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Presents literary criticism of one hundred plays of world literature, providing plot summaries for each play, a profile of the author, and an assessment of the play's characters and major themes.
This anthology presents eight exciting comic pieces that arose from the the Suffrage Movement. Terrific for performance, it provides a variety of strong female parts, while also offering invaluable sources from the period, bringing history to life.
A source of drama ideas from the directors of the Anna Scher Children's Theatre, Islington.
The Methuen Drama Book of New American Plays is an anthology of six outstanding plays from some of the most exciting playwrights currently receiving critical acclaim in the States. It showcases work produced at a number of the leading theatres during the last decade and charts something of the extraordinary range of current playwriting in America. It will be invaluable not only to readers and theatergoers in the U.S., but to those around the world seeking out new American plays and an insight into how U.S. playwrights are engaging with their current social and political environment. There is a rich collection of distinctive, diverse voices at work in the contemporary American theatre and this brings together six of the best, with work by David Adjmi, Marcus Gardley, Young Jean Lee, Katori Hall, Christopher Shinn and Dan LeFranc. The featured plays range from the intimate to the epic, the personal to the national and taken together explore a variety of cultural perspectives on life in America. The first play, David Adjmi's Stunning, is an excavation of ruptured identity set in modern day Midwood, Brooklyn, in the heart of the insular Syrian-Jewish community; Marcus Gardley's lyrical epic The Road Weeps, The Well Runs Dry deals with the migration of Black Seminoles, is set in mid-1800s Oklahoma and speaks directly to modern spirituality, relocation and cultural history; Young Jean Lee's Pullman, WA deals with self-hatred and the self-help culture in her formally inventive three-character play; Katori Hall's Hurt Village uses the real housing project of "Hurt Village" as a potent allegory for urban neglect set against the backdrop of the Iraq war; Christopher Shinn's Dying City melds the personal and political in a theatrical crucible that cracks open our response to 9/11 and Abu Graib, and finally Dan LeFranc's The Big Meal, an inter-generational play spanning eighty years, is set in the mid-west in a generic restaurant and considers family legacy and how some of the smallest events in life turn out to be the most significant.
This important, landmark survey dispels the myth that there aren't any good plays for women.
How can teachers incorporate drama into the curriculum? What drama activities are especially successful? How do teachers know when students are learning in, through and about drama? Teachers who are new to drama, or those wishing to refresh their knowledge and ideas, should find practical answers and guidance in this text. The book introduces the work of Cecily O'Neill to demonstrate the entry points to drama lessons, the pre-texts, and how educators need to introduce lessons with challenging material. He then uses the work of David Booth to highlight one aspect of drama - storydrama - and how it can be used as an effective learning medium across the curriculum.
A sequel collection of winning monologues in the style and format of "100 Great Monologs" by the sane author. Rebecca Young knows how teenagers think and act -- and what they like to talk about. These monologues and duologues may be used for auditions, class assignments or contest competitions. With such a wide variety of topics, there is a monologue to fit any student's personality. All of the monologues are non-theatrical in style -- they speak as teenagers live. Easy to stage.
A high-profile murder propels a unique crime-fighting team into the dark environs of London’s underworld—and on a terrifying quest to track a ruthless killer. London, 1915. As World War I engulfs Europe, a special task force is formed in the affluent Mayfair district to tackle the city’s thorniest crimes against women. When the bobbies and Scotland Yard come up short, there’s only one telephone number to dial: Mayfair 100. An aristocrat has been murdered, and his wife, a witness and possible suspect, will only talk to a woman. With the blessing of London’s Chief Commissioner, Chief Inspector Beech, a young man invalided out of the war, assembles a crew of sharp, intrepid, and well-educated women to investigate. But to get at the truth, Beech, Victoria, Caroline, Rigsby, and Tollman will venture into the the city’s seedy underbelly, a world where murder is only the first in a litany of evils. Lynn Brittney’s Mayfair 100 series debut, Murder in Belgravia, is the darkly compelling story of a movement far ahead of its time, in an attempt to combat the prejudices against women then and now.