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The Dockporter. He's got a bike, a basket ... and a whole lotta baggage. It's the summer of 1989. Jack McGuinn is a dockporter, transporting tourists' luggage, piled high in the basket of his bike on Mackinac Island, Michigan, a tiny summer resort where cars are outlawed and pedal-power rules. He's got the season wired tight: a family cottage on the bluff, a dream job, and a loyal crew of hell-raising, tip-hustling buddies. When his old friend-turned bitter rival challenges him to ride a record-setting load, he takes the bet and soon realizes he's not just carrying suitcases, he's carrying the future of the island, which is about to be paved over for profit. With the help of his pals on the dock and the love of a romantic, free-spirited Irish cellist named Erin, Jack digs deep to discover skills he didn't know he had. The Dockporter is an offbeat, nostalgic coming-of age-story that appeals anyone who ever had a summer job. If Rushmore director Wes Anderson remade Caddyshack but it emerged as a hybrid of Footloose and Meatballs (and was a book) it would be The Dockporter. Genre-smashing, hilariously fresh, yet refreshingly familiar, it's a novel about friends, family, love, luggage, and the summers we never forget. We feel the same way you do. The world's gotten a bit serious lately. So kick back, pour yourself something cold, and take a summer vacation, even if it's just in your mind. Because let's face it: we all need an island.
Mackinac Island is a summer vacation spot in Michigan where no cars are allowed, so everyone uses horses and bikes to get around. Thirteen-year-old Hunter Martineau lives on the island year around and knows everything about the place. Well, almost everything. When bikes start to mysteriously disappear all over the island, Hunter is determined to catch the thief and claim the reward money. But that isn't so easy, even for someone as smart as Hunter. Hunter gathers clues and follows suspects to secret places. But every lead turns out to be a dead end - until the thief gives himself away, and Hunter realizes that he is in real danger. Along the way, Hunter makes new friends, grows closer to his dad, and learns why his heritage as an Ottawa Indian is so important to him. Full of fun and surprises, Mystery on Mackinac Island is about adventure, loyalty, and the discoveries of growing up. Copyright © Libri GmbH. All rights reserved.
Troy Hull has troubles. After the death of his parents, he left college to take up his family's traditional lobster-fi shing life. Now, thanks to poor fi shing, a misguided second mortgage, and the changing nature of his hometown, Troy fi nds himself faced with the loss of that life. As a former highschool classmate turned banker tells him: This isn't a fi sherman's town anymore. Indeed, soaring property values have made it increasingly a haven for land speculators, wealthy summer residents, and tax-sheltered retirees, and Troy's home- just off the harbor on a quiet stretch of Hull Creek-is exactly the sort of property these newcomers covet. So Troy must decide whether to join his friend on an illegal path to solvency or let the straight-andnarrow take him from his beloved home. Hull Creek is a timely tale of change on the coast of Maine and the challenges it brings to the men who still seek their livelihood from the sea.
The Raft of Odysseus looks at the fascinating intersection of traditional myth with an enthnographically-viewed Homeric world. Carol Dougherty argues that the resourcefulness of Odysseus as an adventurer on perilous seas served as an example to Homer's society which also had to adjust in inventive ways to turbulent conditions. The fantastic adventures of Odysseus act as a prism for the experiences of Homer's own listeners--traders, seafarers, storytellers, soldiers--and give us a glimpse into their own world of hopes and fears, 500 years after the Iliadic events were supposed to have happened.
Presents a history of Sullivan's Hollow, Mississippi, a place purportedly synonymous with lawlessness.
Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.
The world-class Port Huron-Mackinac sailboat race has just finished at Mackinac Island. As soon as the boats dock, the sailors head for the legendary Pink Pony. But the night takes a grisly turn, and Jimmy Lyons is found dead the next morning in the bar, strangled by a string of Christmas tree lights. Murdo Halverson, a wealthy manufacturer from Detroit and Jimmy's former partner, is arrested for the murder. It turns out that the free spending Jimmy was broke. Each of his crew, including Murdo, had a reason to kill him. As did his wife, Jane. Burr Lafayette, recently divorced and the deposed head of the litigation department of a major Detroit law firm, is recruited to defend Murdo by his wife, Anne, and his mother, Martha, the widowed matriarch of the family. A man at loose ends, Burr is a brilliant litigator who prefers boats and dogs over courtrooms and clients. But he's not a criminal lawyer, and this looks like a losing case. Did Murdo kill Jimmy or was it someone else?
Diane Hammond’s beautifully rendered description of life in the fictional small town of Hubbard, Oregon, won her plaudits for Going to Bend, her debut novel. In Homesick Creek, Hammond returns to Hubbard and captivates us once again with a cast of characters so vivid we feel like we’ve known them all our lives. Anita and Bunny have been friends since high school, when Anita was a beauty queen runner-up and Bunny a sweet single mother with average looks. They were both taken by surprise when the handsome, charismatic Hack Neary chose Bunny to be his wife. A natural-born salesman, Hack now works his charms at the local car dealership, and he and Bunny enjoy a very comfortable life. But after sixteen years of excusing Hack’s white lies, Bunny is more shaken than she’d like to be by his dangerous new flirtation and her rising suspicions that Hack never meant to put down roots in Hubbard. Anita has also married, but unlike Hack and Bunny, she and her husband are barely scraping by. Bob isn’t ambitious enough to properly support his wife and daughter. He is, however, constant in his love: for Anita, still beautiful in his eyes despite the toll of age, work, and poverty; for his daughter and granddaughter, who need more than the couple can provide; and for Warren, his best friend since they were poor and unwanted children in the same trailer park. Facing a future that seems increasingly difficult, the friends turn to one another and find reserves of love and strength that help heal the wounds they inadvertently inflict on each other. At the deepest point of her grief, Bunny realizes, “If you loved somebody once, no matter how long ago, that had to be worth something.”
Peregrine Island is the recipient of the following 10 literary awards: 2017 Winner of the New York City Big Book Award for Mystery 2017 Best Book Awards Finalist in General Fiction for Fiction, for Literary, and for Mystery & Suspense 2017 Winner of the National Indie Excellence Award for Regional Fiction: Northeast 2017 Distinguished Favorite in Literary Fiction by Independent Press Awards 2017 International Book Awards Finalist for Literary Fiction 2017 National Indie Excellence Award Finalist for Fiction 2017 Bronze Award for US Northeast Fiction from the Independent Publisher (IPPY) Book Awards 2018 Reader Views Literary Award Finalist and Honorable Mention for Adult - Fiction 2018 A Reader's Favorite literary fiction award winner 2018 Semifinalist, Somerset Award for Literary Fiction, Chanticleer International Book Awards ~~~~~ Literary Mystery Highlights an Heirloom Painting on Long Island Sound and the Relationships between Three Generations of Women Part “who-done-it” and part family drama, this award-winning novel reveals that neither people nor paintings are always what they appear to be. Contradictory relationships within troubled families are nothing new, but the award-winning psychological novel written by well-known journalist Diane B. Saxton elevates these relationships and the mysterious heirloom painting that both exposes and unites them to an art form. Peregrine Island interweaves the stories of three generations of women, one valuable painting, the artist who created it, and those who would do anything to possess it – including kill. Lush with sensory details, this psychologically complex mystery novel is set on a private island in the middle of Long Island Sound. It begins when the family’s lives are turned upside-down one summer by so-called art experts, who appear on the doorstep of their isolated home to appraise a favorite heirloom painting. When incriminating papers along with two other paintings are discovered behind the painting in question, the appraisal turns into a full-fledged investigation and detectives are called into the case—but not by the family whose members grow increasingly antagonistic toward one another. During the course of the inquiry and as the summer progresses, the family members discover new secrets about one another and new facts about their past. Above all, they learn that neither people nor paintings can be taken at face value. The Peregrine family's lives are turned upside down one summer when so-called "art experts" appear on the doorstep of their Connecticut island home to appraise a favorite heirloom painting. When incriminating papers, as well as other paintings, are discovered behind the art work in question, the appraisal turns into a full-fledged investigation. Antagonism mounts between grandmother, mother, and child, who begin to suspect one another, as well as the shady newcomers in their midst, of foul play. As the summer progresses and the Peregrines discover facts about their past in the course of the investigation, they learn that people―including them―are not always who they appear to be.
Fifteen-year-old Pete Jenkins and his three summer friends visit the nearby Round Island Lighthouse after crossing the turbulent water of Lake Huron in their tiny dingy. After exploring the island they return to find their picnic basket turned upside down and a warning message in their boat. The threat on their lives only heightens their curiosity and leads them on the trail of dangerous thieves. Along the way the four friends discover a side of Mackinac Island that goes beyond fudge and horses---and eventually leads them into life-threatening danger.