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It was Edgar Allan Poe who inspired me in grade school to become a writer. The way he expressed himself in his poem, the birds have never left my spirit . I wished, as a child, he could have read to me this great work in person. So I tried my version of poetic melodies in my first book entitled McJoy's Melodies. But in moving ahead, one book wasn't enough. With pen and paper in hand, once again, I was inspired to write again. No poetry this time, rather an autobiography of sorts about my dear old dad. He was bigger than life itself. Dad not only told a story; he was quite the character. If any one of you out there had been fortunate enough to meet the king of the south, the real doaEUR"right man, you'd say along with me, "Old Willie McJoy was quite the guy." And well liked and respected among his peers. Truly he must be the real Mccoy. Ain't that right, Willie? Willie McJoy.
The handsome and successful Bobby Dallas has everything a good man could ever want—except a good woman. Bobby Dallas, a budding radio talk-show host, has no skeletons or kids in the closet. All that's missing is a talented, sexy, smart Black woman by his side. And that should be easy, right? But after a shattering breakup with his first love, Bobby wanders for years between women and jobs, unsure about marriage, family, economics, and his overall stability. Having achieved his dream of becoming a highly successful radio talk-show host, Bobby is a man with the best of intentions not only in his career, but also in love. He learns, though, that being a “do right man” in this society is far from easy.
From the highly praised author of "Flyy Girl" comes a novel about a handsome, successful African-American man looking for the one prize that's missing fromhis life.
In Black Feminist Thought , Patricia Hill Collins explores the words and ideas of Black feminist intellectuals as well as those African-American women outside academe. She not only provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, Alice Walker, and Audre Lorde, but she shows the importance of self-defined knowledge for group empowerment. In the tenth anniversary edition of this award-winning work, Patricia Hill Collins expands the basic arguments of the first edition by adding several important new themes. A new discussion of heterosexism as a system of power, an expanded treatment of images of Black womanhood, U.S. Black feminism's connections to Black Diasporic feminisms, and more attention to the importance of social class and nationalism all appear in the new edition. In addition, the new edition includes recent developments in black cultural studies, especially black popular culture, as well as recent events and trends such as the Anita Hill hearings and the backlash against affirmative action.
Moving beyond previous scholarship, he gives us a Locke as much concerned with the effective functioning of government as with the roots of its moral legitimacy."--BOOK JACKET.
Waking up to a text asking why you stood up your blind date is not the best way to start the day, especially when the man in question is standing half dressed in your kitchen. Maybe Dakota Newton shouldn't have assumed the gorgeous man with a devastating smile standing outside the coffee shop was her date. She probably-- Okay, she definitely shouldn't have slept with him, regardless of how hot the chemistry between them was. But how could she know Mr. Right was actually Mr. Wrong? Braxton Adams has been called a few things in his life, but a liar was never one of them. That all changes when he's approached by a beautiful woman who thinks he's there to meet her for a date. As a businessman, Brax knows to trust his gut and never let an opportunity pass him by, so he pretends to be someone he's not. Maybe he shouldn't have lied. Maybe he should have come clean. But in the end, it doesn't matter, because now he has to prove he's not the wrong man but the right one. So what if he's not the man she's expecting? She's the one he's been waiting for.