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This is the tenth and final volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays written by Fletcher and his collaborators, Nathan Field, Philip Massinger, Ben Jonson, George Chapman, John Ford and John Webster. Each play is introduced by a discussion of the text and authorship, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations. At the back of this concluding volume there is a useful index showing how the plays are distributed between the volumes, and a table giving the authorship of the plays.
This is the ninth volume in the definitive series of critical, old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains six plays written by Fletcher and his collaborators, Philip Massinger and William Rowley. Each play is introduced by a discussion of the text and authorship, and is accompanied by detailed textual notes, a list of press-variants, emendations of accidentals and a historical collation. The plays are The Sea Voyage, The Double Marriage, The Prophetess, The Little French Lawyer, The Elder Brother and The Maid in the Mill.
Scholars have associated Calvinism with print and literary cultures, with republican, liberal, and participatory political cultures, with cultures of violence and vandalism, enlightened cultures, cultures of social discipline, secular cultures, and with the emergence of capitalism. Reflecting on these arguments, the essays in this volume recognize that Reformed Protestantism did not develop as a uniform tradition but varied across space and time. The authors demonstrate that multiple iterations of Calvinism developed and impacted upon differing European communities that were experiencing social and cultural transition. They show how these different forms of Calvinism were shaped by their adherents and opponents, and by the divergent political and social contexts in which they were articulated and performed. Recognizing that Reformed Protestantism developed in a variety of cultural settings, this volume analyzes the ways in which it related to the multi-confessional cultural environment that prevailed in Europe after the Reformation.
This is the ninth volume in the definitive series of critical, old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains six plays written by Fletcher and his collaborators, Philip Massinger and William Rowley. Each play is introduced by a discussion of the text and authorship, and is accompanied by detailed textual notes, a list of press-variants, emendations of accidentals and a historical collation. The plays are The Sea Voyage, The Double Marriage, The Prophetess, The Little French Lawyer, The Elder Brother and The Maid in the Mill.
This is the eighth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of five plays and one composite Fours Plays in One, written by Fletcher and his collaborators, Nathan Field and Philip Massinger. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.