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“I can think of a hundred ways already in which the war has “brought us to our senses.” But it oughtn’t to need a war to make a nation paint its kerbstones white, carry rear-lamps on its bicycles, and give all its slum children a holiday in the country.” That’s just one sample of Mrs. Miniver’s homespun philosophy. Meet Mrs. Miniver. She is the universal, heart-warming symbol of the endurable and pleasant sides of existence. Against the shadow of the present she holds up to view the everyday domesticities, the comings and goings of family life, and finds them good. Mrs. Miniver at tea, Mrs. Miniver trying to discover what the windshield wiper is really saying, Mrs. Miniver and her three unpredictable children and her altogether too-predictable husband, Mrs. Miniver and the woman who said she could only accept the Really Nice Children as évacués—the writing and characters in these thumbnail sketches are disarmingly simple and recognizable, and yet, by the author’s gift of intense observation, the ordinary becomes extraordinary and important.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.