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A Times/Sunday Times Book of the Year 'Powerful . . . there is rage in his ink. McKay's book grips by its passion and originality. Some 25,000 people perished in the firestorm that raged through the city. I have never seen it better described' Max Hastings, Sunday Times In February 1945 the Allies obliterated Dresden, the 'Florence of the Elbe'. Explosive bombs weighing over 1,000 lbs fell every seven and a half seconds and an estimated 25,000 people were killed. Was Dresden a legitimate military target or was the bombing a last act of atavistic mass murder in a war already won? From the history of the city to the attack itself, conveyed in a minute-by-minute account from the first of the flares to the flames reaching almost a mile high - the wind so searingly hot that the lungs of those in its path were instantly scorched - through the eerie period of reconstruction, bestselling author Sinclair McKay creates a vast canvas and brings it alive with touching human detail. Along the way we encounter, among many others across the city, a Jewish woman who thought the English bombs had been sent from heaven, novelist Kurt Vonnegut who wrote that the smouldering landscape was like walking on the surface of the moon, and 15-year-old Winfried Bielss, who, having spent the evening ushering refugees, wanted to get home to his stamp collection. He was not to know that there was not enough time. Impeccably researched and deeply moving, McKay uses never-before-seen sources to relate the untold stories of civilians and vividly conveys the texture of contemporary life. Dresden is invoked as a byword for the illimitable cruelties of war, but with the distance of time, it is now possible to approach this subject with a much clearer gaze, and with a keener interest in the sorts of lives that ordinary people lived and lost, or tried to rebuild. Writing with warmth and colour about morality in war, the instinct for survival, the gravity of mass destruction and the manipulation of memory, this is a master historian at work. 'Churchill said that if bombing cities was justified, it was always repugnant. Sinclair McKay has written a shrewd, humane and balanced account of this most controversial target of the Anglo-American strategic bombing campaign, the ferocious consequence of the scourge of Nazism' Allan Mallinson, author of Fight to the Finish 'Beautifully-crafted, elegiac, compelling - Dresden delivers with a dark intensity and incisive compassion rarely equalled. Authentic and authoritative, a masterpiece of its genre' Damien Lewis, author of Zero Six Bravo 'Compelling . . . Sinclair McKay brings a dark subject vividly to life' Keith Lowe, author of Savage Continent 'This is a brilliantly clear, and fair, account of one of the most notorious and destructive raids in the history aerial warfare. From planning to execution, the story is told by crucial participants - and the victims who suffered so cruelly on the ground from the attack itself and its aftermath' Robert Fox, author of We Were There
“A rich, generous book about writing and reading and Kurt Vonnegut as writer, teacher, and friend . . . Every page brings pleasure and insight.”—Gail Godwin, New York Times bestselling author Here is an entirely new side of Kurt Vonnegut, Vonnegut as a teacher of writing. Of course he’s given us glimpses before, with aphorisms and short essays and articles and in his speeches. But never before has an entire book been devoted to Kurt Vonnegut the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the writing art and craft, altogether a healing, a nourishing expedition. His former student, Suzanne McConnell, has outfitted us for the journey, and in these 37 chapters covers the waterfront of how one American writer brought himself to the pinnacle of the writing art, and we can all benefit as a result. Kurt Vonnegut was one of the few grandmasters of American literature, whose novels continue to influence new generations about the ways in which our imaginations can help us to live. Few aspects of his contribution have not been plumbed—fourteen novels, collections of his speeches, his essays, his letters, his plays—so this fresh view of him is a bonanza for writers and readers and Vonnegut fans everywhere. “Part homage, part memoir, and a 100% guide to making art with words, Pity the Reader: On Writing with Style is a simply mesmerizing book, and I cannot recommend it highly enough!”—Andre Dubus III, #1 New York Times bestselling author “The blend of memory, fact, keen observation, spellbinding descriptiveness and zany characters that populated Vonnegut’s work is on full display here.”—James McBride, National Book Award-winning author
Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.
On February 13 and 14, 1945, three successive waves of British and U.S. aircraft rained down thousands of tons of high explosive and incendiary bombs on the largely undefended German city of Dresden. Night and day, Dresden was engulfed in a vast sea of flame, a firestorm that generated 1,500-degree temperatures and hurricane-force winds. Thousands suffocated in underground shelters where they had fled to escape the inferno above. The fierce winds pulled thousands more into the center of the firestorm, where they were incinerated. By the time the fires burned themselves out, many days later, a great city–known as “the Florence on the Elbe”–lay in ruins, and tens of thousands, almost all of them civilians, lay dead. In Firestorm, Marshall De Bruhl re-creates the drama and horror of the Dresden bombing and offers the most cogent appraisal yet of the tactics, weapons, strategy, and rationale for the controversial attack. Using new research and contemporary reports, as well as eyewitness stories of the devastation, De Bruhl directly addresses many long-unresolved questions relating to the bombing: Why did the strike occur when the Allies’ victory was seemingly so imminent? Was choosing a city choked with German refugees a punitive decision, intended to humiliate a nation? What, if any, strategic importance did Dresden have? How much did the desire to send a “message”–to Imperial Japan or the advancing Soviet armies–factor into the decision to firebomb the city? Beyond De Bruhl’s analysis of the moral implications and historical ramifications of the attack, he examines how Nazi and Allied philosophies of airpower evolved prior to Dresden, particularly the shift toward “morale bombing” and the targeting of population centers as a strategic objective. He also profiles the architects and prime movers of strategic bombing and aerial warfare, among them aviation pioneer Billy Mitchell, RAF air marshal Sir Arthur “Bomber” Harris, and the American commander, General Carl Spaatz. The passage of time has done nothing to quell the controversy stirred up by the Dresden raid. It has spawned a plethora of books, documentaries, articles, and works of fiction. Firestorm dispels the myths, refutes the arguments, and offers a dispassionate and clear-eyed look at the decisions made and the actions taken throughout the bombing campaign against the cities of the Third Reich–a campaign whose most devastating consequence was the Dresden raid. It is an objective work of history that dares to consider the calculus of war.
'Victor Gregg is the most remarkable spokesman for the war generation' Dan Snow In Slaughterhouse-Five, Kurt Vonnegut fictionalised his time as a prisoner of war in Dresden in 1945. Vonnegut was imprisoned in a cellar while the firestorm raged through the city, wiping out generations of innocent lives. Victor Gregg remained above ground throughout the firebombing. This is his true eyewitness account of that week in February 1945. Already a seasoned soldier with the Rifle Brigade, Gregg joined the 10th Parachute Regiment in 1944. He was captured at Arnhem where he volunteered to be sent to a work camp rather than become another faceless number in the huge POW camps. With two failed escape attempts under his belt, Gregg was eventually caught sabotaging a factory and sent to Dresden for execution. Before Gregg could be executed, the British Royal Air Force and the United States Army Air Forces dropped more than 3,900 tons of high-explosive bombs and incendiary devices on Dresden in four air raids over two days in February 1945. The resulting firestorm destroyed six square miles of the city centre. 25,000 people, mostly civilians, were estimated to have been killed. Post-war discussion of whether or not the attacks were justified has led to the bombing becoming one of the moral questions of the Second World War. In Gregg's first-hand narrative, personal and punchy, he describes the trauma and carnage of the Dresden bombing. After the raid, he spent five days helping to recover a city of innocent civilians, thousands of whom had died in the fire storm, trapped underground in human ovens. As order was restored, his life was once more in danger and he escaped to the east, spending the last weeks of the war with the Russians.
“A madcap genealogical adventure . . . Vonnegut is a postmodern Mark Twain.”—The New York Times Book Review Galápagos takes the reader back one million years, to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave, new, and totally different human race. In this inimitable novel, America’ s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving. Praise for Galápagos “The best Vonnegut novel yet!”—John Irving “Beautiful . . . provocative, arresting reading.”—USA Today “A satire in the classic tradition . . . a dark vision, a heartfelt warning.”—The Detroit Free Press “Interesting, engaging, sad and yet very funny . . . Vonnegut is still in top form. If he has no prescription for alleviating the pain of the human condition, at least he is a first-rate diagnostician.”—Susan Isaacs, Newsday “Dark . . . original and funny.”—People “A triumph of style, originality and warped yet consistent logic . . . a condensation, an evolution of Vonnegut’s entire career, including all the issues and questions he has pursued relentlessly for four decades.”—The Philadelphia Inquirer “Wild details, wry humor, outrageous characters . . . Galápagos is a comic lament, a sadly ironic vison.”—St. Louis Post-Dispatch “A work of high comedy, sadness and imagination.”—The Denver Post “Wacky wit and irreverent imagination . . . and the full range of technical innovations have made [Vonnegut] America’s preeminent experimental novelist.”—The Minneapolis Star and Tribune
In the final phase of the World War II, the Allies launched a bombing campaign that inflicted unprecedented destruction on Germany. This work attempts to document life under the Allied bombing, and renders the annihilation of cities such as Dresden.
*Includes pictures *Includes survivors' accounts of the attacks *Discusses the various debates over the morality and necessity of targeting Dresden *Includes footnotes and a bibliography for further reading *Includes a table of contents "We saw terrible things: cremated adults shrunk to the size of small children, pieces of arms and legs, dead people, whole families burnt to death, burning people ran to and fro, burnt coaches filled with civilian refugees, dead rescuers and soldiers, many were calling and looking for their children and families, and fire everywhere, everywhere fire, and all the time the hot wind of the firestorm threw people back into the burning houses they were trying to escape from. I cannot forget these terrible details. I can never forget them." - Lothar Metzger, survivor In the middle of February 1945, the Allies were steadily advancing against the Germans from both east and west, with British and American forces having repulsed the German offensive during the Battle of the Bulge and the Soviet Union's Red Army pushing from the east. Indeed, the war would be over in just a little more than 2 months. Nonetheless, it was during this timeframe that the Allies conducted one of the most notorious attacks of the war: the targeting of Dresden. As a Royal Air Force memo put it before the attack, "Dresden, the seventh largest city in Germany and not much smaller than Manchester is also the largest unbombed builtup area the enemy has got. In the midst of winter with refugees pouring westward and troops to be rested, roofs are at a premium, not only to give shelter to workers, refugees, and troops alike, but to house the administrative services displaced from other areas. At one time well known for its china, Dresden has developed into an industrial city of first-class importance.... The intentions of the attack are to hit the enemy where he will feel it most, behind an already partially collapsed front... and incidentally to show the Russians when they arrive what Bomber Command can do." In the span of about 48 hours, Dresden was targeted by over 1,200 Allied bombers, which dropped nearly 4,000 tons of explosives on the town. The firestorms caused by this pounding hollowed out 1,600 acres and killed at least tens of thousands in gruesome ways. Ironically, many of the victims in Dresden had fled from the eastern front as the Soviets advanced, understandably worried about what kind of punishment the Soviets would dole out to captured Germans in response to the atrocities committed in Russia during the war. As the RAF memo noted, Dresden was relatively unscathed before the attacks, and the bombing was justified by the Allies based on Dresden being the home of hundreds of factories and a crucial railway. However, the widespread devastation immediately compelled the Nazis to use the attack as propaganda, and it has been condemned in the nearly 70 years since, with arguments still debating whether Dresden should've been attacked in the manner it was, and whether it was a disproportionate bombing. While most historians agree that the German war machine was in retreat by the time of this bombing of Germany's seventh largest city, other facts about the purpose and efficacy of the attack are less than decided. The debate over Dresden, which began shortly after the bombing and continues to this day, focuses not only on the necessity of the attack but also on the legitimacy of targets, and even on the disputed number of deaths that resulted. Though there was (perhaps) surprisingly little written about the Dresden attack during or immediately after the war, Chris Harmon, a military strategist and professor at the U.S. Naval War College, describes the Dresden attack as the "bloody shirt" that was waved often by those who questioned the morality of allied actions in retrospect. The Firebombing of Dresden analyzes one of the most controversial attacks of World War II
National Bestseller An enlightening and utterly convincing re-examination of the allied aerial bombing campaign and of civilian German suffering during World War II–an essential addition to our understanding of world history. During the Second World War, Allied air forces dropped nearly two million tons of bombs on Germany, destroying some 60 cities, killing more than half a million German citizens, and leaving 80,000 pilots dead. Much of the bombing was carried out against the expressed demands of the Allied military leadership. Hundreds of thousands of people died needlessly. Focusing on the crucial period from 1942 to 1945, and using a compelling narrative approach, Fire and Fury tells the story of the American and British bombing campaign through the eyes of those involved: military and civilian command in America, Britain, and Germany, aircrew in the sky, and civilians on the ground. Acclaimed historian Randall Hansen shows that the Commander-in-Chief of Bomber Command, Arthur Harris, was wedded to an outdated strategy whose success had never been proven; how area bombing not only failed to win the war, it probably prolonged it; and that the US campaign, which was driven by a particularly American fusion of optimism and morality, played an important and largely unrecognized role in delivering Allied victory.