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Protesters called it an act of war when the U.S. Coast Guard sank a Canadian-flagged vessel in the Gulf of Mexico in 1929. It took a cool-headed codebreaker solving a "trunk-full" of smugglers' encrypted messages to get Uncle Sam out of the mess: Elizebeth Smith Friedman's groundbreaking work helped prove the boat was owned by American gangsters. This book traces the career of a legendary U.S. law enforcement agent, from her work for the Allies during World War I through Prohibition, when she faced danger from mobsters while testifying in high profile trials. Friedman founded the cryptanalysis unit that provided evidence against American rum runners and Chinese drug smugglers. During World War II, her decryptions brought a Japanese spy to justice and her Coast Guard unit solved the Enigma ciphers of German spies. Friedman's "all source intelligence" model is still used by law enforcement and counterterrorism agencies against 21st century threats.
The Heritage Theatre is a book about cultural heritage and globalisation. Cultural heritage is the stage on which the global community, smaller communities and individuals play out their similarities and differences, their identities and singularities. Cultural heritage forms an implicit cultural code governing the relationship between parts and the whole, individuals and communities, communities and outsiders, as well as the relationship between communities and the world as a whole. Cultural heritage, by way of its producers, its products and its audience, presents an image of the world and its inner coherence. The subjects in this book range from places as distant from each other as Dar-es-Salaam, Jakarta, Amsterdam, Le Creusot, Trinidad, Brazzaville, Bremerhaven, New York and Prague, and deal with themes such as wayang, Kylie Minogue, airports and heritage, modernist architecture in Africa and the impact of DNA research on the concept of roots. The volume is based on papers presented at a conference organised by the Erasmus School of History, Culture and Communication of Erasmus University Rotterdam. The authors have backgrounds in cultural studies, art history, anthropology, museum studies, sociology, tourist studies and history.