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A highly detailed look at the most accomplished English country house interiors, exemplifying English decorating at its best. The English drawing room, a formal place within a house of status where family and honored guests could retire from the more public arena, is one of the most important rooms in an English country house, and thus great attention has been paid to preserving the decoration of this most elegant of spaces: the center of life in the English countryside and the epitome of English country house decoration. This book offers privileged access to fifty of the finest drawing rooms of country houses and historic townhouses—many still in private hands—including Althorp, Attingham, and Knepp Castle. Through these sumptuous rooms, readers experience a history of English decorating from the sixteenth century to the present day, including the work of design legends such as David Hicks, Nancy Lancaster, John Fowler, and David Mlinaric. Specially commissioned photographs capture the entirety of each room, as well as details of furniture, architectural elements, artwork, collections, and textiles, creating a visually seductive book that will inspire interior designers and homeowners interested in the widely popular classic English look.
Louise Roe-internationally renowned fashion journalist, TV host, and makeover guru-knows style. It's not about trends but about being your own person and sharing the things you love in your appearance, your home, and your personality. In Front Roe, Louise shares her expertise on cultivating personal style and feeling like a confident leading lady in your own life. In her first book, Louise has compiled the practical tips and secret tricks that she's picked up through years of working in the fashion industry with magazine editors, stylists, celebrities, and most importantly, real women. Front Roe helps a woman discover her personal style through looks she loves-images in magazines that speak to her, quotes that inspire her, fashion or styles she is taken with, and family photos. Once the foundation is laid, Louise expands into the specifics of fashion, beauty, and lifestyle, offering helpful advice from today and yesteryear on everything from finding the right underwear and buying vintage clothing, to picking the best perfume for you, and making your home a sanctuary. As Louise says, "With a little nudging and direction, everybody can develop their own personal style, no matter their shape, age, or wallet size. In my view, fashion should be aspirational, but attainable and definitely something to have a sense of humor about. It's worth living every single day as the most confident, happy, and glamorous version of yourself. Here's how!" Front Roe is the perfect distillation of this philosophy. Louise shares stories, information, and ideas from around the world to help women feel educated, uplifted, inspired, and considerably more positive about their mind, body, closet, and home.
This collection explores how nineteenth and twentieth-century women writers incorporated the idea of ‘place’ into their writing. Whether writing from a specific location or focusing upon a particular geographical or imaginary place, women writers working between 1850 and 1950 valued ‘a space of their own’ in which to work. The period on which this collection focuses straddles two main areas of study, nineteenth century writing and early twentieth century/modernist writing, so it enables discussion of how ideas of space progressed alongside changes in styles of writing. It looks to the many ways women writers explored concepts of space and place and how they expressed these through their writings, for example how they interpreted both urban and rural landscapes and how they presented domestic spaces. A Space of Their Own will be of interest to those studying Victorian literature and modernist works as it covers a period of immense change for women’s rights in society. It is also not limited to just one type or definition of ‘space’. Therefore, it may also be of interest to academics outside of literature – for example, in gender studies, cultural geography, place writing and digital humanities.
This volume has its starting point in the veritable explosion of serialized formats in all of forms representation, from painting to printing, beginning in the mid nineteenth century and the well-known fascination with series in biology, mathematics, music, art, or literature. The new media culture of the late nineteenth century, very much shaped by these serialized formats, sees itself confronted with questions of truthfulness in new and profound ways, just as perhaps the accelerated rhythm, anonymity, and broadened accessibility of new media today have created new possibilities for the dissemination of misinformation and, conversely, give us cause to interrogate anew our notions of truthfulness. By examining both the formal operations of both aesthetic and scientific objects in a series form, and the historical context of their publication or presentation, the contributions in this volume examine the often strained, but yet immensely productive relationship between the way in which a series negotiates questions of truthfulness: both by reference to the rules established in its series form or by means of its serial format. This volume provides ten detailed cases of the series form from the history of science and journalism, and the history of painting, photography, and literature as well.