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Gene Richards is haunted by a voice, and he doesn't like what it's saying. He's trying to ignore it—pretend it's not real—but the voice has plans for Gene. A long time ago, something bad happened in the town of Magnolia—something that Gene's grandfather and his friends want to keep quiet. The voice has started hurting those who were responsible, and it won't give up until Gene uncovers the town's eerie past. Determined to clear his grandfather's name, Gene and his friends start reading old newspapers and digging for the truth. But the voice is running out of patience, and Gene must do something before his grandfather becomes the next victim. James Lincoln Collier has captured the fear and curiosity that come when the past is called into question. The suspense lasts to the final minutes in this ghost story turned mystery.
Unless experienced and well-read English teachers can develop coherent and increasingly demanding literature curricula in their schools, average high school students will remain at about the fifth or sixth grade reading level--where they now are to judge from several independent sources. This book seeks to challenge education policy makers, test developers, and educators who discourage the assignment of appropriately difficult works to high school students and make construction of a coherent literature curriculum impossible.
Life at Deacon Smith's Home for Waifs would be completely dreary if it weren't for Possum's best friend, Billy, who "thinks up lies faster than he can talk" and provides plenty of excitement for the other boys. When Billy hears that gold is hidden in the mountains—"Great big chunks of it, some of 'em big as your fist"—he plans to escape, taking Possum with him. The two runaways embark on a journey in search of their dream—the gold that will lead to a better life. To earn enough money for their adventure, they join Professor Alberto Santini, "savant of the healing arts," and his road show. The professor teaches the boys how "spieling" can make a buck, but it's only the professor who seems to be earning any money. Just as Possum and Billy realize that they've been conned, they get tangled up in a murder. The boys try to keep ahead of the law as they continue their search for gold, but their friendship becomes strained as Possum begins to feel more and more different from Billy. Is the boys' friendship strong enough to carry them through to the end of their journey?
Fourteen-year-old Chris Winchester is torn between two worlds. By birth, he's part of the indomitable Winchester clan, owners of the enormous electronics factory that employs nearly everyone in town. Yet Chris' father gave up his stake in the business to work for the Peace Corp. When he died, Chris, his mother, and his twin sisters moved into a tiny gatehouse on the Winchester estate—poor relations living on family goodwill. While his cousin Ernest is groomed to take over the family fortune, Chris attends public school and makes friends with the kids in town. He can't understand why a crisis at his uncle's factory makes people suddenly hate him, but a wage cut and a threatened strike have everyone's nerves on edge. In the eyes of the townspeople, Chris is guilty by association, for he bears the Winchester name. When things turn ugly, Chris discovers that his family can get very tough. Power is like a muscle, his uncle explains, and it must be flexed to keep it strong. Chris senses that power can be used to destroy, as well. In spite of himself, Chris is drawn into the inner circle of the Winchester clan. Suddenly he realizes that part of the Winchester wealth might be his one day. Being rich sounds exciting, but his uncle's protection is not without its price, and Chris' conscience is uneasy. As he journeys toward adulthood he is faced with some difficult questions: where does he belong, and whose side is he on?
At thirteen, George Stable still hasn't made his mark on the world. Oh, he plays the guitar and sings a little. And he appeared on television for six whole seconds once. A couple of years ago, he even wrote a sort of book, called The Teddy Bear Habit. But nothing really exciting has happened to him. But now, it looks as if his big chance has finally come. This agent of his, Woody Woodward, who discovered him during his six-second TV career, has come up with a plan to make him a hot new guitar-playing teenage star—"George Stable, the Boy Next Door." Never mind that George has spent his entire life in Greenwich Village, which is not exactly where you'd find your typical boy next door. As Woody says, it's the image that counts. Of course, there are a few problems to be ironed out. His pop isn't too hot on the idea and is packing George off to stay with his uncle and creepy cousin Sinclair in upstate New York, while he spends a month in Paris. And Woody's bosses at the record company still have to buy the idea. There's this strange, bug-eyed guy everyone calls Superman who has to give the go-ahead.
Char, Weddy, and Nuell are excited over their discovery on the strange planet Pleisto but also terrified, for the leader of their expedition, Professor Joher, has disappeared. Nuell and Weddy, Joher' children, are concerned for his safety, while Char, his research assistant, feels not only worried but responsible for all of them. He realizes that these prehistoric people may have carried off the professor—and may even have killed him. The three set out to find the professor, and their search leads them through a frightening world, where they must fight for their lives every day, against mastodons and jaguars as well as Pleisto's prehistoric inhabitants. They befriend a wounded hunter, a man who is like their own ancestors from millions of years earlier, and hope that he will lead them to the professor. As their journey progresses, Char is thrilled to have the chance to study prehistoric humans so closely, but he is disturbed by the violence of everyday life on Pleisto, by its uncomfortable similarity to life on Earth, and by his own feelings of competition and aggression. In an exciting climax, he learns about human courage, love, generosity, and cooperation.
Back before the stock market crash, Jack’s dad had been working steadily, and their family had had plenty of money. But now, in the middle of the 1930s Depression, there isn’t much work for a trombone player—just a gig down in New York City once in a while. So fourteen-year-old Jack is doing his best to help out. He’s lucky enough to get a weekend job at the town boat club where the “rich folks” hang out, but Jack wishes his dad would at least try to get a regular job. Sometimes there isn’t even enough money to buy decent food and clothes for Jack, his sister Sally, and their young brother Henry. It’s bad enough that their mother has had a nervous breakdown and gone to live in a “home.” Now Jack and Sally are beginning to wonder how long the rest of the family will be able to stay together, with so little money coming in. Jack’s father keeps telling them to look on the bright side—his favorite song is “Happy Days Are Here Again.” But Jack isn’t sure there can be a bright side when you don’t have enough money to live decently. Then, at the boat club, Jack sees an opportunity to steal a lot of money—enough to pay the family’s back rent and keep them all together. For the first time in his life Jack is seriously tempted to steal—especially now that he realizes that his dad can’t really be depended upon, that it’s up to him to take care of the family.
When the Depression strikes America, throwing millions out of work, Petey Williamson’s family seems safe. Hadn’t the boss promised Petey’s father that he’d always have a job? But during the Depression, promises cannot always be kept, and Petey finds his family sliding rapidly into poverty. And when Petey’s much-admired cousin Steve starts working as a union organizer in the battle to improve conditions for workers, poverty turns into tragedy.
Nick Hodges had always been a troublesome boy. Growing up an orphan in his Uncle Jack's care in a small New England town wasn't easy. Everyone was a little wary, a little watchful—a little too watchful. One day, while Nick is walking in the woods, a neighbor thinks she sees him miles from where he actually is. Soon a series of events reinforcing Nick's hotheaded reputation unfold. The incidents become increasingly serious until, finally, Nick is the scapegoat for a much more sinister crime, one that he wouldn't even think of committing. As he uncovers history of the town's influenza epidemic, and as he observes a strange occurrence in the graveyard, Nick begins to suspect something out of the ordinary is happening. And when he sees a figure running in the woods wearing the mirror image of his own shirt, Nick starts to piece together some of the answers—answers no one could have imagined. James Lincoln Collier has written a haunting story of a boy and his reflection—and what happens when two souls want to inhabit the same living body.
Twelve-year-old George Stable wants to be a rock star someday, but he gets horrible stage fright—unless he has his old teddy bear with him. Hiding the teddy in his guitar seems like a brilliant idea. Then George discovers that someone has hidden stolen jewels in the stuffing of his beloved bear. George's embarrassing "teddy bear habit" becomes the center of a life-and-death chase through Manhattan. Can George survive long enough to make his first television appearance?