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Snapshots of the downtown and East Village drag scene of the late 1980s and early 1990s
Explosion Hazards and Evaluation presents the principles and applications of explosion hazards evaluation. The text is organized into nine chapters. Chapters 1 and 2 discuss the energy release processes which generate accidental explosions, and the resulting development of pressure and shock waves in a surrounding atmosphere. The manner in which the "free-field" waves are modified in interacting with structures or other objects in their paths is discussed in Chapter 3. Structural response to blast loading and non-penetrating impact is covered in two chapters, with Chapter 4 including simplified analysis methods and Chapter 5 including numerical methods. Chapter 6 includes a rather comprehensive treatment of generation of fragments and missiles in explosions, and the flight and effects of impact of these objects. Chapter 7 considers thermal radiation of large chemical explosions. Explosions may or may not cause damage or casualty, and various damage criteria have been developed for structures, vehicles, and people. These criteria are presented in Chapter 8. General procedures for both the postmortem evaluation of accidental explosions and for design for blast and impact resistance are reviewed in Chapter 9. Engineers, scientists, and plant safety personnel will find the book very useful.
This book identifies and analyzes the ways in which RuPaul’s Drag Race has reshaped the visibility of drag culture in the US and internationally, as well as how the program has changed understandings of reality TV. This edited volume illustrates how drag has become a significant aspect of LGBTQ experience and identity globally through RuPaul’s Drag Race, and how the show has reformed a media landscape in which competition and reality itself are understood as given. Taking on lenses addressing race, ethnicity, geographical origin, cultural identity, physicality and body image, and participation in drag culture across the globe, this volume offers critical, non-traditional, and first-hand perspectives on drag culture.
There was a time between Be-Bop and Hip-Hop, when a new generation of teenagers created rock 'n' roll. Cole was one of those teenagers and was host of his own Saturday night, pop music TV show. "Sh-Boom!"! is the pop-culture chronicle of that exciting time when teenagers created their own music.
Teasing, provocative, and very funny, Mohammed Hanif’s debut novel takes one of the subcontinent’s enduring mysteries and out if it spins a tale as rich and colourful as a beggar’s dream. Why did a Hercules C130, the world’s sturdiest plane, carrying Pakistan’s military dictator General Zia ul Haq, go down on 17 August, 1988? Was it because of: 1. Mechanical failure 2. Human error 3. The CIA’s impatience 4. A blind woman’s curse 5. Generals not happy with their pension plans 6. The mango season Or could it be your narrator, Ali Shigri? Here are the facts: • A military dictator reads the Quran every morning as if it was his daily horoscope. • Under Officer Ali Shigri carries a deadly message on the tip of his sword. • His friend Obaid answers all life’s questions with a splash of eau de cologne and a quote from Rilke. • A crow has crossed the Pakistani border illegally. As young Shigri moves from a mosque hall to his military barracks before ending up in a Mughal dungeon, there are questions that haunt him: What does it mean to betray someone and still love them? How many names does Allah really have? Who killed his father, Colonel Shigri? Who will kill his killers? And where the hell has Obaid disappeared to?
An outpouring of memorial tributes and public expressions of grief followed the death of the Tejana recording artist Selena Quintanilla Pérez in 1995. The Latina superstar was remembered and mourned in documentaries, magazines, websites, monuments, biographies, murals, look-alike contests, musicals, drag shows, and more. Deborah Paredez explores the significance and broader meanings of this posthumous celebration of Selena, which she labels “Selenidad.” She considers the performer’s career and emergence as an icon within the political and cultural transformations in the United States during the 1990s, a decade that witnessed a “Latin explosion” in culture and commerce alongside a resurgence of anti-immigrant discourse and policy. Paredez argues that Selena’s death galvanized Latina/o efforts to publicly mourn collective tragedies (such as the murders of young women along the U.S.-Mexico border) and to envision a brighter future. At the same time, reactions to the star’s death catalyzed political jockeying for the Latino vote and corporate attempts to corner the Latino market. Foregrounding the role of performance in the politics of remembering, Paredez unravels the cultural, political, and economic dynamics at work in specific commemorations of Selena. She analyzes Selena’s final concert, the controversy surrounding the memorial erected in the star’s hometown of Corpus Christi, and the political climate that served as the backdrop to the touring musicals Selena Forever and Selena: A Musical Celebration of Life. Paredez considers what “becoming” Selena meant to the young Latinas who auditioned for the biopic Selena, released in 1997, and she surveys a range of Latina/o queer engagements with Selena, including Latina lesbian readings of the star’s death scene and queer Selena drag. Selenidad is a provocative exploration of how commemorations of Selena reflected and changed Latinidad.
Alright Darling? is a visual celebration of the uninhibited, unapologetic and unafraid wonderland of contemporary drag. Showcasing the world's fiercest drag queens, along with their wild fashion – and the wit, realness, backstage antics and outrageous shade of drag culture – the book includes fresh shots of the ringleaders of this world, including: Adore Delano, Alyssa Edwards, Courtney Act, Detox, Francois Sagat, Manila Luzon, Sharon Needles, Trixie Mattel, Willam Belli, Latrice Royale, Raja Gemini, Milk and many, many more... All images are taken by Greg Bailey, founder and editor of Alright Darling – the zine at the centre of the recent explosion of drag.
'Blown to Bits' is about how the digital explosion is changing everything. The text explains the technology, why it creates so many surprises and why things often don't work the way we expect them to. It is also about things the information explosion is destroying: old assumptions about who is really in control of our lives.
This is an expanded and updated version of Nan Goldin's seminal book The Other Side, originally published in 1993. There will be a revised introduction by Goldin, and for the first time the voices of those whose stories are represented. Now being released at a time when the discourse around gender and sexual orientation is evolving, The Other Side traces some of the history that informs this new visibility. The first photographs in the book are from the 1970s, when Goldin lived in Boston with a group of drag queens and documented their glamour and vulnerability. In the early eighties, Goldin chronicled the lives of transgender friends in New York when AIDS began to decimate her community. In the nineties, she recorded the explosion of drag as a social phenomenon in New York, Berlin and Bangkok, photographing their public personas while showing their real lives backstage. Goldin's newest photographs are intimate portraits, imbued with tenderness, of some of her most beloved friends. The Other Side is her homage to the queens she's loved, many of whom she's lost, over the last four decades. The pictures in this book are not of people suffering gender dysphoria but rather expressing gender euphoria... - Nan Goldin
This edited volume is an exploration of the social, cultural, political, and commercial implications of the trailblazing reality television series RuPaul's Drag Race. Going beyond mere analysis of the show itself, the contributors interrogate the ways RuPaul's Drag Race has affected queer representation in media, examining its audience, economics, branding, queer politics, and every point in between. Since its groundbreaking and subversive entry into the reality television complex in 2009, the show has had profound effects on drag and the cultures that surround it. Bringing together scholarship across disciplines--including cultural anthropology, media studies, linguistics, sociology, marketing, and theater and performance studies--the collection offers rich academic analysis of Ru Paul's Drag Race and its lasting influence on fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness.