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Excerpt from The Dramatic Works of Gerhart Hauptmann, Vol. 6: Later Dramas in Prose In Griselda Hauptmann employs once more the method of psychological interpretation which he had used so triumphantly in Henry of Ami. The legend of Patient Grissel has, as it stands, no reality or humanity of motive to the modern mind. The figures are like medieval illuminations with rigid limbs and unearthly eyes. Hanptxnann causes them to melt into life. It is possible to contend, to be sure, that the motim which, in the play, are the springs of the action, are rather modern; that Ulrich's absorbing 1m of Griselda, which makes himjealonsofhisetssatouchoithepatho logical. Itiseqnally iairtoamue, ontheother hand, that human nature has known no great change thromthcages, evenasthemldahoutnshss becneonstanztlnltschaucterwithinthelhnitsof human history. Only neither literature nor science had, until quite recently. Cultivated either the gift of observation or the capacity of making an exact toca'd. Upon this assumption Hauptmann's art ingmcldah' isassoundinmethodasitlsadmirahle in e oct. There remains Gabriel Schilling's Flight, the mostnotahleot'theselsterplaysinprose. The strictly modem problem of the relation of the sexes especially as it affects the intellectual worker has never been long out of Hanptmann's mind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Dramatic Works of Gerhart Hauptmann, Vol. 6 The three plays in this volume present, in clearly defined fashion, three phases of Hauptmann's dra matic art. In The Maidens of the Mount he te calls an episode of his own past which had faded into the remoteness and unsubstantiality of dreams; in Griselda he essays once more a modern and hu man interpretation of one of the famous fables of the world; in Gabriel Schilling': Flight he grapples with the problem of sex in its acutest and most modern form. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Explore the fascinating relationship between personality and literature with this insightful book by renowned critic Rolfe Arnold Scott-James. Drawing from a wide range of literary examples, from Shakespeare to Joyce, this book offers a thought-provoking analysis of how personality shapes the way we interpret and engage with literature. A must-read for anyone interested in the intersection of psychology and literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Volume II of II of the plays by Gerhart Hauptmann, who was a German dramatist who received the Nobel Prize in Literature in 1912. Hauptmann was born in Obersalzbrunn, a small city of Silesia, now known as Szczawno-Zdroj and a part of Poland. Hauptmann's first drama, Vor Sonnenaufgang inaugurated the naturalistic movement in modern German literature; it was followed by Das Friedensfest, Einsame Menschen and Die Weber, a powerful drama depicting the rising of the Silesian weavers in 1844. Of Hauptmann's subsequent work, mention may be made of the comedies Kollege Crampton, Der Biberpelz and Der rote Hahn, a "dream poem," Hannele, and an historical drama Florian Geyer. He also wrote two tragedies of Silesian peasant life, Fuhrmann Henschel and Rose Bernd, and the dramatic fairy-tales Die versunkene Glocke and Und Pippa tanzt. 1911 was the zenith: he wrote Die Ratten, for which he received the Nobel Prize. During the First World War Hauptmann was a Pacifist. Volume II contains Drayman Henschel (Fuhrmann Henschel), Rose Bernd (Rose Bernd), and The Rats (Die Ratten).