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(back cover) Documentary films produced for TV, DVD, and movie theater distribution employ more filmmakers than any other genre, and are a popular career choice for beginners. Thanks to user-friendly equipment available today, you can get started in this burgeoning field even if you don't have a film-school background. - This book shows how you can begin making documentary movies--from researching and defining your theme, style, and the treatment that gives your film coherence, to organizing the production, and ultimately, getting it seen by a wider audience. - You will learn all the fundamentals: the essential equipment you must buy or rent for shooting and editing; the journalistic and production know-how for identifying interview subjects and locations and getting them on camera; the cinematic and editing skills that bring your material together for maximum impact; and the ability to find those key shots that will make your film a success. Kevin J. Lindenmuth has worked in the film/television business for over 25 years, both in New York City and the Detroit Metro area. In the course of his career he has produced over a dozen independent features that have been distributed worldwide and seven documentaries, most of the latter broadcast nationally on PBS. In addition to writing for several film-oriented magazines and websites, he has written two previous books on independent filmmaking.
More filmmakers are employed in making documentary films than any other genre. Thanks to the user-friendly equipment available today, it is no longer an area that requires a film-school background to get started. This book shows how you can begin making your first documentary movies - from researching and defining your theme, style, and the treatment that will drive your film, to organising the production and, ultimately, getting it seen by a wider audience. Following the simple practical advice, tips and easy steps in this book will get you started today. - Learn how to choose your subject and decide on your storytelling style - Create an outline/structure for your documentary and research and plan your material - Find out the essential equipment you will need to buy or rent in order to shoot and edit - Discover cinematic and editing skills to pull all your material together. - Understand how to budget and finance your project - Find out the logistics of shooting interviews, footage and other source materials - Create a trailer and get your work seen through festivals and publicity - Learn about the wider world of distribution
"A realist with a sense of humor, Chasse is both stringent and encouraging as she covers every aspect of creating a successful production." —Booklist starred review How to Make and Distribute a Documentary without Losing Your Mind or Going Broke Documentary filmmaking requires more than just a passion for the subject, whether it be one’s personal story or that of someone else, a historical event or a startling discovery, a political movement or a heinous crime. Making a documentary and getting it in front of an audience requires determination, careful planning, money, and a strong production team. With over thirty years of experience in filmmaking, author Betsy Chasse mentors readers every step of the way with a down-to-earth approach and invaluable advice. Chapters cover topics such as: Choosing a Subject Developing a Business Plan Securing Financial Backing Assembling a Production Team Nailing Interviews and Shooting B-Roll Getting through Post-Production Distributing and Marketing the Film Both novices and experienced filmmakers will benefit from this all-inclusive guide. With the right knowledge, persistence, and The Documentary Filmmaking Master Class in their camera bags, readers will not only turn their visions into reality, they’ll be able to share the results with others and navigate the process with confidence.
Outlines each step in creating documentaries, from conception to final film, and offers advice on capturing human behavior and recreating past events, with advice on how to get started in the field, a section on researching and developing a project, and current resources.
A compelling regional and historical study that transforms our understanding of film history, Amateur Movie Making demonstrates how amateur films and home movies stand as testaments to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we encounter the lyrical and visually expressive qualities of films produced in New England between 1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository and study center that was established to collect, preserve, and interpret the audiovisual record of northern New England. Contributors from diverse backgrounds examine the visual aesthetics of these films while placing them in their social, political, and historical contexts. Each discussion is enhanced by technical notes and the analyses are also juxtaposed with personal reflections by artists who have close connections to particular amateur filmmakers. These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.
How to use documentary visual storytelling concepts and production techniques to make documentaries of all types and formats. Producing, Writing, Directing, Camera, Editing and Distribution including Pre-production, Production and Post-production. Fully IllustratedThird Edition.
A full range of filmmaking skills are introduced for anyone making short movies for contests, private screenings and festivals
A timeless classic with more than 165,000 copies sold, The Bare Bones Camera Course for Film and Video has been chosen by over 700 colleges to teach basic film and video techniques. Written by a working professional, The Bare Bones Camera Course is the most user-friendly book available on the subject of film and video production; it reduces the shooting experience to its essence, making complicated concepts easy to grasp. Using simple clear language and more than 150 illustrations, the book explains: Exposure Lenses Composition Basic sequence Crossing the line Lighting And much more! When you finish this book, you will know and understand how to shoot good pictures that will edit together seamlessly in post-production. With added chapters on sound and editing, this new edition of The Bare Bones Camera Course for Film and Video rounds out the education of any filmmaker. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
[back cover] This carefully structured book teaches a full range of filmmaking skills to anyone interested in creating short movies for private screenings, festivals, competitions, and broadcast on television or the web. From initial planning to assembling a cast and crew, you will discover how to get your movie up and running. Find out where to look for inspiration, and how to develop the narrative and storyboard your movie. Put together a basic kit for shooting digitally or on film, and discover how to translate your vision by manipulating sound, images, movement, and lighting. All essential equipment and techniques are clearly explained with diagrams and step-by-step photographs. From shooting footage to editing, laying down soundtracks, and adding special effects, this book teaches a wide range of pre- and post-production skills. Practical projects and exercises give students hands-on experience for working in different genres, from ten-minute documentaries to pop videos, short dramas, and action sequences. There's also advice on putting together a showreel and getting a finished film seen. CHRIS PATMORE is a London-based writer specializing in creative technology. He is the author of "The Complete Animation Course "and "Character Design Studio," and runs a Web site for animators and comic book artists. His current book project describes the development and creation of female characters for comics and animation. Chris, who has worked internationally as a graphic designer and photographer, began filmmaking in the late '70s, shooting Super-8 surfing films in Australia. As a self-confessed technophile, he has embraced the latest digital technology as the idealway to tell stories with moving images, and currently has several projects in various stages of production.
Provides readers with the knowledge necessary to make movies with little or no money, teaching basic filmmaking skills targeted to producing a short film for competitions, Web broadcasts, private screenings, and festivals.