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Examines aspects of the dream in Homer and Greek tragedies as an originating cause or impetus of the action in a poem or play.
THE Department of Classical Philology of Columbia University has approved this monograph as a contribution to knowledge worthy of publication. We are happy to agree, and we hope that Mr. Messer will be able to fulfill his promise of further contributions to his chosen subject. He was led to the study of the dreams in Greek literature by the discovery -- which every serious student of Latin literature will make -- that without Greek you cannot get far into Latin; for he first set out to investigate Roman dreams (see "Mnemosyne," 45, 78-92). His present work is really introductory to a more general study of the ancient dream, especially as portrayed in Latin literature. It deals particularly with the dreams in Homer, Hesiod, and the Tragedians, (I) as a part of the machinery, a motive force in the development of action, narrative, plot, and (2) as artistic ends in themselves, more or less complete, more or less refined, more or less natural or artificial. The author has collected, for his own purposes, all dreams and references to dreams that he can find in Greek or Latin literature down to the second century A.D., and his footnotes give proof of his wide reading and of the intrinsic interest of his materials. His style is somewhat inelegant, and his arrangement unattractive. His method is to plough solemnly through the whole field, noting and discussing each dream as it appears. Accordingly there is too much repetition, and a bewildering abundance of cross-references. If only he had added a short chapter summarizing his results, his work would have been more likely to be recognised for what it is -- a very sound and useful piece of not particularly inspired research. That the author is no mere compiler is shown by many touches of just literary appreciation. He is at his best in pointing out that Penelope's dream of geese and eagle (Odyssey XIX.) is unlike other dreams in Homer, an allegorical vision which demands interpretation, "a new departure for the epic, and a model for the allegorical dreams of tragedy.' The second part, in which the eagle returns and announces him as Odysseus, is in the manner of the older type, the objective dream which tells its own tale without any mystery; and this addition, Mr. Messer thinks, is an indication that the poet felt uneasy about the introduction of the new technique (pp. 33-4). Excellent, again, is the remark (p. 57) that 'the immediate source of the dream in tragedy is to be found not in religion and cult, but in the literature.' So is the discussion (p. 81 ff.) of the dream in Sophocles' "Electra," where the old literary motif is adapted, not so much for its mechanical effect upon the plot as for its value as a means and an excuse for the portrayal of character. Finally, the description of the dream in Euripides' "Iphigenia in Tauris" as approximating to 'the highly chiseled miniatures in which the Alexandrian period delights, ' strikes me as just and illuminating. Where Mr. Messer sticks to the literature and his own commonsense, his work is sound and useful. Sometimes, unfortunately, he is led, like most of us, into the dangerous by-paths of cult-conjecture....--"The Classical Review," Volume 33
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Excerpt from The Dream in Homer and Greek Tragedy This treatise is part of a broader investigation of the dream in all its aspects, literary and non-literary, to which I have devoted the spare hours of the last seven years. My primary interest in this investigation has been in the dream and its ways in Latin literature. A study published in Mnemosyne, 45, 78- 92, in which I suggested a possible source for one feature of a certain type of Roman dream, may be taken as defining to some extent my interest in the dream from the literary standpoint as well as presenting my conclusions with respect to the problems involved in the particular dream considered in that study. But to treat adequately the dream in Latin literature presupposes a knowledge of its ancestor and prototype in Greek literature, and so the present introductory monograph embodies one phase of my researches in the earlier field. It discusses some aspects of the dream in a portion of that field - Homer, Hesiod and Greek Tragedy. It concerns itself with the dream as an originating cause or directing principle of the action in poem or play, a moving force in the evolution of narrative or plot and in the introduction of smaller incidents and episodes. An American scholar has recently complained of the lack of a proper study of the matter of motivation in Greek and Latin tragedy and comedy. This essay touches upon a limited portion of that larger investigation. From another point of view it deals, within the limits of each dream picture, with the amplification of the dream, its increasing complexity, its growth and refinement, or its decay, as an artistic literary device. I hope at no far distant date to publish further studies in other aspects of the dream. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Dodson reads the dreams in the Gospel of Matthew (1:18b-25; 2:12, 13-15, 19-21, 22; 27:19) as the authorial audience. This approach requires an understanding of the social and literary character of dreams in the Greco-Roman world. Dodson describes the social function of dreams, noting that dreams constituted one form of divination in the ancient world, and looks at the theories and classification of dreams that developed in the ancient world. He then moves on to demonstrate the literary dimensions of dreams in Greco-Roman literature. This exploration of the literary representation of dreams is nuanced by considering the literary form of dreams, dreams in the Greco-Roman rhetorical tradition, the inventiveness of literary dreams, and the literary function of dreams. The dreams in the Gospel of Matthew are then analyzed in this social and literary context. It is demonstrated that Matthew's use of dreams as a literary convention corresponds to the script of dreams in other Greco-Roman narratives. This correspondence includes the form of the Matthean dreams, dreams as a motif of the birth topos (1:18b-25), the association of dreams and prophecy (1:22-23; 2:15, 23), the use of the double-dream report (2:12 and 2:13-15), and dreams as an ominous sign in relation to an individual's death (27:19). An appendix considers the Matthean transfiguration as a dream-vision report.
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