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Society of Illustrators, Dilys Evans Founder's Award Winner A New York Times Best Book of 2020 A Wall Street Journal Best Book of 2020 PRAISE "Electrifying. Extraordinary. Enigmatic and gorgeous." —The Wall Street Journal "An epic dream captured in superbly meticulous detail." —Shaun Tan "Danger, magic, surprise and awe abound in this masterly, wordless debut." —The New York Times "I love Van den Ende's passion." —Brian Selznick, New York Times Book Review STARRED REVIEWS ★ "Marvelously engrossing—a triumph." —Kirkus Reviews, starred review ★ "Remarkable. Absolutely sui generis." —Booklist, starred review Without a word, The Wanderer presents one little paper boat's journey across the ocean, past reefs and between icebergs, through schools of fish, swaying water plants, and terrifying sea monsters. The little boat is all alone, and while its aloneness gives it the chance to wonder at the fairy-tale world above and below the waves, that also means it must save itself when it storms. And so it does. Readers young and old will find the strength and inspiration in this quietly powerful story about growing, learning, and life's ups and downs.
Which is real, your dreams or your waking life? How would you know for sure? Two unlikely space travelers wake up on a spaceship so far from earth that not even the sun is visible. After dreaming in suspended animation for centuries, they no longer remember where they are going or why. They do not even know who they are. Are they passengers or prisoners? Were their dreams memories of a life once lived, or just entertainment implanted in their brains? Exploring the spaceship that is now their home--or prison--in the stars, they wrestle with the question that has no easy answer. What is real?
Newbery Honor Book * ALA Notable Children's Book “A beautifully written and imaginatively constructed novel that speaks to the power of survival and the delicacy of grief.” —School Library Journal (starred review) This acclaimed bestselling Newbery Honor Book from multi-award-winning author Sharon Creech is a classic and moving story of adventure, self-discovery, and one girl's independence. Thirteen-year-old Sophie hears the sea calling, promising adventure and a chance for discovery as she sets sail for England with her three uncles and two cousins. Sophie’s cousin Cody isn’t so sure he has the strength to prove himself to the crew and to his father. Through Sophie’s and Cody’s travel logs, we hear stories of the past and the daily challenges of surviving at sea as The Wanderer sails toward its destination—and its passengers search for their places in the world. “Sophie is a quietly luminous heroine, and readers will rejoice in her voyage.” —BCCB (starred review) "Like Creech's Walk Two Moons and Chasing Redbird, this intimate novel poetically connects journey with self-discovery.” —Publishers Weekly (starred review)
After obscure author of strange stories, Simon Peterkin, vanishes in bizarre circumstances, a typescript, of a text entitled, 'The Wanderer', is found in his flat. 'The Wanderer' is a weird document. On a dying Earth, in the far-flung future, a man, an immortal, types the tale of his aeon-long life as prey, as a hunted man; he tells of his quitting the Himalayas, his sanctuary for thousands of years, to return to his birthplace, London, to write the memoirs; and writes, also, of the night he learned he was cursed with life without cease, an evening in a pub in that city, early in the twenty-first century, a gathering to tell of eldritch experiences undergone. Is 'The Wanderer' a fiction, perhaps Peterkin's last novel, or something far stranger? Perhaps more 'account' than 'story'?
Having jumped into Luster, the land of unicorns, Cara makes a perilous journey to bring back her grandmother, The Wanderer, in order to release the Queen of the unicorns and allow her to die.
"There is no one quite like Lloyd Schwartz, whose unique combination of comedy and pathos is rare in contemporary American poetry. Over the years and books, Schwartz has developed a pitch-perfect ear for dialogue, producing poems that are hilarious in their depiction of unsettling social situations, while still managing to find the kernel of poignancy buried in everyday encounters. He is a master of the speech-driven style of verse, which is based on overheard, interrupted, or invented conversations that are by turns humorous and deeply unsettling, intimate yet decorous. In the new poems section, Schwartz brings his broad experience across the arts (including his many years as a music critic and commentator) to bear, with poems that recall the feeling of both performing and apprehending a piece of music, say, or a painting, a film, or a poem; he explores the figures depicted within these artworks, their fears and desires, revealing whole unexplored, interior worlds, a universe in a pack of tarot cards. This collection, which gathers the very best of Schwartz's work over his long, distinguished career, amply displays the tenderness and delicacy of feeling that we've come to rely on in his poetry. "Who's on First?" is a fitting capstone to a long life lived in the arts"--