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The illicit affair of a devout woman in London ignites a shattering family crisis in the author’s “ruthlessly honest” first play (The Guardian). In a dour Holland Park house with rooms and secrets long shuttered live three unyielding forces for morality: rigidly religious sisters Helen and Teresa, and their brother, a Roman Catholic priest. Into the lives of this insular trio comes their young grandniece, Rose Pemberton, following the death of her mother. To the mortification of her aunts, Rose has also brought her lover, Michael Dennis, who is twenty-five years Rose’s senior, married, and a psychology lecturer dictated by reason, not faith. In a home that reeks of sanctimony, Rose and Michael are as welcome as sin. But it’s the arrival of Michael’s distraught wife—armed with righteous emotional blackmail and worse—that ignites an unexpected fury and makes real the family’s greatest fears. Premiering in London in 1953 and moving to Broadway one year later, Graham Greene’s debut as a dramatist was hailed by Kenneth Tynan as “the best first play of its generation.”
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Drawing-room Stage: A Series Of Original Dramas, Comedies, Farces, Etc George Melville Baker Lee and Shepard, publishers, 1872
Excerpt from The Charm, and Other Drawing-Room Plays IN considering the drawing-room Comedy we ought to discuss first of all the exigencies of the stage on which such Comedy is likely to be played. For it may happen to be a small stage. Very few drawing-rooms, except those which belong to large houses, are able to provide a stage broad enough for many characters and for strong situations. The stage must not be crowded with personages whose movements may be hampered by want of space. Again, such a stage may possibly have very little depth, which is another reason for keep ing the situations as much as possible quiet and free from overmuch movement. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Charm, and Other Drawing-Room Plays In considering the Drawing-Room Comedy we ought to discuss first of all the exigencies of the stage on which such Comedy is likely to be played. For it may happen to be a small stage. Very few drawing-rooms, except those which belong to large houses, are able to provide a stage broad enough for many characters and for strong situations. The stage must not be crowded with personages whose movements may be hampered by want of space. Again, such a stage may possibly have very little depth, which is another reason for keeping the situations as much as possible quiet and free from overmuch movement Next as regards the scenery. It must be considered that while a room, a hall, or a simple outside view may be easily represented, very little more can be attempted, and as a general rule there must be very little or no change of scenery. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Drawing-Room Stage: A Series of Original Dramas, Comedies, Farces, and Entertainments for Amateur Theatricals and School ExhibitionsScenery and costumes, the absence of strained and un natural spouting, and, as far as possible in dealing with every-day characters, the omission of slang. Were this latter excluded altogether, a good play might be written, but the best-natured audience would fail to find characters, or to be amused, and the strongest railer against this custom of American society be the first to turn his back upon the tedious performance. For the many favorable notices by the press of his previous works, the author returns thanks; to his unfavorable critics, he can only say, that as dramatic composition with him is but a pastime, and not an occupation, per.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.