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This arresting and beautiful picture book from Margaret Wild and Ron Brooks is a shimmering encounter with the Tasmanian tiger, a lament for a lost species, and a compelling evocation of the place of animals in Nature.
Packing an off-kilter sense of humor and keen scientific minds, authors Margaret Mittelbach and Michael Crewdson take off with renowned artist Alexis Rockman on a postmodern safari. Their mission? Tracking down the elusive Tasmanian tiger. This mysterious, striped predator was once the world’s largest carnivorous marsupial. It had a pouch like a kangaroo and a jaw that opened impossibly wide to reveal terrifying choppers. Tragically, this rare and powerful animal was hunted into extinction in the early part of the twentieth century. Or was it? Journeying first to the Australian mainland and then south to the wild island of Tasmania, these young naturalists brave a series of bizarre misadventures and uproarious wildlife encounters in their obsessive search for the long-lost beast. From an ancient cave featuring an aboriginal painting of the tiger to a lab in Sydney where maverick scientists are trying to resurrect the animal through cloning, this intrepid trio comes face-to-face with blood-sucking land leeches and venomous bull ants, a misbehaving wallaby who invades their motel room, and a crew of flesh-eating, bone-crunching Tasmanian devils gorging on roadkill. They bond with trappers, bushwackers, and wildlife experts who refuse to abandon the tiger hunt, despite the paucity of evidence. Sifting through local myths, bar-room banter, and historical accounts, these environmental detectives sweep readers into a world where platypus’ swim, kangaroos roam, and a large predator with a pouch was–or perhaps still is–queen of the jungle. Filled with Alexis Rockman’s stunning drawings of flora and fauna–-made from soil, wombat scat, and the artist’s own blood–Carnivorous Nights is a hip and hilarious account of an unhinged safari, as well as a fascinating portrayal of a wildly unique part of the world.
Dog and Magpie are friends, but when Fox comes into the bush, everything changes. This breathtaking story has won acclaim around the world: CBCA Picture Book of the Year; two Premiers' literary awards; honours in Germany, Brazil, Japan; a shortlisting for the prestigious Kate Greenaway Medal in the UK, and more. 'A publishing landmark.' Magpies 'Magnificent.' Reading Time 'a stunning book' Australian Bookseller and Publisher 'The images from this unsettling, provocative story will resonate long after the book has been closed.' Publishers Weekly (Starred Review) 'A strongly atmospheric psycho-fable--visually striking--an open-ended discussion starter.' Kirkus Reviews 'Fox is an archetypal drama about friendship, loyalty, risk and betrayal - a story that is as rich for adults as for older children.' Los Angeles Times
Barnaby is a pavement artist. This morning he started drawing me. I have a head that can think, eyes that can see, ears that can hear and legs that can run. Best of all, I have a heart that can feel. Thank you, Barnaby. Award-winning writer Margaret Wild compresses epic themes into a poetic, poignant story, vividly brought to life by Mandy Ord's distinctive, dynamic art.
The thylacine is the largest known carnivorous marsupial of modern times. It's commonly known as the Tasmanian tiger because of its striped back and is believed by most experts to have become extinct in the 20th century. Yet in 1967, Col Bailey sighted a Tasmanian tiger along the shores of the Coorong, in South Australia. Then in 1993, a chance encounter with an elderly bushman unlocked a wealth of previously untold information that led Col into the vast and untrodden wilderness of Tasmania's Weld Valley. In Shadow Of The Thylacine, Col tells of his search for the Tasmanian tiger, revealing why he believes that this shy animal still exists in remote areas of Australia.
Somewhere, he thinks, cherishing his last thought before sleep, somewhere, out there, the last tiger stands with her back to the rising wind and slowly shakes herself awake. An unnamed man arrives at a remote house on the fringe of a vast wilderness and soon disappears into a world of silence and stillness. His one mission: to find the last thylacine, the fabled Tasmanian tiger. She is said to have passed into myth but a sighting has been reported . . . Uncompromising and compelling, Julia Leigh's stunning first novel is a haunting tale of obsession that builds to an unforgettable conclusion. 'Leigh has completely mastered the craft of storytelling, and her evocation of place and time is stunning.' Guardian 'I was hooked from the first page.' Australian's Review of Books 'Julia Leigh has emerged with a writing voice of great purity and strength . . . her talent burns bright.' Frank Moorhouse
Rosie never liked Elias Churchill, and she liked him even less when he trapped the last tiger-wolf ever to be seen. Churchill didn t kill the tiger-wolf for its bounty he bundled it into a cage, scratched and bloody, and sent it by train to some unknown place. It was moaning and sad. It liked its freedom, Rosie could tell, just as much as her father had, before he died in the bush after being trapped under a log for three days. Then Rosie and her mother had to move to Hobart to work, but it was the Depression and it was hard, especially if you re from the country. Thylacine was the proper name for a tiger-wolf, according to Alison Reid, the lady at Hobart Zoo whose father had died too. She said that this one may be the last in existence. It was Rosie s thylacine! The very one she saw that day on the train. But on September 7, 1936, it died. Was Rosie that last person to see the thylacine alive and free in the wild? Could she have done anything to save it being captured, saving all thylacines from extinction? The first book in the Extinct Series, I SAW NOTHING - EXTINCTION OF THE THYLACINE introduces a wonderful sense of intrigue and dilemma that the following two stories will explore with classic Crew style and authenticity. The subdued illustrations capture the rough, bushy characters.
A bear imprisoned in a medieval circus is forced to perform night after night before a mocking crowd, but she finally can no longer stand the torment and determines to set herself free.
While grannies come in all shapes and sizes "our granny" is unique.
A young boy will not accept that his beloved dog has died.