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In the title story of this first-rate science fiction collection, a renegade misfit conquers the dragons and renews the threat of nuclear chaos aboard Springplace, a man-made repository for old reactor cores, dirty plutonium, and dismantled bombs. Another story is a sprawling intergalactic epic that takes place aboard a starship. Salvaged and commandeered by humans, the massive generation starship becomes the setting for a titanic struggle between two alien entities who engage in a monumental battle for survival. The tale "Chrysalis” explores not just an alien milieu but the nature of man himself when another ancient starship lands and investigates an icy unknown planet inhabited by humans millions of years earlier.
Widely regarded as the one essential book for every science fiction fan, The Year's Best Science Fiction (Winner of the 2002 Locus Award for Best Anthology) continues to uphold its standard of excellence with more than two dozen stories representing the previous year's best SF writing. This year's volume includes Ian R. MacLeod, Nancy Kress, Greg Egan, Maureen F. McHugh, Robert Reed, Paul McAuley, Michael Swanwick, Robert Silverberg, Charles Stross, John Kessel, Gregory Benford and many other talented authors of SF, as well as thorough summations of the year and a recommended reading list.
A select crew accepts the dangerous mission to explore a planet hidden in a massive spaceship in this space opera adventure by a New York Times bestseller. “Marrow is magnificent. It combines epic sweep with living characters and a depth of vision that we see all too seldom.” —Jack McDevitt The Ship has roamed the universe for longer than any of the immortal crew can recall, its true purpose and origins unknown. It is larger than many planets, housing thousands of alien races and just as many secrets. Now one of those secrets has been discovered: at the center of the Ship is . . . a planet. Marrow. But when a team of the Ship’s best and brightest are sent down to investigate, will they unlock the secrets of its creation—or will they be destroyed by the forces that have hidden Marrow for millennia and bring doom to everyone on board? Hugo and Nebula Award–nominated author Robert Reed spins an extraordinary epic of adventure and wonder on an incredible scale in this novel based on his acclaimed novella. “A bold work by a visionary writer.” —David Brin “With Marrow, Robert Reed has written a space opera for the new century, an interstellar opus as mind-boggling as the vast starship he elegantly depicts. E. E. “Doc” Smith has found his successor.” —Allen Steele “With his command of prose, characterization, and ideas, Robert Reed is the new century’s most compelling SF voice. Marrow is the highest of high concepts, one of the most original visions in a long while.” —Stephen Baxter
In The Well of Stars, Hugo award-nominated author Robert Reed has written a stunning sequel to his acclaimed novel Marrow. The Great Ship, so vast that it contains within its depths a planet that lay undiscovered for generations, has cruised through the universe for untold billions of years. After a disastrous exploration of the planet, Marrow, the Ship's captains face an increasingly restive population aboard their mammoth vessel. And now, compounding the captains' troubles, the Ship is heading on an irreversible course straight for the Ink Well, a dark, opaque nebula. Washen and Pamir, the captains who saved Marrow from utter destruction, send Mere, whose uncanny ability to adapt to and understand other cultures makes her the only one for the job, to investigate the nebula before they plunge blindly in. While Mere is away, Pamir discovers in the Ink Well the presence of a god-like entity with powers so potentially destructive that it might destroy the ship and its millions. Faced with an entity that might prevent the Ship from ever leaving the Ink Well, the Ship's only hope now rests in the ingenuity of the vast crew . . . and with Mere, who has not contacted them since she left the Ship... With the excitement of epic science fiction adventure set against a universe full of wonders, the odyssey of the Ship and its captains will capture the hearts of science fiction readers.
The next invasion won't be little green men landing their spaceship in the National Mall. It will start somewhere quiet, like a dark road at night... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The aliens have arrived. And they want to Join. Yes, that means what you think it does. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Strahan's fifth anthology contains 29 wide-ranging tales. Neil Gaiman's "The Truth Is a Cave in the Black Mountains" is a deceptively simple folktale-styled story of the price one may pay for gold. "The Sultan of the Clouds" by Geoffrey Landis untangles a complex knot of childish power. Sarah Rees Brennan's "The Spy Who Never Grew Up" gives a beloved childhood icon a sinister update; Diana Peterfreund's "The Care and Feeding of Your Baby Killer Unicorn" turns unicorn lore on its head; and Rachel Swirsky's "The Lady Who Plucked Red Flowers Beneath the Queen's Window" puts a fantasy spin on the temporal culture shock of immortality. This year the fantasy tales outdo the SF in depth of storytelling and characterization, though all the inclusions are strong, with few ideas left by the wayside.
The idea of creating an artificial human is an old one. One of the earliest science-fictional novels, Frankenstein, concerned itself primarily with the hubris of creation, and one’s relationship to one’s creator. Later versions of this “artificial human” story (and indeed later adaptations of Frankenstein) changed the focus to more modernist questions… What is the nature of humanity? What does it mean to be human? These stories continued through the golden age of science fiction with Isaac Asimov’s I Robot story cycle, and then through post-modern iterations from new wave writers like Philip K. Dick. Today, this compelling science fiction trope persists in mass media narratives like Westworld and Ridley Scott’s Blade Runner, as well as twenty-first century science fiction novels like Charles Stross’s Saturn's Children and Paolo Bacigalupi’s The Windup Girl. The short stories in More Human than Human demonstrate the depth and breadth of artificial humanity in contemporary science fiction. Issues of passing . . . of what it is to be human . . . of autonomy and slavery and oppression, and yes, the hubris of creation; these ideas have fascinated us for at least two hundred years, and this selection of stories demonstrates why it is such an alluring and recurring conceit.