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Relates the cultural history of cancer and examines society's reaction to the disease through a century of American life.
In the epic conclusion to the Fallen Kings Cycle, set in the world of The Chronicles of the Necromancer, war has come to the Winter Kingdoms. Summoner-King Tris Drayke takes what remains of his army north for a war he is ill-prepared to fight, as reports from spies confirm Tris's worst fear. A new threat rises across the sea: a dark summoner who intends to make the most of the Winter Kingdoms' weakness. In Isencroft, Kiara's father is assassinated, and she has no choice except to return and claim the crown. But she must leave behind her husband and their infant son to face the dark power that threatens her rule. The Dread will rise. Kings will fall. The Chronicles of the Necromancer The Summoner The Blood King Dark Haven Dark Lady’s Chosen Fallen Kings Cycle The Sworn The Drea
In My Body Is a Book of Rules, Elissa Washuta corrals the synaptic gymnastics of her teeming bipolar brain, interweaving pop culture with neurobiology and memories of sexual trauma to tell the story of her fight to calm her aching mind and slip beyond the tormenting cycles of memory.
A brilliant weave of personal involvement, vivid biography and political insight, Koba the Dread is the successor to Martin Amis’s award-winning memoir, Experience. Koba the Dread captures the appeal of one of the most powerful belief systems of the 20th century — one that spread through the world, both captivating it and staining it red. It addresses itself to the central lacuna of 20th-century thought: the indulgence of Communism by the intellectuals of the West. In between the personal beginnings and the personal ending, Amis gives us perhaps the best one-hundred pages ever written about Stalin: Koba the Dread, Iosif the Terrible. The author’s father, Kingsley Amis, though later reactionary in tendency, was a “Comintern dogsbody” (as he would come to put it) from 1941 to 1956. His second-closest, and then his closest friend (after the death of the poet Philip Larkin), was Robert Conquest, our leading Sovietologist whose book of 1968, The Great Terror, was second only to Solzhenitsyn’s The Gulag Archipelago in undermining the USSR. The present memoir explores these connections. Stalin said that the death of one person was tragic, the death of a million a mere “statistic.” Koba the Dread, during whose course the author absorbs a particular, a familial death, is a rebuttal of Stalin’s aphorism.
A passionate memoir and fearless behind-the-scenes look at the personal lives of the biggest reggae stars in the world.
Longlisted: 2017 OCM Bocas Prize for Caribbean Literature Bob Marley is dead. The Emperor Haile Selassie has been brutally murdered. The armed gangs of Kingston are at war and the murder rate soars. The people have lost all trust in self-serving politicians. It is hard to imagine worse times. The Marvellous Equations of the Dread tells the twin stories of Jamaica's nihilistic violence and its wondrously creative humanity and does truthful justice to both. It takes place in the worlds of the living and in the vivid afterlife of the dead, spanning the Kingston ghettoes, the Emperor's palace in Addis Ababa and Zion. There is even a fallen angel. At its heart are the human stories of the deaf Leenah who with her mother and daughter writes a powerful woman version of events; the relationship between Fall-down (the street madman and fallen angel) and Delroy the orphaned street-boy, and the meetings in the clock tower at Half Way Tree between Bob Marley, Marcus Garvey and the island's dead. There is also the enslaved boy who was hung from the silk cotton tree in 1766. The novel sets out to retrieve the word at the tip of his tongue. Not least of the novel's marvellous equations are the dread revenants who encourage the living to take responsibility for the future of the nation.
The Hand of Justice Series started out as one book, The Eye of Zoar - released in e-book format and paperback through Author House in July 2012 as A Rising Darkness. The original story was lost in a move and the re-writing of it resulted in plot changes that expanded the storyline - especially when the ending changed and I lost my main character. Such are the vagaries of fictional worlds I suppose. The norm for characters in this series is bi-sexuality. The main character is, to use the language of his world "slye" he beds only with men. Those readers looking for salacious scenes will probably be disappointed; the sexual nature of the men and women of Zetaria is a fact of life - and even in the use of prostitutes there is respect. The Dread Wolf picks up where A Rising Darkness ends.
“Generation Dread is a vital and deeply compelling read.”—Adam McKay, award-winning writer, director, and producer (Vice, Succession, Don’t Look Up) “Read this courageous book.”—Naomi Klein, author of This Changes Everything “Wray shows finally that meaningful living is possible even in the face of that which threatens to extinguish life itself.”—Dr. Gabor Maté, author of When the Body Says No When we’re faced with record-breaking temperatures, worsening wildfires, more severe storms, and other devastating effects of climate change, feelings of anxiety and despair are normal. In Generation Dread, Britt Wray reminds us that our distress is, at its heart, a sign of our connection to and love for the world. The first step toward becoming a steward of the planet is connecting with our climate emotions—seeing them as a sign of our humanity and empathy and learning how to live with them. Britt Wray, a scientist and expert on the psychological impacts of the climate crisis, brilliantly weaves together research, insight from climate-aware therapists, and personal experience, to illuminate how we can connect with others, find purpose, and thrive in a warming, climate-unsettled world.
A brilliant weave of personal involvement, vivid biography and political insight, Koba the Dread is the successor to Martin Amis’s award-winning memoir, Experience. Koba the Dread captures the appeal of one of the most powerful belief systems of the 20th century — one that spread through the world, both captivating it and staining it red. It addresses itself to the central lacuna of 20th-century thought: the indulgence of Communism by the intellectuals of the West. In between the personal beginnings and the personal ending, Amis gives us perhaps the best one-hundred pages ever written about Stalin: Koba the Dread, Iosif the Terrible. The author’s father, Kingsley Amis, though later reactionary in tendency, was a “Comintern dogsbody” (as he would come to put it) from 1941 to 1956. His second-closest, and then his closest friend (after the death of the poet Philip Larkin), was Robert Conquest, our leading Sovietologist whose book of 1968, The Great Terror, was second only to Solzhenitsyn’s The Gulag Archipelago in undermining the USSR. The present memoir explores these connections. Stalin said that the death of one person was tragic, the death of a million a mere “statistic.” Koba the Dread, during whose course the author absorbs a particular, a familial death, is a rebuttal of Stalin’s aphorism.