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The Doppelganger Invasion by Juan Carlos Arjona Ollero Second part of a Trilogy [The Doppelganger Invasion] The Earth, 2018. A year after our heroes finished the Chrono-Hunters, everything or, at least, half of it, seemed to be back to normal - Billy and Jessel were still missing since the Continuum incident. For their part, James, Mary and a renewed Louis have become the spearhead of the most ambitious scientific project of humanity: the Hyperion Project, of which main objective was to create a dimensional portal that facilitates the space-time travel. However, from a forgotten dimension a greater threat looms: the Doppelgangers, strange mythical beings who ambition to take over the entire Universe, have set their eyes on our planet. Promoting one of the most elaborate deceptions of History, they will break the barrier that keeps them apart from our world. Under this precept of anarchy, Rick van Helsing and Rasputin will meet in a battle, their personal domain will further complicate the serious situation that our world is going through. A predestined clash between Bearers of Infinity and Chaos that entails much more than mere revenge. The world as we know it is about to face its darkest time. How can you believe in someone you do not trust? How can you fight against someone who was once your ally? This time it is not a war, it is an invasion.
Since its inception in November 1963, the British science fiction television series Doctor Who has exerted an enormous impact on the world of science fiction (over 1,500 books have been written about the show). The series follows the adventures of a mysterious "Time Lord" from the distant planet Gallifrey who travels through time and space to fight evil and injustice. Along the way, he has visited Rome under the rule of Nero, played backgammon with Kublai Khan, and participated in the mythic gunfight at the O.K. Corral. Predating the Star Trek phenomenon by three years, Doctor Who seriously dealt with continuing characters, adult genre principles and futuristic philosophies. Critical and historical examinations of the ideas, philosophies, conceits and morals put forth in the Doctor Who series, which ran for 26 seasons and 159 episodes, are provided here. Also analyzed are thematic concepts, genre antecedents, the overall cinematography and the special effects of the long-running cult favorite. The various incarnations of Doctor Who, including television, stage, film, radio, and spin-offs are discussed. In addition, the book provides an extensive listing of print, Internet, and fan club resources for Doctor Who.
Li Xuan, who was forcefully reincarnated, obtained the Primordial Purple Light, the ancestor of all things in the universe when it was born. After reincarnating, he had a physique that had five attributes of metal, wood, water, fire, and earth at the same time. The physique of the five elements gave him limitless strength, but also made him shoulder the heavy responsibility of the Heavenly Dao. The chaos of the Heavenly Dao was only waiting for his arrival. Some people conformed to the dao of the heavens, but there were also people who defied the will of the heavens, seeking out a chaotic situation. When everything was about to become clear, instead ...
An intriguing study of the life and works of one of the world's most celebrated writers
Ever since its literary coinage in Jean Paul's novel, Siebenkäs (1796), the concept of Doppelgänger has had significant influence upon representations of the self in German literature. This study charts the development of the double from its origins in the Romantic period, through its more marginal - but nonetheless significant - manifestations in the post-Romantic culture, to its revival at the fin-de-siècle and transfer to the silent screen. The book features an introduction to the practice and theory underlying the use of the Doppelgänger, with particular reference to psychoanalysis, followed by chapters on Jean Paul, Hoffmann, Kleist, poetic realism (Droste-Hülshoff, Keller, Storm) and modernism (Kafka, Rilke, Hoffmannsthal, Schnitzler, Meyrink, Werfal). This study shows that the often underestimated figure of the double may provide a key to the epistomological, aesthetic and psychosexual structures of the texts it visits and revisits, with a particular focus on its effects in the fields of vision and language.
After a mudslide devastates the neighborhood of Winston Hills, no one expects it to get worse. When fifteen-year-old Greyson Bennell joins the volunteer cleanup effort, he thinks he'll excavate some belongings and head home. But when his best friend Trevor goes missing, Grey starts to realize that the people around him are acting strangely . . . and it might have something to do with the mud that surrounds them.
A collection of short stories that "offers an idiosyncratic series of 'what-ifs' about our fragile human condition ... What if your perfect hermaphrodite match existed on another planet? What if you could suddenly see through everybody's skin to their organs? What if you knew the exact date of your death? What if your city was filled with doppelgangers of you? Forced to navigate these bizarre scenarios, Phillips' characters search for solutions to the problem of how to survive in an irrational, infinitely strange world"--
What happens to imaginary friends once they've been forgotten? Do they know that they're imaginary? How would they spend their time? When the Earth is invaded by extra-dimensional beings, a few imaginary friends may be humanity's only hope.
Postmodernism’s ‘end’ is a complex and contentious topic. Yet, one overarching consensus emerges: the postmodern has been surpassed. This book poses a thought experiment challenging this position – what if postmodernism persists within the twenty-first century? Rather than designate a new epoch or coherent movement, this book interrogates the fragmented, contradictory, and counterintuitive endurance of postmodern aesthetics within post-Cold War America. An alternative use of postmodern aesthetics becomes possible when they are decoupled from their twentieth-century historical location. Collectively, these repetitions posit a postmodern continuum, contrasting the widely called-for succession of postmodernism via this decoupling. When postmodern aesthetics are no longer unconsciously repeated within their cultural moment, this emergent shift within a period ‘after’ postmodernism presents an alternative historical positioning and use. After their cultural vanguard, postmodern aesthetics become a confrontation of the chaotic realism of an inescapable post-Cold War capitalism, tapping into this cultural zeitgeist through literature.
Horrifying Children examines weird and eerie children's television and literature via critical analysis, memoir and autoethnography. There has been an explosion of interest in the impact of children's television and literature of the late twentieth century. In particular, the 1970s, '80s and '90s are seen as decades that shaped a great deal of the contemporary cultural landscape. Television of this period dominated the world of childhood entertainment, drawing freely upon literature and popular culture, like the Garbage Pail Kids and Stranger Things, and much of it continues to resonate powerfully with the generation of cultural producers (fiction writers, screenwriters, directors, musicians and artists) that grew up watching the weird, the eerie and the horrific: the essence of 21st-century Hauntology. In these terms this book is not about children's television as it exists now, but rather as it features as a facet of memory in the 21st century. As such it is the legacy of these television programmes that is at the core of Horrifying Children. The 'haunting' of adults by what we have seen on the screen is crucial to the study. This collection directly addresses that which 'scared us' in the past insomuch as there is a correlation between individual and collective cultural memory, with some chapters providing an opportunity for situating existing explorations and understandings of Gothic and Horror TV within a hauntological and experiential framework.