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This is the seventh volume of Fredson Bowers' definitive series of critical, old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the text is established on modern bibliographical principles. This volume contains the text of six plays by Fletcher but two, Henry VIII and The Two Noble Kinsmen, include the collaborative efforts of Shakespeare. Each play is introduced by a discussion of the text and authorship, and is accompanied by detailed textual notes, lists of press-variants, emendations of accidentals and historical collations. The plays are Henry VIII and The Two Noble Kinsmen, edited by Fredson Bowers; Wit at Several Weapons, edited by Robert Kean Turner; The Nice Valour, edited by Cyrus Hoy; and A Very Woman, edited by Hans Walter Gabler.
We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggle to remove errors. The New Bibliography of the early twentieth century, refined with technological enhancements in the 1950s and 1960s, taught generations of editors how to make sense of the early editions of Shakespeare and use them to make modern editions. This book is the first complete history of the ideas that gave this movement its intellectual authority, and of the challenges to that authority that emerged in the 1980s and 1990s. Working chronologically, Egan traces the struggle to wring from the early editions evidence of precisely what Shakespeare wrote. The story of another struggle, between competing interpretations of the evidence from early editions, is told in detail and the consequences for editorial practice are comprehensively surveyed, allowing readers to discover just what is at stake when scholars argue about how to edit Shakespeare.
This is the tenth and final volume in the definitive series of critical, old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographicals. This volume contains the texts of six plays written by Fletcher and his collaborators, Nathan Field, Philip Massinger, Ben Jonson, George Chapman, John Ford and John Webster. The plays are The Honest Man's Fortune, Rollo, The Spanish Curate, The Lovers' Progress, The Fair Maid of the Inn and The Laws of Candy.
This is the third volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.
The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.