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An analysis of relationships between strong women and emotionally weak men counsels women on how to recognize warning signs, prevent partners from sabotaging a relationship, and transform a compromising situation into one of strength.
Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their status in an ever-changing society.
ONE OF USA TODAY'S BEST BOOKS OF THE YEAR • A riveting account of the crucial days, hours, and moments when the Watergate conspiracy consumed, and ultimately toppled, a president—from the best-selling author of One Minute to Midnight. In January 1973, Richard Nixon had just been inaugurated after winning re-election in a historic landslide. He enjoyed an almost 70 percent approval rating. But by April 1973, his presidency had fallen apart as the Watergate scandal metastasized into what White House counsel John Dean called “a full-blown cancer.” King Richard is the intimate, utterly absorbing narrative of the tension-packed hundred days when the Watergate conspiracy unraveled as the burglars and their handlers turned on one another, exposing the crimes of a vengeful president. Drawing on thousands of hours of newly-released taped recordings, Michael Dobbs takes us into the heart of the conspiracy, recreating these traumatic events in cinematic detail. He captures the growing paranoia of the principal players and their desperate attempts to deflect blame as the noose tightens around them. We eavesdrop on Nixon plotting with his aides, raging at his enemies, while also finding time for affectionate moments with his family. The result is an unprecedentedly vivid, close-up portrait of a president facing his greatest crisis. Central to the spellbinding drama is the tortured personality of Nixon himself, a man whose strengths, particularly his determination to win at all costs, become his fatal flaws. Rising from poverty to become the most powerful man in the world, he commits terrible errors of judgment that lead to his public disgrace. He makes himself—and then destroys himself. Structured like a classical tragedy with a uniquely American twist, King Richard is an epic, deeply human story of ambition, power, and betrayal.
Rex "TW" McMurtry’s perpetual single-hood wouldn't bother him so much if all his ex-girlfriends didn't keep marrying the very next person they dated, especially when so many of those grooms are his closest friends. He may be a pro-football defensive end for the Chicago Squalls, but the press only wants to talk about how he's always a groomsman and never a groom. Rex is sick of being the guy before the husband, and he’s most definitely sick of being the best man at all their weddings. Bartender Abigail McNerny is the gal-pal, the wing-woman, the she-BFF. She's dated. Once. And once was more than enough. Privy to all the sad stories of her customers, ‘contentment over commitment’ is her motto, and Abby is convinced no one on earth could ever entice her into a romantic relationship . . . except that one guy she’s loved since preschool. The guy who just walked into her bar. The guy who doesn’t recognize her. The guy who is drunk and needs a ride home. The guy who has a proposition she should definitely refuse.
This comprehensive collection gathers critical essays on the major works of the foremost American and British playwrights of the 20th century, written by leading figures in drama/performance studies.
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
The West has a long and rich dramatic tradition, and its dramatic works typically reflect the social and political concerns of playwrights and spectators. This book surveys the Western dramatic tradition from Ancient Greece to modern America. Included are chapters on great eras of drama, such as the Renaissance; national theatres, such as the theatres of Latin America, Ireland, and Poland; important theatrical movements, such as musical theatre and African American drama; and influential theatre styles, such as realism, expressionism, and surrealism. Entries are written by leading authorities and cite works for further reading. Students of literature and drama will appreciate the book for its convenient overview of the Western theatrical tradition, while students of history and social studies will welcome its illumination of different cultures and traditions. Designed for students, the book overviews Western drama from Ancient Greece to modern America. Included are chapters on great eras of drama, such as the Renaissance; national theatres, such as the theatres of Latin America, Ireland, and Poland; important theatrical movements, such as musical theatre and African American drama; and influential theatre styles, such as realism, expressionism, and surrealism. Each chapter is written by an expert contributor and offers an extended consideration of its topic and cites works for further reading. Students of drama and literature will value the book for its exploration of the Western theatrical tradition, while students of history and social studies will welcome its illumination of different cultures and traditions.
The study of early drama has undergone a quiet revolution in the last four decades, radically altering critical approaches to form, genre, and canon. Drawing on disciplines from art history to musicology and reception studies, The Routledge Research Companion to Early Drama and Performance reconsiders early "drama" as a mixed mode entertainment best studied not only alongside non-dramatic texts, but also other modes of performance. From performance before the playhouse to the afterlife of medieval drama in the contemporary avant-garde, this stunning collection of essays is divided into four sections: Northern European Playing before the Playhouse; Modes of Production and Reception; Reviewing the Anglophone Tradition; The Long Middle Ages Offering a much needed reassessment of what is generally understood as "English medieval drama", The Routledge Research Companion to Early Drama and Performance provides an invaluable resource for both students and scholars of medieval studies.
Introducing the latest addition to the Who HQ program: board book biographies of relevant and important figures, created specifically for the preschool audience! The #1 New York Times Bestselling Who Was? series expands into the board book space, bringing age-appropriate biographies of influential figures to readers ages 2-4. The chronology and themes of Dr. Martin Luther King Jr.'s meaningful life are presented in a masterfully succinct text, with just a few sentences per page. The fresh, stylized illustrations are sure to captivate young readers and adults alike. With a read-aloud biographical summary in the back, this age-appropriate introduction honors and shares the life and work of one of the most influential civil rights activists of our time.
On Love. On Loss. On Stage. Before the inevitable struggle of an acting career, there is a period of time when the soul is stirred. Before a headshot photographer suggests a scarf, and a casting director answers the phone in the middle of an audition. A time when you are infused with the spark that started your artistic fire, and success is inevitable. There was a time to study, and submit, and work, and sweat, and wonder aloud,"Why am I wearing a scarf ?" From the shadows of Giants Stadium and the New York City skyline, to the privileged halls of Carnegie Mellon University, a young man pursued a dream and got even more -- an education. Told with humor, THE DRAMA KING is an inside look at the high-pressure conservatory culture, and the struggle to find an identity transitioning from college to life in New York City. From the first blush of high school success and early romance, to the rigors of intensive theater training, from early career highs, to the personal lows that befall us all. THE DRAMA KING is for anyone who's been through it, for the drama kings and queens eyeing a career in the theater, and for the people who have supported a loved one in the pursuit of an elusive dream.