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As a young mathematician, Jim Eckert was transported to a parallel medieval world where he found he had the ability to transform himself into a large but none-too-bright dragon named Gorbash. Jim Eckert's daring exploits have earned him a title - Baron de Bois de Malencontri et Riveroak - and he has settled down to a peaceful life as a feudal lord, with his beloved Angela at his side. But a new peril endangers his enchanted realm - as the King of the Gnarlies teams up with the Earl of Cumberland, Jim's longtime rival, to kidnap his adopted son, Robert. Soon Sir Jim must assume the shape of the Dragon Knight once again to rescue little Robert, and finds himself entrenched in a magical battle royal - one he'll have to fight harder than ever to survive!
Through no fault of his own, the once human Jim Eckert had become a dragon. Unfortunately, his beloved Angie had remained human. But in this magical land anything could happen. To make matter worse, Angie had been taken prisoner by an evil dragon and was held captive in the impenetrable Loathly Tower. So in this land where humans were edible and beasts were magical--where spells worked and logic didn't--Jim Eckert had a big, strange problem.
In The Dragon on the Border, Sir James, the Dragon Knight, faces his most terrifying challenge - the Hollow Men, spirits of the dead in empty suits of armour. Their weapons are all too real, and a slain Hollow Man can be resurrected within two days. As long as one of their unholy number endures, no Hollow Man can ever truly die It's a battle that could test any dragon. Not to mention a knight. Or an American. Or all three in one!
Gordon R. Dickson continues his acclaimed saga of a twentieth-century American transformed into a Dragon Knight - and transported into a fantastic medieval adventure! The Dragon Knight's journey to the Holy Land is supposed to be a simple quest...but pirates, sea giants, and the legendary Djinn threaten to make his voyage the most dangerous odyssey known to man - and dragon.
The Dragon Knight is the second book of Gordon R. Dickson's Dragon Knight series. The novel begins five months after the battle at Loathly Tower which took place in The Dragon and The George.
Becoming a dragon is a dangerously subtle process. You make a long chain of bad choices. The chain gradually wraps around you. Layer by layer, it begins to take on the aspect of scales. One day you glance at yourself in the mirror and a monster is staring back at you. You aren't who you used to be. You aren't who you want to be. You're not who you were created and designed to be. Instead, you're a dragon. When Jim Burgen was nineteen years old, he realized how easy it had been to become a dragon. He knew he didn't want to be one anymore . . . but how? No More Dragons is the story of our common, hopeful journey from dragonhood back to personhood. As Pastor Burgen narrates the remarkable process of reclaiming himself from himself, he implores modern church goers to shake off the trivialities of churchiness in favor of the substantive questions that make a spiritual transformation: “Is Jesus the only one who can undragon people?” “Why don't I like most churches?” “Where is God in difficult times?” “How do you shed decades of gnarly scales?” Some choices will lead you to a better life. Some will kill you. Some choices will add a new layer of scales to your dragon, and some will slough them off. No More Dragons is about asking Christ to deliver you and learning how to obey him.
Tis the season for treachery: The Earl of Somerset is throwing a lavish Christmas feast, a revel above all others to celebrate the holiday. But the Dark Powers have chosen this joyous time to launch a massive offensive. An army of land-hungry trolls has laid siege outside the Earl's fortress, while a nest of venomous traitors waits to hatch its deadly plan from the inside. Now Sir James, the brave Dragon Knight, must fight a battle unlike any he has ever known - a battle no man, knight or dragon can win. Not even if he is all three in one.
"Jim Eckert, the young mathematician, who travels to a parallel medieval world only to be transformed into a large but non-too-bright dragon named Gorbash. Now the Dragon Knight must confront the three disasters that lie in wait for any visitor to the English Middle Ages: war, plague, and Plantagenets"--Front jacket.
The saga of the mighty Forest Kingdom comes to a close as dark magic, fell foes, and a vicious dragon threaten to destroy Cormyr’s royal family—and Cormyr itself Azoun IV, in the twilight of his years, is still a shining hero to most of his subjects. To all but the eldest, he is the only king they've ever known. He's led them capably out of dark doom before. Yet Cormyr has never faced so many mighty and mysterious foes at once. Demonic ghazneths, ancient curses, weird trees of foul magic, goblins and their kin on the rise in the northern wilderlands, a blight upon the land, rebellious mutterings, dying war wizards . . . and a dragon the likes of which no living eyes on Faerûn have ever seen. The Purple Throne doesn't seem so unassailable now. It could well shatter under the weight of a gigantic dragon—or the secrets and follies of the last of the Obarskyrs.
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada