic of 1831, a defiant, fifteen-year-old beauty in an elegant blue dress sells her body to feed her only love: a fragile baby boy. When the surgeon Henry Chiver offers Gustine a different kind of work, she hopes to finally change her terrible circumstances. But Chiver was recently implicated in the famous case of Burke and Hare, who murdered beggars and sold their corpses for medical research. And soon, Gustine’s own efforts to secure cadavers for Chiver’s anatomy school will threaten the very things she’s working so hard to protect . . . “Reminiscent of Wuthering Heights . . . or the novels of Dickens . . . An even better book than Holman’s first, with prose that’s more limber and vivid—and with, appropriately, even more heart.” —The New York Times Book Review “As unsettling as it is brilliant. Holman attempts Herculean feats of plot and character, and the resulting novel is seamlessly crafted.” —The Washington Post Book World “Holman seduces you. Her prose, tart, racy and somber, will sing in your soul a long while.” —Frank McCourt, author of Angela’s Ashes “Holman’s style is risky and direct . . . with unflinching emotional precision. This dazzlingly researched epic is an uncommon read.” —Publisher Weekly, starred review
From a place where you don't have to run away to find yourself, this novel's young heroine, Berry, joins the ranks of other memorable and spirited girl narrators such as Bone in "Bastard Out of Carolina," Kaye Gibbon's Ellen Foster, Lily Owens in The Secret Life of Bees, and Scout from To Kill a Mockingbird.
"At once mordantly funny and achingly sad, L.I.E. is a soul map for modern suburbia." --Sheri Holman, author of The Dress Lodger Long Island, New York, 1987: Harlan Kessler--raised in Medford, a product of blue-collar Suffolk County, of housing developments and concrete strip malls--graduates from high school. He hangs out, he parties, he plays guitar for the Dayglow Crazies (the local rock-and-roll phenomenon), and he struggles diligently to lose his virginity. He doesn't think about the future much. The Long Island Expressway (L.I.E.) cleaves the landscape, permitting passage west, to the tonier climes of Nassau County and New York City, but to Harlan, this seems like an impossible journey, something beyond his Long Island birthright. And what's worse, evidence is accumulating that Harlan may not exist at all, that he may merely be a character in someone else's story, a fleeting thought in the mind of God. L.I.E. follows Harlan, his family, and his friends through two years of love, sex, death, betrayal, salvation, and enlightenment. In ten intimately interwoven stories, in prose that swings fluidly from gritty realism to heightened metafiction, David Hollander maps an American landscape that is at once vividly familiar and highly exotic, creating an unforgettable portrait of the passage to adult-hood and the search for identity, certain to resonate with legions of readers. By turns dark, funny, raw, and elegant, L.I.E. is the striking debut of a singular voice. The last wisps of afternoon streak and evaporate into blue-gray dusk, submersing Long Island in twilight. Harlan and Rik Giannati sit on the curb outside Rik's house, precisely 211 yards northeast of Harlan's house, the distance punctuated by no fewer than fourteen subtly distinct houses of three ilks: the square, steeple-roofed Granada; the split-level LaSalle; the two-story, three-bedroom Monte Carlo. This last model was the choice of Kessler and Giannati alike some ten years ago when they, too, were assimilated in the mass exodus from Queens to Suffolk County that had gripped the hearts and genitals of so many. The streetlamps began to glow along Rustic Avenue, a cold blue flicker spaced at even intervals, like isolated members of the same species, each shivering in its cage of frosted glass. --From L.I.E.
1919, Siberia . . . Deep in the unforgiving landscape a town lies under military rule, awaiting the remorseless assault of Bolsheviks along the Trans-Siberian railway. One night a stranger, Samarin, appears from the woods with a tale of escape from an Arctic prison, insisting a cannibal is on his trail. Only Anna, a beautiful young widow, trusts his story. When a local shaman is found dead suspicion and terror engulf the isolated community, which harbours a secret of its own . . .
The Lodger is the first known novelization of the Jack the Ripper story. It follows the lives of Mr. and Mrs. Bunting, a maid and butler. An eccentric lodger, Mr. Sleuth, arrives at their lodging-house just as a wave of horrific murders begins to sweep London. The Buntings become engrossed in the newspaper sensationalism as well the detailed accounts of their young friend, a Scotland Yard detective. Lowndes first wrote The Lodger as a short story published in McClure’s Magazine, then later published the novelization in the Daily Telegraph as a serial. It was very successful, with over a million copies sold within a few decades. Writers like Ernest Hemingway and Gertrude Stein praised it, with one contemporary reviewer calling it “the best novel about murder written by any living author.” It has since been adapted to other media, notably as one of Alfred Hitchcock’s first movies. Today the novel is still considered the best fictional adaptation of the Jack the Ripper legend. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
A journalist's obsession brings her to a remote island off the California coast, home to the world's most mysterious and fearsome predators--and the strange band of surfer-scientists who follow them Susan Casey was in her living room when she first saw the great white sharks of the Farallon Islands, their dark fins swirling around a small motorboat in a documentary. These sharks were the alphas among alphas, some longer than twenty feet, and there were too many to count; even more incredible, this congregation was taking place just twenty-seven miles off the coast of San Francisco. In a matter of months, Casey was being hoisted out of the early-winter swells on a crane, up a cliff face to the barren surface of Southeast Farallon Island-dubbed by sailors in the 1850s the "devil's teeth." There she joined Scot Anderson and Peter Pyle, the two biologists who bunk down during shark season each fall in the island's one habitable building, a haunted, 135-year-old house spackled with lichen and gull guano. Two days later, she got her first glimpse of the famous, terrifying jaws up close and she was instantly hooked; her fascination soon yielded to obsession-and an invitation to return for a full season. But as Casey readied herself for the eight-week stint, she had no way of preparing for what she would find among the dangerous, forgotten islands that have banished every campaign for civilization in the past two hundred years. The Devil's Teeth is a vivid dispatch from an otherworldly outpost, a story of crossing the boundary between society and an untamed place where humans are neither wanted nor needed.
A poignant and suspenseful retelling of a classic fairy tale set in a war-torn world, for readers of The Tattooist of Auschwitz, We Were the Lucky Ones, and Lilac Girls In the last months of the Nazi occupation of Poland, two children are left by their father and stepmother to find safety in a dense forest. Because their real names will reveal their Jewishness, they are renamed “Hansel” and “Gretel.” They wander in the woods until they are taken in by Magda, an eccentric and stubborn old woman called a “witch” by the nearby villagers. Magda is determined to save them, even as a German officer arrives in the village with his own plans for the children. Louise Murphy’s haunting novel of journey and survival, of redemption and memory, powerfully depicts how war is experienced by families and especially by children.
The story of an unmarried tradeswoman in London during the Puritan Revolution (1649–1650) whose passionate love affair leads to a trial for murder.